Ok mate. Thanks for that ! Tbh I haven't !! All over the place on prices !

eb $4000.... ;-)

anyway, good luck !
in my opinion a iconic image...

Not the best photo but here's mine framed up.



I think due to the brush strokes of the original, up close the print can look off, but a few steps back and it looks great.

Agree, I also think that this is an iconic image now. For anybody in America that didn't get chance to check this out at Dismaland, it is on display at the Baker Museum in Naples, Florida as part of Paco's show there starting at the end of this month.

Would be easier and make sense if you liked any of the Dismaland artists work to try and get a few pieces now as most of the work pre Dismaland is still available , small editions and affordable .
Post Dismaland prices up 30-40% for paco work at galleries and with I guess more galleries wanting to work with many of the artists for shows next year , work will be harder to source as more people are aware of the artists now and many cases pre sale lists are already filled before shows.

An upcoming exhibition
at Artis—Naples
November 25, 2015 – March 30, 2016
________________________________________

The figurative paintings of the Spanish artist Paco Pomet (b. 1970) transform mostly anonymous graphic sources into examinations of history, memory, and the absurd. Elements of subversion, at times subtle, then flagrant, imbue his compositions – usually monochromatic landscapes and portraits – leaving the viewer both intrigued by their accuracy and technical mastery, yet puzzled by their iconology.

A native of Granada, Pomet is a mid-career artist with an international reach, a prolific artistic output, and one who is commanding increasing scholarly attention for his already impressive oeuvre. Charged with denotative and connotative meaning, his work pleases the eye while provoking the mind, making sometimes surprising statements. As the artist, he is the first cause, the one who transforms his concerns into an image, allowing the viewer to deductively and inductively translate that effect.

Pomet’s work is embedded in the contemporary visual culture of intensive production of images yet also goes against the current, vindicating the use of the imagination to challenge the commonly obsolete perception of reality. In his paintings, the artist distorts the meaning of the image he reproduces through different ways: by integrating an element – often humorous – that is out of context within the subject that is depicted; by deforming characteristics or physical extremities of the beings he portrays; by playing with scale; or by using bright, almost unreal, colors. The result is a hilarious if not shocking or mysterious composition that invites the viewer to search for meaning, a playful proposition that reflects Pomet’s ultimate interest in “nourishing an active naiveté for looking at everything anew,” far from conventions.
A prominent characteristic of Paco Pomet’s oeuvre is the almost tangible presence that the dimension of time commands in his paintings. The artist’s fascination with the technological revolution of the first half of the twentieth century, and the innovative spirit from which it arose, is translated in his work through the representation of inventions of this era, often infused with an anachronistic twist. Other recurring themes in Pomet’s oeuvre are his “grotesque” propositions; his incorporation of elements of Americana; compositions of non-sites; and the capturing of situations immediately preceding a fatal event.

Pomet’s oeuvre relates to the work of René Magritte (Belgian, 1898 – 1967) which bears enigmatic yet surreal elements. His painterly style is aligned with that of the postmodern artist Mark Tansey (American, b. 1949). Pomet also joins Gerhard Richter’s (German, b. 1932) interest in ‘photo-painting,’ naturalizing the illusionistic space and equalizing the oeuvre’s information through the blurring of its background. In Spain, his work shares with Ángel Mateo Charris’ oeuvre (b.1962) its inspiration in comics and Pop-Art, and with that of his former studio colleague, Santiago Ydáñez (b. 1969), its technical freshness.
Paco Pomet is the first retrospective museum exhibition of the artist’s work in the U.S.


________________________________________
This exhibition has been organized by The Baker Museum of Artis—Naples.

artisnaples.org/

btw, you can see the original Internacional - Oil on canvas. 43.30 inches x 59 inches.
Collection of Alberto Urgel, Madrid, Spain

Looking forward to this, will be making the trip over at the beginning of March.

Is your piece in the exhibition cyberkid?

... more info here ...

urbanartassociation.com/thread/134636/paco-pomet-baker-museum-naples

Although it wasn't in English I found the video interesting.

<img alt="Video Preview" video="<iframe width=&quot;560" height="315" src=" frameborder="0" allowfullscreen></iframe>" src="//images.proboards.com/v5/bbcode/video-preview.png">

great print from a great artist for a great artist ;-)

congrats !

I bought one of these in August and am delighted with it. I appreciate that some folks said that it was a bit of a dissapointment when compared to what they saw at Dismaland but i didnt find that to be the case. I thought the quality of the actual print and paper / board was excellent.

Just got email€760 fuck that !!! Quick dump ur stock x

Huge edition and price, ride the Banksy hype. That price is insane

Seems really greedy, extremely greedy. Looks Brainwashy to me

nothing clever about the print or price for me.