Urban Art Association

Cripta Djan 'PARÁGRAFO 1 - Framed with Tru View anti reflect, by mpm on Feb 1, 2022 14:25:15 GMT 1, Selling this striking piece. Looks great on the wall, but, need the space for something new.














Cripta Djan 'PARÁGRAFO 1' (2018)



Hand pulled screen print



100 x 70 cm print

105 x 75 frame



Hanemuller 320gs paper



Edition of 90



Hand signed and numbered by the artist



Includes Certificate of Authenticity



Framed with UltraVue UV70 anti reflective glass



Mint condition



London/Hertfordshire based



£400








Cripta Djan, was born in 1984 in Sao Paulo, Brazil, started to pixar in 1996. Djan entered to the gang “Cripta” at age 13, to which he belongs today. In his early teens, he conquered space in the metropolis realizing the largest number of pixos in radius and complexity of execution. His activity in the streets consecrated him among pixadores. Djan was one of the pioneers of the riskiest modalities of pixação, the “escalada” or climbing, reaching the top of sky scrappers with over 20 stories without safety devices. After obtaining such legitimacy in the movement, he started to defend the cause of youngsters from the outskirts of the metropolis, becoming a leader, and a mirror, for those who wish to leave social invisibility.

Selling this striking piece. Looks great on the wall, but, need the space for something new.














Cripta Djan 'PARÁGRAFO 1' (2018)



Hand pulled screen print



100 x 70 cm print

105 x 75 frame



Hanemuller 320gs paper



Edition of 90



Hand signed and numbered by the artist



Includes Certificate of Authenticity



Framed with UltraVue UV70 anti reflective glass



Mint condition



London/Hertfordshire based



£400








Cripta Djan, was born in 1984 in Sao Paulo, Brazil, started to pixar in 1996. Djan entered to the gang “Cripta” at age 13, to which he belongs today. In his early teens, he conquered space in the metropolis realizing the largest number of pixos in radius and complexity of execution. His activity in the streets consecrated him among pixadores. Djan was one of the pioneers of the riskiest modalities of pixação, the “escalada” or climbing, reaching the top of sky scrappers with over 20 stories without safety devices. After obtaining such legitimacy in the movement, he started to defend the cause of youngsters from the outskirts of the metropolis, becoming a leader, and a mirror, for those who wish to leave social invisibility.