I shall endeavor to get some of these new ones up here tomorrow. 

Hello people 
I have finally finished the next lot of this variable edition and thought I would create a new thread so that they can be viewed as a sequence. 
These pieces are screen printed and painted onto grey fabriano5 250gram paper. They measure 76x56cm.
There is a lot of under painting and screen printing in the backgrounds and they all have different amounts of painted finishing... and also yeah I am pretty happy with this lot. 

So this is number 11 of 20
 

13 of 20
and this one is up on my shop

leoboydprints.bigcartel.com/product/unto-the-void

15 of 20

And here are some of them all together

This edition is now sold out.
I have 10 of these left that are not part of the numbered edition but they are all titled and signed. 
Cheers
Leo
ah I forgot to say if you buy one of these I'll stick in a new mini print as a present.
leoboydprints.bigcartel.com/product/nothing-to-hide-nothing-to-fear

Ha!
This story is haunting me at the moment
But as i said to the others I was in kerry surfing with my family and have never been to the states
honest

Best of luck with the application Leo Boyd

So, a sectarian icon bites the dust


The shipyard workers identified with a Protestant state for a Protestant people. In the 1920s, Catholic workers were expelled from the shipyards while the shipyard workers in turn became the target of nationalist gunmen. The violence of the unionist retaliation was such that it was an exacerbating factor in the troubles of 1969, when Catholics whose homes had been attacked when they were children found themselves being attacked again in what seemed a re-run of the 1920s pogroms.



It was inevitable that the Belfast shipyards would ultimately fail. The assumption that no government could afford to make thousands of Protestants redundant in the middle of the Troubles meant that there was no incentive to change their productivity or work practices. Foreign ownership simply created another barrier between workers and management.



For a while the decline was camouflaged by the size and innovation of some of the projects undertaken. Now the mighty cranes, Samson and Goliath, look down on the Titanic Quarter, as the yard that was becomes an entertainment centre. Although one of the cranes is kept in working order, it seems there is no going back. The giants have left Queen's Island.



Kevin Johnston is a teacher and freelance writer. His book In the Shadow of Giants: A Social History of the Belfast Shipyardsis published by Gill and Macmillan

look up harland and wolff confetti

They look great , Leo Boyd !!

And this is a sneak peak of one of the prints

Ha!
I just caught myself liking a piece on instagram that was completely taking the piss out of liking things on instagram 

Love the first. cool works