Als, your over thinking again get a bit of fresh air and relax

I don't have one and I've considered making a move on one more times than I can count. But, I do believe that one day those London, NY, Bristol canvases will be looked back upon as highly desirable and important. I adore their raw nature with the crude legs, weaponary spelling, the fact that he replaced Paris with Bristol and the barcode too. It was obviously a joke at the time but in hindsight the artist may be surprised at how correct he was to highlight Bristol.

However today the contemporary auctions kick into full gear. If price were no matter and I could pick one lot from each of the evening sales, here would be my choices (dare to dream):

www.artnet.com/PDB/PublicLotDetails.aspx?lot_id=426233001&page=1

www.artnet.com/PDB/PublicLotDetails.aspx?lot_id=426239371&page=1

Thanks for all the pics Silky

Cant believe the 2 weeks Ive had at work has meant that I havent been able to get to see this even though I work about 15 mins away from Knightsbridge

Great looking back at some of these old show photos.

I attended this show. I remember they had a small ‘pile’ of unsigned Grannies prints for sale at £1100 or £1200, which at the time was expensive. Whilst I was chatting with the owner of the gallery this very posh old lady asked him to put one aside for her. She was obviously a friend of his or lived local in one of the fantastic streets.

From my archives, here's the Kids With Guns in Andipa's window at the 2007 exhibition.  I also found a raft of other stencils from the show, all shot on an old phone - hence the quality. From memory the Rude Copper was £75,000. I was only £70k short.