Space series love them, RVE for all the invaders and the size (but black/white is missing a bit of fun), half little big space of course (maybe my favorite one! (When you see the real one in Paris and then the print it’s something!)
Love also the Aladdins.
As someone said before there are so many great prints from Invader it’s hard to choose... can’t wait to get the book and see all of them

I’m waiting for a mate, Invader lover, smart and kind member, but he won’t post as maybe he likes all of them !
.dappy, vibes was his first print no ?

Its nice thinking back at collecting. First was homeworks. Best was Invasion silver. Best find Mars AP from a French bookshop. I regret not buying Abbey Road.. maybe.

My other Invaders

Whoa ! 😍

cheers, both purchased from good members on here. Bought the grey framed and a few months later i bought the silver in a clear case and MFM picked it up directly from seller. MFM then framed it as per the grey print. The framing isnt identical but the difference is barely noticeable.

....or the one that kinda sorta didn't happen (unless your a book reader)...

Invader’s prints are for the most part self-published works made in conjunction with different exhibitions and actions. But it is important to note that from 2005 to 2015 he collaborated with the acclaimed London publisher and printer Pictures on Walls (POW), which was dedicated to producing and promoting street art as original print editions. Working with POW, he enhanced his prints through a special relief printing technology, which allowed him to bring out the image’s mosaic-like structure as well as each individual pixel.

Invader’s work expresses his interest in the beginnings of the digital world’s pixelated visualization and the gradual acceptance of the different devices that have radically changed our reality. The television screen, the computer monitor, and the smartphone are just a few such devices that have shaped and influenced the image of popular art, culture, entertainment, computer games, and our modes of personal communication. Most of his prints reflect this concern and are connected to his study of the basic types of the main figures and characters from the early period of video games and visual representation in the digital world. In connection with Invader’s revival of these popular characters, we cannot but notice his interest in pixels and a lo-fi aesthetic, whose retro look takes us nostalgically back to the history and beginnings of digital imagery design; in this way it preserves an interest in this part of our cultural and technological heritage.

In 2017, as part of the exhibition Hello, My Game Is …, Invader published a screen print with the interesting and evocative title Repetition, Variation, Evolution. Featuring one of the basic characters from his mosaic work, it can be understood as a manifesto. It illustrates his work process, as with only small modifications in the execution or construction of the character, it points to the quantity, multiplicity, and abiding presence of his idea.

His “Rubikcubist” prints are in a particular category. Using a palette limited to the colours of the well-known Rubik’s cube, they present his work on iconic images from famous album covers (Rubik Low Fidelity), which are joined by works based on the world of art history (Rubik Masterpieces) and carefully selected frames of villainous characters (Rubik Bad Men). The series shows the versatility of his method of simplifying motifs, which can turn almost any image into a specific type of visualized picture composed of only six colours.

The last major category of prints include those in which Invader applies his general concept of invading different kinds of spaces, both physical and mental. This can mean placing characters into famous artworks, such as the prints of Edvard Munch, or the series he created for his Art4space project, when he succeeded in having one of his mosaics sent into the stratosphere. Here we can also place prints in which Invader’s characters are hidden in an apparently abstract binary image. When he places his characters into an already existing visual image, this act of piracy changes the content of the original message in a way that makes it more vivid, direct, and clear: This is an invasion.

www.mglc-lj.si/eng/exhibitions_and_events/invader_prints_on_paper/175

Do you own one ? I had one wasnt too impressed with the small scale embossing. I tell you what was a great print "6 Cubes " editions of 20. Wish I kept it

favourite by a mile

Funny I always thought led and rve were same size. I never looked just assumed. I started out liking led more. Then lately decided I don’t like it at all. But seeing it that size I kinda like it again. Still think rve is the best print he’s done in a while. I just lump those two together as they were released close to each other