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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 6, 2015 17:02:23 GMT 1, Hey everyone. Will be releasing a new print today at 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms"
It's a Giclรฉe Print on 300gsm Moab 100% Cotton Paper
18"x24" (19"x25" including 1/2 inch white border)
Signed/Numbered
Edition of 75 price is 160$(Canadian)
While I'm doing this release myself, I do want to thank GP from Graffitiprints and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out.
Also, here's a time-lapse video of the painting being made for those who like that sort of thing:
Hey everyone. Will be releasing a new print today at 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a Giclรฉe Print on 300gsm Moab 100% Cotton Paper 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from Graffitiprints and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing: |
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Shane Turner - "Right Here In My Arms" Print, by Steph Rat Catcher on Mar 6, 2015 17:46:19 GMT 1, Hey everyone. Will be releasing a new print today at ย 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a Giclรฉe Print on 300gsm Moab 100% Cotton Paper ย 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered ย Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from Graffitiprintsย and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing:
Good luck with the release mate sure it will go well ..
Hey everyone. Will be releasing a new print today at ย 12pm EST (5pm UK time) at shop.shaneturnerart.com
Print is of a recent painting I did called "Right Here In My Arms" It's a Giclรฉe Print on 300gsm Moab 100% Cotton Paper ย 18"x24" (19"x25" including 1/2 inch white border) Signed/Numbered ย Edition of 75 price is 160$(Canadian) While I'm doing this release myself, I do want to thank GP from Graffitiprintsย and JP from COA gallery for their advice, as this was my first independent print project. Really happy how this turned out. Also, here's a time-lapse video of the painting being made for those who like that sort of thing: Good luck with the release mate sure it will go well .. |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 6, 2015 18:40:58 GMT 1, Good luck with the release mate sure it will go well ..
Good luck with the release mate sure it will go well .. Thanks steph_rat_catcher , hope so. |
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Shane Turner - "Right Here In My Arms" Print, by Deleted on Mar 6, 2015 18:43:35 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 6, 2015 19:04:02 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here
Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy.
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sษวpฤฑ ษo uoฤฑสษษนวpวษ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. |
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January 1970
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Shane Turner - "Right Here In My Arms" Print, by Deleted on Mar 6, 2015 19:06:25 GMT 1, Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sษวpฤฑ ษo uoฤฑสษษนวpวษ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy.
Hi Shane, Big fan of your work. Congrats on the new release, and happy to see you on here Thanks sษวpฤฑ ษo uoฤฑสษษนวpวษ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 6, 2015 22:44:00 GMT 1, Thanks sษวpฤฑ ษo uoฤฑสษษนวpวษ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows Working on lots of new stuff, hopefully I'll get some opportunities this year to show them live.
Thanks sษวpฤฑ ษo uoฤฑสษษนวpวษ, no idea how you got your name like that, messing with my brain. Huge fan of what goes on on this forum, very interesting place. Never heard of it til I started working with GP. Been here a while as a member, but don't post as often as Id like, a few times in the sketchbook thread mainly. Thanks again for the support, looking forward to putting out some solid stuff this year, hopefully you and some of the others here will enjoy. great! especially love the way your originals look in person, so hoping I'll have some more opportunities to see your work in shows Working on lots of new stuff, hopefully I'll get some opportunities this year to show them live. |
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mace
Junior Member
Posts โข 1,491
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August 2008
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Shane Turner - "Right Here In My Arms" Print, by mace on Mar 6, 2015 23:44:08 GMT 1, Impressive PR 
Impressive PR |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 7, 2015 11:54:34 GMT 1, Impressive PR
Impressive PR Cheers mace |
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natstan
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March 2013
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Shane Turner - "Right Here In My Arms" Print, by natstan on Mar 7, 2015 13:56:05 GMT 1, This is nice. will be even better if it's a silkscreen print.
This is nice. will be even better if it's a silkscreen print.
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alittle
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November 2012
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Shane Turner - "Right Here In My Arms" Print, by alittle on Mar 7, 2015 15:46:09 GMT 1,
earlgreytoast:
Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up?
shaneturner:
Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person.
I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future.
I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
earlgreytoast:
Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up?
shaneturner:
Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person.
I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future.
I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 8, 2015 10:01:31 GMT 1, Yes natstan I agree, but what alittle copied into the convo here is what I believe in this case. While I prefer the silkscreen in general, but wasn't convinced it would be worth it on this occasion for the subtle shading.
Currently looking into techniques to hybridize the two and see if it's feasible to do something with the shading/underpainting with giclee and then transparent colors silkscreened on top. Time will tell. But could be cool if it worked.
Yes natstan I agree, but what alittle copied into the convo here is what I believe in this case. While I prefer the silkscreen in general, but wasn't convinced it would be worth it on this occasion for the subtle shading. Currently looking into techniques to hybridize the two and see if it's feasible to do something with the shading/underpainting with giclee and then transparent colors silkscreened on top. Time will tell. But could be cool if it worked. |
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natstan
Junior Member
Posts โข 1,806
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March 2013
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Shane Turner - "Right Here In My Arms" Print, by natstan on Mar 8, 2015 12:58:58 GMT 1, earlgreytoast:Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up? shaneturner:Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person. I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future. I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print.
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price...
earlgreytoast:Love the image, too bad you went the giclee route with these, otherwise I was in for one. I love how Psychameleon just pops off the paper at you. Any particular reason you switched it up? shaneturner:Thanks earlgreytoast. Main reason was this painting used transparent colors on top of shaded underpainting. The result was a lot of subtle shading, color swirls that I feel would've been ridiculously difficult to try to capture with screenprinting. With giclee I was able to scan the painting in very high quality and make sure every little thing came out exactly how it looks in reality. Even the black background has all the canvas texture which is really awesome up close in person. I do prefer the texture of silkscreen for my colorful pieces, with no shading, as they're much easier to recreate in layers. There will still be silkscreened pieces with Graffitiprints in the near future. I'm just not sold on the value of doing tons of extra screens to recreate the shading on a piece like this when I've seen that in can be done a bit more simple and effectively with Giclee to get a really nice print. I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 8, 2015 13:45:53 GMT 1, I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price...
Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here.
The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout.
I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer.
That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done.
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. |
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Deleted
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January 1970
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Shane Turner - "Right Here In My Arms" Print, by Deleted on Mar 8, 2015 23:20:21 GMT 1, I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done.
Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count
I thought so too earlier, but looking at eelus's recent prints like conjuring and sunmoning, it seems to be able to apply the same in shane's works? Of course, that drives up the cost and price... Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 10, 2015 0:22:13 GMT 1, Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count
Yes and no. While those prints are both really awesome, the shading involved is made from solid colors of spray spattered patterns, which is similar to doing halftones. While that is clearly the look eelus is going for, it wouldn't work the same here. The shading in my painting is an underpainting with transparent colors painted over top. I'm not an expert on screenprinting by any means, but I would've thought to get the smooth shading to work would require many screens for each color from it's lightest to darkest value in the shaded areas, and then additional screens for all the subsequent colors that blend where blues, pinks and whites hit each other and mix throughout. I imagine if done correctly it could be really awesome or if not just end up a trapping nightmare for a printer. That being said if someone on here knows some examples of more traditionally painted shading captured in a screenprint I'd love to see them and try to figure out how it was done. Did you (or your printer) try playing with halftones? You can get some great shading using a high mesh count Not this time, as I Was working with Photosynthese, a company that specializes in digital related scanning and printing, as opposed to screenprinting. Same company that did Sandra Chevriers Giclee prints last year. That's why I was stoked to talk to JP from COA about where those were done as we're all in Montrรฉal. |
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Shane Turner - "Right Here In My Arms" Print, by Shane Turner Art on Mar 11, 2015 1:40:31 GMT 1, Not sure if anyone on here got a print, but just in case, all orders have been shipped and tracking numbers added to paypal.
Cheers. -ST
Not sure if anyone on here got a print, but just in case, all orders have been shipped and tracking numbers added to paypal.
Cheers. -ST
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sake
New Member
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January 2014
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Shane Turner - "Right Here In My Arms" Print, by sake on Mar 11, 2015 7:26:40 GMT 1, Holding out for an original :-)
Holding out for an original :-)
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