Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by graffuturism on Feb 2, 2015 2:04:42 GMT 1,

Feb 2, 2015 0:35:47 GMT 1 FЯ said:

This drawing people thing cannot have much legs.
i would like to see some progression but at the moment, i just cannot see how he will do it.
only seen a few bits, it is like ive seen it all.

where is the progresion!

I hope this is sarcastic, haha.

Maybe he should stick to painting one of the easiest figurative poses to capture then lets paint the eyes which are one of the easier portions to render, while were at it lets repeat this at length with different wallpaper to fill in the portions we dont want to paint. Yes I am sure this would be a more fruitful way to paint other than flipping the figure in several positions, compositions, foreshortening, scaling, etc. Lets choose the most basic formula a figurative painter uses and call it a day. And yes I am using your favorite SC as an example.

Ill ask you a serious question you can answer in here or in the SC thread. Break down figuratively, painterly, compositionaly why Borondo's work is a bore. Then explain why SC work with the same principles is better. Lets just stick to these portions of each others work, because I know you cant argue that her work is conceptually better than his. If you want to have that conversation we can do that as well. But something tells me you will give a sarcastic 1-2 sentence reply dismissing any real conversation we could have about this.

Feb 2, 2015 0:35:47 GMT 1 FЯ said:

This drawing people thing cannot have much legs.
i would like to see some progression but at the moment, i just cannot see how he will do it.
only seen a few bits, it is like ive seen it all.

where is the progresion!

I hope this is sarcastic, haha.

Maybe he should stick to painting one of the easiest figurative poses to capture then lets paint the eyes which are one of the easier portions to render, while were at it lets repeat this at length with different wallpaper to fill in the portions we dont want to paint. Yes I am sure this would be a more fruitful way to paint other than flipping the figure in several positions, compositions, foreshortening, scaling, etc. Lets choose the most basic formula a figurative painter uses and call it a day. And yes I am using your favorite SC as an example.

Ill ask you a serious question you can answer in here or in the SC thread. Break down figuratively, painterly, compositionaly why Borondo's work is a bore. Then explain why SC work with the same principles is better. Lets just stick to these portions of each others work, because I know you cant argue that her work is conceptually better than his. If you want to have that conversation we can do that as well. But something tells me you will give a sarcastic 1-2 sentence reply dismissing any real conversation we could have about this.