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MoMA: The Art of South Africa's Social Upheaval, by Daniel Silk on Mar 18, 2011 17:33:35 GMT 1, MoMA: The Art of South Africa's Social Upheaval
www.good.is/post/at-moma-the-art-of-south-africa-s-social-upheaval/
On March 23rd, New York's Museum of Modern Art will be featuring nearly 100 pieces from its extensive collection of South African artwork for Impressions from South Africa: 1965 to Now. Many of the works on display were acquired after the worldwide cultural boycott of South Africa dissolved in the 1990s, and the collection is a first-of-its-kind look inside South Africa's turbulent era of social upheaval.
The collection is composed mostly of prints, including poster art, linocut, screenprinting, and offset lithography. Under apartheid rule, access to formal training and traditional materials was nonexistent for black artists, so many flocked to printmaking for its format flexibility, high volume democratic reach, and relative affordability. At the height of the anti-apartheid movement, art collectives, underground studios, and commercial galleries pushed artwork into public view as a rallying cry for political change.
MoMA: The Art of South Africa's Social Upheaval www.good.is/post/at-moma-the-art-of-south-africa-s-social-upheaval/On March 23rd, New York's Museum of Modern Art will be featuring nearly 100 pieces from its extensive collection of South African artwork for Impressions from South Africa: 1965 to Now. Many of the works on display were acquired after the worldwide cultural boycott of South Africa dissolved in the 1990s, and the collection is a first-of-its-kind look inside South Africa's turbulent era of social upheaval. The collection is composed mostly of prints, including poster art, linocut, screenprinting, and offset lithography. Under apartheid rule, access to formal training and traditional materials was nonexistent for black artists, so many flocked to printmaking for its format flexibility, high volume democratic reach, and relative affordability. At the height of the anti-apartheid movement, art collectives, underground studios, and commercial galleries pushed artwork into public view as a rallying cry for political change.
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