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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Dec 11, 2013 7:46:12 GMT 1, They remind me of the old A Tribe Called Quest album covers  
A few people have referenced these tribe called quest pics. The original inspiration was actually based off the opening credits of 'The World is Not Enough' girls in oil, but with way more color and negative space. Originally came about as a surreal experiment of the female form, and finding ways to let the viewer see the girls in the paintings without being boring. Still surprises me how many 'older' people see mountains and other elements other than women in these paintings.
They remind me of the old A Tribe Called Quest album covers Hey 2soonjr, A few people have referenced these tribe called quest pics. The original inspiration was actually based off the opening credits of 'The World is Not Enough' girls in oil, but with way more color and negative space. Originally came about as a surreal experiment of the female form, and finding ways to let the viewer see the girls in the paintings without being boring. Still surprises me how many 'older' people see mountains and other elements other than women in these paintings. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by nealmason1986 on Dec 22, 2013 4:33:31 GMT 1, I just noticed there are a few of the print run available on GP for 150.
I bought a Psycameleon 4.0 Neon. Cant wait to see if in the flesh. No how this is still available its a bargain 300 pounds
Looking forward to 2014 and what shane turner can produce.
I just noticed there are a few of the print run available on GP for 150.
I bought a Psycameleon 4.0 Neon. Cant wait to see if in the flesh. No how this is still available its a bargain 300 pounds
Looking forward to 2014 and what shane turner can produce.
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aberdoom
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by aberdoom on Jan 25, 2014 22:42:41 GMT 1, Not sure if it's mentioned yet!
but Shane Turners Painting for Citabria Exit Reality Upcoming Album Cover...
has as a cool video!
really like this!
www.shaneturnerart.com
Not sure if it's mentioned yet! but Shane Turners Painting for Citabria Exit Reality Upcoming Album Cover... has as a cool video! really like this! www.shaneturnerart.com |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Feb 23, 2014 1:21:09 GMT 1, Haha, "Shame" Turner Art
I didn't know what to think when I saw this title. Clearly an honest mistake. Thanks for sharing my work.
Was a cool project to work on, currently doing some designs for the bands merch as well which should be good. The video actually uses the band's music which was cool for me as usually I don't have permission to use the music I use in my vids. Anyways just wanted to thank you for sharing my work on here man, it's much appreciated. I'm relatively new on the forum here, been lurking for a bit, trying to get a bit more active and let people know the random artist from Canada actually exists.
Here's the video for any who haven't and want to see it...
Haha, "Shame" Turner Art
I didn't know what to think when I saw this title. Clearly an honest mistake. Thanks for sharing my work.
Was a cool project to work on, currently doing some designs for the bands merch as well which should be good. The video actually uses the band's music which was cool for me as usually I don't have permission to use the music I use in my vids. Anyways just wanted to thank you for sharing my work on here man, it's much appreciated. I'm relatively new on the forum here, been lurking for a bit, trying to get a bit more active and let people know the random artist from Canada actually exists.
Here's the video for any who haven't and want to see it...
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Deleted on Feb 23, 2014 11:23:20 GMT 1, Cool vid, loving the finished image, some serious talent
Cool vid, loving the finished image, some serious talent
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Graffiti Prints
Art Gallery
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Graffiti Prints on Jun 25, 2014 9:08:01 GMT 1, hi
available this thursday 24th june at 3pm uk time at Β£300.
all unique 1 /1
Signed by the artist.
Dimensions: 70 x 50 cm
1 colour screen print on 300 gsm somerset paper with spot varnish over drips then hand painted in acrylics on top making the paint between 2mm & 4mm think on the paper.
lots of swirls in the paint, more an original on paperβ¦
hi available this thursday 24th june at 3pm uk time at £300. all unique 1 /1 Signed by the artist. Dimensions: 70 x 50 cm 1 colour screen print on 300 gsm somerset paper with spot varnish over drips then hand painted in acrylics on top making the paint between 2mm & 4mm think on the paper. lots of swirls in the paint, more an original on paper⦠|
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dranfan14
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by dranfan14 on Jun 25, 2014 10:07:50 GMT 1, very nice GP... that orange one is a thing of beauty!
very nice GP... that orange one is a thing of beauty!
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Deleted on Jun 25, 2014 11:25:14 GMT 1, Am liking that top one
Am liking that top one
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londonfx
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December 2013
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by londonfx on Jun 25, 2014 20:00:36 GMT 1, Would love one of these on my wall, and my missus actually likes them as well. Just a bit out of my price range. Good luck with the release!!
Would love one of these on my wall, and my missus actually likes them as well. Just a bit out of my price range. Good luck with the release!!
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mikehaspey
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by mikehaspey on Jun 26, 2014 18:11:27 GMT 1, Picked one up, love it, can't wait
Picked one up, love it, can't wait
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 6, 2015 17:02:23 GMT 1, Hey everyone. Will be releasing a new print today at 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms"
It's a GiclΓ©e Print on 300gsm Moab 100% Cotton Paper
18"x24" (19"x25" including 1/2 inch white border)
Signed/Numbered
Edition of 75 price is 160$(Canadian)
While I'm doing this release myself, I do want to thank GP from Graffitiprints and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out.
Also, here's a time-lapse video of the painting being made for those who like that sort of thing:
Hey everyone. Will be releasing a new print today at 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a GiclΓ©e Print on 300gsm Moab 100% Cotton Paper 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from Graffitiprints and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing: |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Steph Rat Catcher on Mar 6, 2015 17:46:19 GMT 1, Hey everyone. Will be releasing a new print today at Β 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a GiclΓ©e Print on 300gsm Moab 100% Cotton Paper Β 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered Β Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from GraffitiprintsΒ and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing:
Good luck with the release mate sure it will go well ..
Hey everyone. Will be releasing a new print today at Β 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a GiclΓ©e Print on 300gsm Moab 100% Cotton Paper Β 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered Β Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from GraffitiprintsΒ and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing: Good luck with the release mate sure it will go well .. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 6, 2015 18:40:58 GMT 1, Good luck with the release mate sure it will go well ..
Good luck with the release mate sure it will go well .. Thanks steph_rat_catcher , hope so. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Deleted on Mar 6, 2015 18:43:35 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 6, 2015 19:04:02 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy.
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sΙΗpΔ± Ιo uoΔ±ΚΙΙΉΗpΗΙ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Deleted on Mar 6, 2015 19:06:25 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sΙΗpΔ± Ιo uoΔ±ΚΙΙΉΗpΗΙ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy.
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sΙΗpΔ± Ιo uoΔ±ΚΙΙΉΗpΗΙ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 6, 2015 22:44:00 GMT 1, Thanks sΙΗpΔ± Ιo uoΔ±ΚΙΙΉΗpΗΙ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows Working on lots of new stuff, hopefully I'll get some opportunities this year to show them live.
Thanks sΙΗpΔ± Ιo uoΔ±ΚΙΙΉΗpΗΙ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows Working on lots of new stuff, hopefully I'll get some opportunities this year to show them live. |
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mace
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by mace on Mar 6, 2015 23:44:08 GMT 1, Impressive PR 
Impressive PR |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 7, 2015 11:54:34 GMT 1, Impressive PR
Impressive PR Cheers mace |
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natstan
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by natstan on Mar 7, 2015 13:56:05 GMT 1, This is nice. will be even better if it's a silkscreen print.
This is nice. will be even better if it's a silkscreen print.
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alittle
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by alittle on Mar 7, 2015 15:46:09 GMT 1,
earlgreytoast:
Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up?
shaneturner:
Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person.
I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future.
I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
earlgreytoast:
Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up?
shaneturner:
Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person.
I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future.
I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 8, 2015 10:01:31 GMT 1, Yes natstan I agree, but what alittle copied into the convo here is what I believe in this case. While I prefer the silkscreen in general, but wasn't convinced it would be worth it on this occasion for the subtle shading.
Currently looking into techniques to hybridize the two and see if it's feasible to do something with the shading/underpainting with giclee and then transparent colors silkscreened on top. Time will tell. But could be cool if it worked.
Yes natstan I agree, but what alittle copied into the convo here is what I believe in this case. While I prefer the silkscreen in general, but wasn't convinced it would be worth it on this occasion for the subtle shading. Currently looking into techniques to hybridize the two and see if it's feasible to do something with the shading/underpainting with giclee and then transparent colors silkscreened on top. Time will tell. But could be cool if it worked. |
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natstan
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by natstan on Mar 8, 2015 12:58:58 GMT 1, earlgreytoast:Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up? shaneturner:Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person. I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future. I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price...
earlgreytoast:Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up? shaneturner:Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person. I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future. I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print. I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 8, 2015 13:45:53 GMT 1, I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price...
Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here.
The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout.
I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer.
That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done.
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Deleted on Mar 8, 2015 23:20:21 GMT 1, I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done.
Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 10, 2015 0:22:13 GMT 1, Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count
Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count Not this time, as I Was working with Photosynthese, a company that specializes in digital related scanning and printing, as opposed to screenprinting. Same company that did Sandra Chevriers Giclee prints last year. That's why I was stoked to talk to JP from COA about where those were done as we're all in MontrΓ©al. |
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on Mar 11, 2015 1:40:31 GMT 1, Not sure if anyone on here got a print, but just in case, all orders have been shipped and tracking numbers added to paypal.
Cheers. -ST
Not sure if anyone on here got a print, but just in case, all orders have been shipped and tracking numbers added to paypal.
Cheers. -ST
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sake
New Member
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January 2014
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by sake on Mar 11, 2015 7:26:40 GMT 1, Holding out for an original :-)
Holding out for an original :-)
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by Shane Turner Art on May 20, 2015 17:31:24 GMT 1, Hey everyone. Exctied to be back and releasing a new screen-print with Graffitiprints on the 28th of May at 3pm UK time at graffitiprints.bigcartel.com
Will be doing a giveaway of one of the prints, please just like or comment on the thread to be entered into the giveaway draw.
Print is 50x70 cm on 300gsm Somerset paper, signed and numbered edition of 125 for 125Β£.
There will also be a variant on White Aluminum edition of 6 for 300Β£ with painted signatures in colored acrylics.
The print is of a painting I made entitled, "Psychameleon 5.1 Remix," for the show we had in NYC last summer. Been working on this since last year trying to perfect a new technique as these prints were made with specials ink that are typically used for Braille applications, in order to replicate the raised texture and glossiness of paint on my original canvases. We wanted to try something different technique-wise from the first Psychameleon print, to capture the vivid colors and texture. Always interesting to see new print techniques and I'm happy to say the result paid off and is definitely the nearest thing in print form to one of my acrylic originals to date.
More pics coming as soon as GP sends them my way...
Hey everyone. Exctied to be back and releasing a new screen-print with Graffitiprints on the 28th of May at 3pm UK time at graffitiprints.bigcartel.com Will be doing a giveaway of one of the prints, please just like or comment on the thread to be entered into the giveaway draw. Print is 50x70 cm on 300gsm Somerset paper, signed and numbered edition of 125 for 125Β£. There will also be a variant on White Aluminum edition of 6 for 300Β£ with painted signatures in colored acrylics. The print is of a painting I made entitled, "Psychameleon 5.1 Remix," for the show we had in NYC last summer. Been working on this since last year trying to perfect a new technique as these prints were made with specials ink that are typically used for Braille applications, in order to replicate the raised texture and glossiness of paint on my original canvases. We wanted to try something different technique-wise from the first Psychameleon print, to capture the vivid colors and texture. Always interesting to see new print techniques and I'm happy to say the result paid off and is definitely the nearest thing in print form to one of my acrylic originals to date. More pics coming as soon as GP sends them my way... |
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davievegas
New Member
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January 2013
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Shane Turner π¨π¦ New Paintings β’ Montreal Canada, by davievegas on May 20, 2015 17:32:36 GMT 1, Looks good. Congrats
Looks good. Congrats |
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