Reminds me of Francis Bacon. He used boxes like that to represent isolation, or something along those lines. no pun intended ;0)

Oski ... go and search the other parasite threads/work ... I think you will like them

I absolutely love what you are doing Parasite.  There is a dearth of art interpretation and criticism on these forums, despite their ostensible focus on art.  It actually baffles me that in hundred thousands of posts, maybe only 1% or less are devoted to discussing the merit of the artwork (besides their financial worth) and people's interpretation thereof.  So if you don't mind, I'd like to take a crack at it, and please keep in mind that it's meant to be constructive.

On the surface, this series utilize the cool adaptive reuse of thrift store art, and represent an invasion of not only your additions upon them, but the foreign objects you depict are literally overtaking the landscapes. But to me this goes further on the theoretical level, and is about the dichotic challenge of modern vs. traditional art, and the figurative vs. the non-figurative.  

The first piece is by far the best executed to me, and to me one of the most exciting things I've seen in a long time.  It's got several elements working for me:

1.  The verticality is further emphasized by your black object and it can either be ascending to overtake the mountain peak or descending with the white lines plotting it's landing.
2.  The white lines and the white box below create an optical distortion as the mind attempts to reconcile the projection of the white box to the black box.
3.  The white and black boxes actually subvert each other as both are equally the solid and the void.
4.  The shapes are just cool, lol.

The subsequent work, I'm not as enthusiastic about due to the following:
1. The black shapes are way too big and obfuscate the very challenges I've spoken about above.  There's no real landscape to compete with the overwhelming black boxes.
2. They don't have the svelte elegance of the box and lines in the first piece.  You should really go with the white lines and white box as a counterpoint to the black box and allow their intricate dance to come through.
3  They are not visually balanced and don't achieve a gestalt of an organized whole that is more than the sum of its parts, and it's a compositional issue.

I will apologize in advance if my unsolicited comments are out of line.  But I see great promise in what you are doing and it would be a shame if it's not being fully realized.  Take care.

Finally after a little pause here I'm back. I have a lot of other artistic activities in poland and I can't paint everyday but at last I can show you something new.

A week ago I came up with an idea that apart from painting those bigger pictures I can show you some of my sketches on papers sometimes. It won't be like with Russian Roulette or Levitan's Rainbows because here I especially want to paint those canvases etc for maybe an exhibition in near future... but sometimes I will show sketches!



So now for being in touch - 0000000000000000000000001 :






BLACK THING (sketch 00001)
acryl on old printed paper
24,5 x 29 cm


&
if someone want then you can get it cheaply via: 
shop.parasite.pl/

with love from poland