sakyamuni
Junior Member
Posts โข 2,451
Likes โข 1,671
July 2009
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Finok at galeria Patricia Armocida, by sakyamuni on Nov 9, 2015 14:16:24 GMT 1, I was lucky to be in Milano a few weeks back and to visit this great exhibition. Not be missed if you are in the area
I was lucky to be in Milano a few weeks back and to visit this great exhibition. Not be missed if you are in the area
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sakyamuni
Junior Member
Posts โข 2,451
Likes โข 1,671
July 2009
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Finok at galeria Patricia Armocida, by sakyamuni on Nov 9, 2015 14:19:25 GMT 1,
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sakyamuni
Junior Member
Posts โข 2,451
Likes โข 1,671
July 2009
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Finok at galeria Patricia Armocida, by sakyamuni on Nov 9, 2015 14:22:37 GMT 1,
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sakyamuni
Junior Member
Posts โข 2,451
Likes โข 1,671
July 2009
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Finok at galeria Patricia Armocida, by sakyamuni on Nov 9, 2015 14:24:28 GMT 1,
opened until December
opened until December
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stradled
Junior Member
Posts โข 1,061
Likes โข 187
April 2007
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Finok at galeria Patricia Armocida, by stradled on Nov 9, 2015 14:34:42 GMT 1, Those pieces are beautiful, right up my street. Thanks for posting sakyamuni
Those pieces are beautiful, right up my street. Thanks for posting sakyamuni
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Winter
Junior Member
Posts โข 7,139
Likes โข 4,444
March 2007
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Finok at galeria Patricia Armocida, by Winter on Nov 9, 2015 14:43:02 GMT 1, Nice work, I can see a few influences there
Nice work, I can see a few influences there
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sakyamuni
Junior Member
Posts โข 2,451
Likes โข 1,671
July 2009
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Finok at galeria Patricia Armocida, by sakyamuni on Nov 9, 2015 14:51:54 GMT 1, In the past 10 years Raphael Sagarra, aka โFinokโ, has established himself as one of the most prolific names on the streets of Sรฃo Paulo, the megalopolis which has been the epicenter of South American graffiti culture since the 90s. His works expand on elements from Brazilian folk culture, weaving them with his own personal vision.
Finok places the subjects of his canvases into visually striking contexts, creating patterns with wood, often layering different planes, punctuating the surface. The geometric patterns and textures are reminiscent of Pipas and Baloes, traditional folk handiwork made by overlapping pieces of colored paper.
Pipas are handmade fighter kites whose strings are coated with glue and glass shards in order to cut down opponentsโ kites. Behind what seems like an innocent game actually lurks a violent nature which turns into a battle for survival. For the artist, it represents a way of preparing for the perils that come with adult life.
The creative force and desire to go beyond oneโs limits through style and dexterousness can also be found in Baloes, paper balloons propelled by fire. Rival clans spend months building gigantic balloons in order to show off their superiority to their community and beyond. This activity, now illegal as it causes feuds and fires, masks a poetic aspect: enormous effort put into something so fleeting, waiting for a balloon to fly for a mere 10 minutes before it disappears into the sky. This tradition has religious origins from colonial times and celebrates saints whose feast days are in June.
A universe of beliefs and devotional customs, present in Brazilian religious syncretism, is expressed through the religious masks and shrines that often recur in Finokโs works.
In the past 10 years Raphael Sagarra, aka โFinokโ, has established himself as one of the most prolific names on the streets of Sรฃo Paulo, the megalopolis which has been the epicenter of South American graffiti culture since the 90s. His works expand on elements from Brazilian folk culture, weaving them with his own personal vision.
Finok places the subjects of his canvases into visually striking contexts, creating patterns with wood, often layering different planes, punctuating the surface. The geometric patterns and textures are reminiscent of Pipas and Baloes, traditional folk handiwork made by overlapping pieces of colored paper.
Pipas are handmade fighter kites whose strings are coated with glue and glass shards in order to cut down opponentsโ kites. Behind what seems like an innocent game actually lurks a violent nature which turns into a battle for survival. For the artist, it represents a way of preparing for the perils that come with adult life.
The creative force and desire to go beyond oneโs limits through style and dexterousness can also be found in Baloes, paper balloons propelled by fire. Rival clans spend months building gigantic balloons in order to show off their superiority to their community and beyond. This activity, now illegal as it causes feuds and fires, masks a poetic aspect: enormous effort put into something so fleeting, waiting for a balloon to fly for a mere 10 minutes before it disappears into the sky. This tradition has religious origins from colonial times and celebrates saints whose feast days are in June.
A universe of beliefs and devotional customs, present in Brazilian religious syncretism, is expressed through the religious masks and shrines that often recur in Finokโs works.
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