thisisanton
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Chevrier,Handiedan and Mimi Sholz at JLG, by thisisanton on Apr 17, 2015 0:56:49 GMT 1,
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Collection 1
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Chevrier,Handiedan and Mimi Sholz at JLG, by Collection 1 on Apr 17, 2015 4:38:53 GMT 1, Are you gonna expose your ''Sandra Chevrier Plot Theory'' on each thread relating to her?!!I think we got your point that you do not like her work in a lots of previous threads. Fine for you. What I do not accept is your constant lies around her artistic process. You are still insinuating that she was copying Marion and because I told her that her ink drawings were looking like Bolognessi's work (that she didn't know) she started to glue comics to make something different. That's f@#$*? bul#$%!. She were doing her ''cages series'' since 2012.She were doing female portraits with brushstrokes and raw paints on their face and then she moves into comics collage!I already told you that but you don't want to understand.I'm bored.
Please next time, before stating lies and being contemptuous over her work do your home works. Also if you find her work soooooooo boring why are you taking the time to read each thread about her?! There's a lot of artists that do not suit my personal taste on the forum and I don't loose my time reading stuff on them, commenting and doing some google search images and uploading pics to prove my lies. Life is short man.Do something constructive.Thanks.
Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff.
Are you gonna expose your ''Sandra Chevrier Plot Theory'' on each thread relating to her?!!I think we got your point that you do not like her work in a lots of previous threads. Fine for you. What I do not accept is your constant lies around her artistic process. You are still insinuating that she was copying Marion and because I told her that her ink drawings were looking like Bolognessi's work (that she didn't know) she started to glue comics to make something different. That's f@#$*? bul#$%!. She were doing her ''cages series'' since 2012.She were doing female portraits with brushstrokes and raw paints on their face and then she moves into comics collage!I already told you that but you don't want to understand.I'm bored. Please next time, before stating lies and being contemptuous over her work do your home works. Also if you find her work soooooooo boring why are you taking the time to read each thread about her?! There's a lot of artists that do not suit my personal taste on the forum and I don't loose my time reading stuff on them, commenting and doing some google search images and uploading pics to prove my lies. Life is short man.Do something constructive.Thanks. Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff.
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coller
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Chevrier,Handiedan and Mimi Sholz at JLG, by coller on Apr 17, 2015 4:49:35 GMT 1, Tired criticisms. Congrats Sandra!
Tired criticisms. Congrats Sandra!
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randomname
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June 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 5:23:05 GMT 1, Are you gonna expose your ''Sandra Chevrier Plot Theory'' on each thread relating to her?!!I think we got your point that you do not like her work in a lots of previous threads. Fine for you. What I do not accept is your constant lies around her artistic process. You are still insinuating that she was copying Marion and because I told her that her ink drawings were looking like Bolognessi's work (that she didn't know) she started to glue comics to make something different. That's f@#$*? bul#$%!. She were doing her ''cages series'' since 2012.She were doing female portraits with brushstrokes and raw paints on their face and then she moves into comics collage!I already told you that but you don't want to understand.I'm bored. Please next time, before stating lies and being contemptuous over her work do your home works. Also if you find her work soooooooo boring why are you taking the time to read each thread about her?! There's a lot of artists that do not suit my personal taste on the forum and I don't loose my time reading stuff on them, commenting and doing some google search images and uploading pics to prove my lies. Life is short man.Do something constructive.Thanks. Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff.
You have a very funny definition of "lies." To you, the word seems to have the exact opposite meaning as it has for the rest of us.
This was one of her first "cages." To me, it looks like a bad knockoff of Marion Bolognesi. If you want to claim it's coincidental, I don't think it makes much of a difference. We can both agree her "cages" starting out looking like someone else's work.
As for where the comic book idea came from, those are her words, not mine.
"The comic book collage was another idea that was born by accident. I was working on a DIY project by covering one of my Ikea dressers with comic book pages but it broke during the process. I had no idea what to do with all the comics I bought, but by recycling them on to my art, the idea of creating these different cages came to life."
chasseurmagazine.com/2013/08/29/chasseur-interviews-artist-sandra-chevrier/#
If you want to hype her work for your personal gain, go right ahead. But if you want to call someone a liar while lying through your teeth, you should probably pick a lie that isn't so easily proven false.
Are you gonna expose your ''Sandra Chevrier Plot Theory'' on each thread relating to her?!!I think we got your point that you do not like her work in a lots of previous threads. Fine for you. What I do not accept is your constant lies around her artistic process. You are still insinuating that she was copying Marion and because I told her that her ink drawings were looking like Bolognessi's work (that she didn't know) she started to glue comics to make something different. That's f@#$*? bul#$%!. She were doing her ''cages series'' since 2012.She were doing female portraits with brushstrokes and raw paints on their face and then she moves into comics collage!I already told you that but you don't want to understand.I'm bored. Please next time, before stating lies and being contemptuous over her work do your home works. Also if you find her work soooooooo boring why are you taking the time to read each thread about her?! There's a lot of artists that do not suit my personal taste on the forum and I don't loose my time reading stuff on them, commenting and doing some google search images and uploading pics to prove my lies. Life is short man.Do something constructive.Thanks. Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff. You have a very funny definition of "lies." To you, the word seems to have the exact opposite meaning as it has for the rest of us. This was one of her first "cages." To me, it looks like a bad knockoff of Marion Bolognesi. If you want to claim it's coincidental, I don't think it makes much of a difference. We can both agree her "cages" starting out looking like someone else's work. As for where the comic book idea came from, those are her words, not mine. "The comic book collage was another idea that was born by accident. I was working on a DIY project by covering one of my Ikea dressers with comic book pages but it broke during the process. I had no idea what to do with all the comics I bought, but by recycling them on to my art, the idea of creating these different cages came to life." chasseurmagazine.com/2013/08/29/chasseur-interviews-artist-sandra-chevrier/#If you want to hype her work for your personal gain, go right ahead. But if you want to call someone a liar while lying through your teeth, you should probably pick a lie that isn't so easily proven false.
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d.r. perseus
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December 2014
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Chevrier,Handiedan and Mimi Sholz at JLG, by d.r. perseus on Apr 17, 2015 6:42:32 GMT 1, Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff.
Never painted or drawn before? The creative process is full of "happy accidents" that we ascribe meaning to after the accident, just like we do with life events. Its called being human.
So she even if your point stands that she admired someone else's style or art and wanted to produce something similar, she made something that is all her own. Love it (as I do) or hate it (as you do), only one of us seems to understand that art can be born many ways....
Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff. Never painted or drawn before? The creative process is full of "happy accidents" that we ascribe meaning to after the accident, just like we do with life events. Its called being human. So she even if your point stands that she admired someone else's style or art and wanted to produce something similar, she made something that is all her own. Love it (as I do) or hate it (as you do), only one of us seems to understand that art can be born many ways....
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overend
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October 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by overend on Apr 17, 2015 7:38:44 GMT 1, You forgot the complete Blek Le Rat rip off but I'll lump that in to my reply. Remove that derivative work of having ANY value. You are left with an extensive, far reaching, impactful, genre defining catalog of art. Remove all of the derivative work from Sandra's catalog and.... you've got... absolute dick. Cool. So you dont like it. Just say so.
Surely people are allowed to counter your continued and constant hyping? Or perhaps not given your position on the forum.
Carry on.
You forgot the complete Blek Le Rat rip off but I'll lump that in to my reply. Remove that derivative work of having ANY value. You are left with an extensive, far reaching, impactful, genre defining catalog of art. Remove all of the derivative work from Sandra's catalog and.... you've got... absolute dick. Cool. So you dont like it. Just say so. Surely people are allowed to counter your continued and constant hyping? Or perhaps not given your position on the forum. Carry on.
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sake
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Chevrier,Handiedan and Mimi Sholz at JLG, by sake on Apr 17, 2015 7:41:36 GMT 1, I'll carry on then
Collection 1 do you know if there will be any new works available or just remakes of old images as shown in the instragram link provided by freerange?
I've seen more images on ig that are similar, but no new works as of yet..
I'll carry on then Collection 1 do you know if there will be any new works available or just remakes of old images as shown in the instragram link provided by freerange? I've seen more images on ig that are similar, but no new works as of yet..
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Fะฏ
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Chevrier,Handiedan and Mimi Sholz at JLG, by Fะฏ on Apr 17, 2015 7:56:03 GMT 1, Cool. So you dont like it. Just say so. Surely people are allowed to counter your continued and constant hyping? Or perhaps not given your position on the forum. Carry on. I just dont think it is relevent to keep bringing up the copyright stance as a passive aggressive way of not liking something. If you do not like it, then why so annoyed about it. Just seems odd that people would care so much. Either ignore the thread or just so it is not for you... That is it.
Why are you even 'countering' a discussion about artwork that you do not like in the first place?
It is a also a boring argument for those that want to talk about the exhibition. It is not hyping, it is called a discussion about something you are interested in. Im not going to stop talking about the work and show just because people are jealous or dont like the artist, it is a ridiculous thing to keep saying.
right.. Can we get on with this thread now...
Cool. So you dont like it. Just say so. Surely people are allowed to counter your continued and constant hyping? Or perhaps not given your position on the forum. Carry on. I just dont think it is relevent to keep bringing up the copyright stance as a passive aggressive way of not liking something. If you do not like it, then why so annoyed about it. Just seems odd that people would care so much. Either ignore the thread or just so it is not for you... That is it. Why are you even 'countering' a discussion about artwork that you do not like in the first place? It is a also a boring argument for those that want to talk about the exhibition. It is not hyping, it is called a discussion about something you are interested in. Im not going to stop talking about the work and show just because people are jealous or dont like the artist, it is a ridiculous thing to keep saying. right.. Can we get on with this thread now...
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nex
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Chevrier,Handiedan and Mimi Sholz at JLG, by nex on Apr 17, 2015 8:32:57 GMT 1, Why are you even 'countering' a discussion about artwork that you do not like in the first place? .. I can't speak for others but personally I want people new to urban art to learn that there's constructive discussion to be had about the validity of views.
Why are you even 'countering' a discussion about artwork that you do not like in the first place? .. I can't speak for others but personally I want people new to urban art to learn that there's constructive discussion to be had about the validity of views.
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Fะฏ
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Chevrier,Handiedan and Mimi Sholz at JLG, by Fะฏ on Apr 17, 2015 8:54:52 GMT 1, Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away...
Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away...
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Deleted
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Chevrier,Handiedan and Mimi Sholz at JLG, by Deleted on Apr 17, 2015 8:59:10 GMT 1, Fantastic to see Sandra at LeVine. Initially it was going to be in the small room but demand and interest was so high I understand she's now showing in the large space. Copyright issue is a non issue according to "fair use" and generally just trotted out to troll SC threads. The history of Marvel comics use in contemporary art is a long one. It's funny that some suppossed fans of the arts try and champion corporate rights to surpress creativity in search of unbrideled profit over the right of young independent artists to use aspects of their own culture in their own work. Culture always builds on what's gone before. LeVine's program has been great this year. Good to see Roa and Sandra Chevrier back to back.
Fantastic to see Sandra at LeVine. Initially it was going to be in the small room but demand and interest was so high I understand she's now showing in the large space. Copyright issue is a non issue according to "fair use" and generally just trotted out to troll SC threads. The history of Marvel comics use in contemporary art is a long one. It's funny that some suppossed fans of the arts try and champion corporate rights to surpress creativity in search of unbrideled profit over the right of young independent artists to use aspects of their own culture in their own work. Culture always builds on what's gone before. LeVine's program has been great this year. Good to see Roa and Sandra Chevrier back to back.
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Deleted
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Chevrier,Handiedan and Mimi Sholz at JLG, by Deleted on Apr 17, 2015 9:05:46 GMT 1, Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
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randomname
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 13:51:07 GMT 1, Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff. Never painted or drawn before? The creative process is full of "happy accidents" that we ascribe meaning to after the accident, just like we do with life events. Its called being human. So she even if your point stands that she admired someone else's style or art and wanted to produce something similar, she made something that is all her own. Love it (as I do) or hate it (as you do), only one of us seems to understand that art can be born many ways.... Maybe it's just me, but I don't consider taking one artist's style and pasting a bunch of other artists work over it "making it her own."
The lack of respect she displays for intellectual property has always bothered me. So when she cried "thanks for the copyrights" over someone stealing her stolen art, that was one of the funniest and most ironic things I've seen in a very long time.
Considering this was her inspiration, that pretty much sums it up. + If anyone doesn't know the backstory, her "cages" series started out as a Marion Bolgnesi clone. She was told it was too close and tried to modify it to be different. While working on a crafts project, gluing comics to an old dresser, the dresser broke. She didn't know what else to do with the comics, so she put them over an old canvas. Deep stuff. Never painted or drawn before? The creative process is full of "happy accidents" that we ascribe meaning to after the accident, just like we do with life events. Its called being human. So she even if your point stands that she admired someone else's style or art and wanted to produce something similar, she made something that is all her own. Love it (as I do) or hate it (as you do), only one of us seems to understand that art can be born many ways.... Maybe it's just me, but I don't consider taking one artist's style and pasting a bunch of other artists work over it "making it her own." The lack of respect she displays for intellectual property has always bothered me. So when she cried "thanks for the copyrights" over someone stealing her stolen art, that was one of the funniest and most ironic things I've seen in a very long time.
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randomname
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 13:53:22 GMT 1, Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away... Quit posting the same hype in every thread and you might not get the same response.
Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away... Quit posting the same hype in every thread and you might not get the same response.
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Fะฏ
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May 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by Fะฏ on Apr 17, 2015 14:19:33 GMT 1, Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away... Quit posting the same hype in every thread and you might not get the same response. What? Are you telling me to post negative comments then. What else is supposed to be said? You actively troll Sandra Chevrier threads randomname and it is tiresome.
Yes thats cool nex, its just the repetitive comments from the same members. Saying once is ok but not on every single thread. Discuss away... Quit posting the same hype in every thread and you might not get the same response. What? Are you telling me to post negative comments then. What else is supposed to be said? You actively troll Sandra Chevrier threads randomname and it is tiresome.
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danbongo
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Chevrier,Handiedan and Mimi Sholz at JLG, by danbongo on Apr 17, 2015 14:30:19 GMT 1, Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
I'd like your comments more if they weren't always defending artists who's work you sell
Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
I'd like your comments more if they weren't always defending artists who's work you sell
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Deleted
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January 1970
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Chevrier,Handiedan and Mimi Sholz at JLG, by Deleted on Apr 17, 2015 14:38:17 GMT 1, Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
I'd like your comments more if they weren't always defending artists who's work you sell
Exhibit, promote, sell and buy for my own collection actually, alongside chatting to & generally supporting of course.
Those interested in the issue of copyright/creative commons/copyleft/fair use etc etc or would just like a more nuanced and informed look at the issues around the topic should check out this great eyeopening documentary.
I'd like your comments more if they weren't always defending artists who's work you sell
Exhibit, promote, sell and buy for my own collection actually, alongside chatting to & generally supporting of course.
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randomname
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 14:39:12 GMT 1, Quit posting the same hype in every thread and you might not get the same response. What? Are you telling me to post negative comments then. What else is supposed to be said? You actively troll Sandra Chevrier threads randomname and it is tiresome. You post the same shit in every thread. And you're going to get the same response.
Quit saying her work is more than comics pasted over someone else's style and we'll quit proving you wrong.
Quit posting the same hype in every thread and you might not get the same response. What? Are you telling me to post negative comments then. What else is supposed to be said? You actively troll Sandra Chevrier threads randomname and it is tiresome. You post the same shit in every thread. And you're going to get the same response. Quit saying her work is more than comics pasted over someone else's style and we'll quit proving you wrong.
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danbongo
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April 2015
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Chevrier,Handiedan and Mimi Sholz at JLG, by danbongo on Apr 17, 2015 14:44:26 GMT 1, Are we not allowed to discuss art or artists anymore..... I'm pretty sure no one is forbidding discussion? But perhaps being challenged is the real issue for some?
Are we not allowed to discuss art or artists anymore..... I'm pretty sure no one is forbidding discussion? But perhaps being challenged is the real issue for some?
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danbongo
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Chevrier,Handiedan and Mimi Sholz at JLG, by danbongo on Apr 17, 2015 14:55:34 GMT 1, don't like the words? block the user. easy.
don't like the words? block the user. easy.
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sin
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February 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by sin on Apr 17, 2015 15:28:41 GMT 1, sure, its just comics stuck on aint it. Thats got her into galleries around the world alone. Nup. The unfortunately reality of urban contemporary / new brow aka low brow aka whatever the fuck this is, is that "cool" sells. However as a collector, who is rabidly passionate about the actual cultural value some of this art has to the arc of art history, "cool" pisses me off, because "cool" is fashion, "cool" ensures that the movement eats itself when what is "cool" becomes "uncool".
People like her work and Jonathan is a reasonably smart business man. He sees a product that people are buying, he knows that each artists need to sell out in NY to move from "emerging" to established. He has a core skill set of bringing artists to NY and turning x,xxx artists into xx,xxx artists. She's a great short bet. However that's it. There isn't a deeper meaning that was organic, it was manufactured. There isnt vision, translation or execution. People have an affinity for A. pretty girls and B. comic book characters.
Finally, outside of the argument of the real artistic value of the work is the question of theft. Taking someones work, in this case characters developed by and art drawn by someone else and making that a key element in ones work is theft. Appropriation of an image vs theft is murky, I concur, however theft like pornography its hard to describe but easy to know when you see it. This work would be valueless without the stolen elements .While I am in no real position to question the credibility of JLG, I think the presentation of this work does raise questions and that DC / Marvel folks would have a reasonable case if they sought remedy for the misuse of their IP.
sure, its just comics stuck on aint it. Thats got her into galleries around the world alone. Nup. The unfortunately reality of urban contemporary / new brow aka low brow aka whatever the fuck this is, is that "cool" sells. However as a collector, who is rabidly passionate about the actual cultural value some of this art has to the arc of art history, "cool" pisses me off, because "cool" is fashion, "cool" ensures that the movement eats itself when what is "cool" becomes "uncool". People like her work and Jonathan is a reasonably smart business man. He sees a product that people are buying, he knows that each artists need to sell out in NY to move from "emerging" to established. He has a core skill set of bringing artists to NY and turning x,xxx artists into xx,xxx artists. She's a great short bet. However that's it. There isn't a deeper meaning that was organic, it was manufactured. There isnt vision, translation or execution. People have an affinity for A. pretty girls and B. comic book characters. Finally, outside of the argument of the real artistic value of the work is the question of theft. Taking someones work, in this case characters developed by and art drawn by someone else and making that a key element in ones work is theft. Appropriation of an image vs theft is murky, I concur, however theft like pornography its hard to describe but easy to know when you see it. This work would be valueless without the stolen elements .While I am in no real position to question the credibility of JLG, I think the presentation of this work does raise questions and that DC / Marvel folks would have a reasonable case if they sought remedy for the misuse of their IP.
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sin
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Chevrier,Handiedan and Mimi Sholz at JLG, by sin on Apr 17, 2015 15:29:12 GMT 1, Someone stole what I stole thats stealing
Someone stole what I stole thats stealing
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kbfrombk
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Chevrier,Handiedan and Mimi Sholz at JLG, by kbfrombk on Apr 17, 2015 15:48:39 GMT 1, Incredible post
Incredible post
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sin
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Chevrier,Handiedan and Mimi Sholz at JLG, by sin on Apr 17, 2015 15:56:00 GMT 1, Lastly, dont present the "fair use" arguement as if this has been decided. This issue is constantly battled and as you know ther are really 4 pillers that define fair use. I think its more than arguable that SC's use of the orther artists work doesn't meet standards of fair use depending on your lens and for that reason debate will exist. Ron English taking Ronald McDonald and making him Obese is fair use, it adds something, it isnt depriving mcdonalds of revenue they should receive for their creation, its not directly copying the image as it is, and the nature of the work provides the public with useful information in its appropriation. In contrast, Sandra's work, through her own admission was something she realized was "cool" while doing something, she took the creative product as it was and collaged it onto something else, its using that artists creative work to generate revenue, and there is little being added to the public conversation. It's not clear cut, but you can absolutely make arguements for or against without being a hater.
Since the last time I brought this up, one of the stinkfish magazine pieces I own was brought up, let me run that down the same funnel.
1. Purpose of use, has the work taken on new meaning. I think that the Stinkfish piece clearly takes on new meaning, the thorn marks in a pattern that echos the history of the latin american environment the artist grew up in provides a clear juxtapozition of the magazine cover that was used. Also, to be fair, the comparative artistic impact of the magazine cover pales in comparrison to the visual impact and cultural awareness of Wolverine or Superman.
2. Does the work benefit the public by providing useful information and was the source work previously published. Yes the magazine was previously published, however it wasn't done so for artistic purposues, it was advertising / editoral. The value culturally to the rework was really covered in my prior point.
3. Proportion or signfigance of use. In this area, Stinkfish clearly used the entire image. So you could from this lens argue that it doesnt meet fair use. I would gladly give this point to the magazine. I could argue that his rework is of greater signficance artistically than the intial purpose of the magazine image, but I made that point prior and could let it go here.
4. Impact of the new work on a potential market. Is the magazine losing out on revenue based on the use of its IP by stinkfish. Is stinkfish leveraging their cache to benefit his own. No and this is quite possibly the most damning point against CV's use. People who like the characters in the Marvel / DC universe can buy this work solely for that connection and that absolutely leverages the benefit of someone elses creativity to financial gain.
There, cogent arguement, your turn.
Lastly, dont present the "fair use" arguement as if this has been decided. This issue is constantly battled and as you know ther are really 4 pillers that define fair use. I think its more than arguable that SC's use of the orther artists work doesn't meet standards of fair use depending on your lens and for that reason debate will exist. Ron English taking Ronald McDonald and making him Obese is fair use, it adds something, it isnt depriving mcdonalds of revenue they should receive for their creation, its not directly copying the image as it is, and the nature of the work provides the public with useful information in its appropriation. In contrast, Sandra's work, through her own admission was something she realized was "cool" while doing something, she took the creative product as it was and collaged it onto something else, its using that artists creative work to generate revenue, and there is little being added to the public conversation. It's not clear cut, but you can absolutely make arguements for or against without being a hater.
Since the last time I brought this up, one of the stinkfish magazine pieces I own was brought up, let me run that down the same funnel.
1. Purpose of use, has the work taken on new meaning. I think that the Stinkfish piece clearly takes on new meaning, the thorn marks in a pattern that echos the history of the latin american environment the artist grew up in provides a clear juxtapozition of the magazine cover that was used. Also, to be fair, the comparative artistic impact of the magazine cover pales in comparrison to the visual impact and cultural awareness of Wolverine or Superman.
2. Does the work benefit the public by providing useful information and was the source work previously published. Yes the magazine was previously published, however it wasn't done so for artistic purposues, it was advertising / editoral. The value culturally to the rework was really covered in my prior point.
3. Proportion or signfigance of use. In this area, Stinkfish clearly used the entire image. So you could from this lens argue that it doesnt meet fair use. I would gladly give this point to the magazine. I could argue that his rework is of greater signficance artistically than the intial purpose of the magazine image, but I made that point prior and could let it go here.
4. Impact of the new work on a potential market. Is the magazine losing out on revenue based on the use of its IP by stinkfish. Is stinkfish leveraging their cache to benefit his own. No and this is quite possibly the most damning point against CV's use. People who like the characters in the Marvel / DC universe can buy this work solely for that connection and that absolutely leverages the benefit of someone elses creativity to financial gain.
There, cogent arguement, your turn.
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Deleted
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Chevrier,Handiedan and Mimi Sholz at JLG, by Deleted on Apr 17, 2015 16:15:47 GMT 1, Getting Deja Vu, it's like arguing with the past in here sometimes. ;-)
Getting Deja Vu, it's like arguing with the past in here sometimes. ;-)
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sin
New Member
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Chevrier,Handiedan and Mimi Sholz at JLG, by sin on Apr 17, 2015 16:20:10 GMT 1, They have penicillin for that I think.
They have penicillin for that I think.
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randomname
Junior Member
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June 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 16:42:01 GMT 1, Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling.
Bat Fetus
Bat Fetus is the story of an aborted fetus. Shortly after being unceremoniously ripped from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born.
Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers.
Coming soon to a comic book near you. Brought to you by Christian Comics.
Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling.
Bat Fetus
Bat Fetus is the story of an aborted fetus. Shortly after being unceremoniously ripped from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born.
Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers.
Coming soon to a comic book near you. Brought to you by Christian Comics.
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Fะฏ
Full Member
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May 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by Fะฏ on Apr 17, 2015 16:42:26 GMT 1, Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling. Bat Fetus Bat fetus is the story of an aborted fetus. Shortly after being unceremoniously from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born. Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers. Coming soon to a comic book near you. Brought to you by Christian Comics. you know she paints the comics right
Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling. Bat Fetus Bat fetus is the story of an aborted fetus. Shortly after being unceremoniously from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born. Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers. Coming soon to a comic book near you. Brought to you by Christian Comics. you know she paints the comics right
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randomname
Junior Member
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June 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by randomname on Apr 17, 2015 16:44:07 GMT 1, Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling. Bat Fetus Bat fetus is the story of an aborted fetus. Shortly after being unceremoniously from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born. Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers. Coming soon to a comic book near you. Brought to you by Christian Comics. you know she paints the comics right I know she now copies the comics. Before, she literally cut and pasted them onto her canvases.
Personally, I think she should come up with her own comics. I'll even give her a freebie to get the ball rolling. Bat Fetus Bat fetus is the story of an aborted fetus. Shortly after being unceremoniously from his mother's womb, Bat Fetus was disposed of as medical waste. As fate would have it, that medical waste came in contact with radioactive waste and Bat Fetus was born. Bat Fetus fights for the lives of unborn fetuses everywhere. Its superpower is projecting sonographic images of unborn children into the minds of their would-be murderous mothers. Coming soon to a comic book near you. Brought to you by Christian Comics. you know she paints the comics right I know she now copies the comics. Before, she literally cut and pasted them onto her canvases.
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Fะฏ
Full Member
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May 2013
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Chevrier,Handiedan and Mimi Sholz at JLG, by Fะฏ on Apr 17, 2015 16:45:03 GMT 1, you know she paints the comics right I know she now copies the comics. Before, she literally cut and pasted them onto her canvases. oh really, never knew that.
you know she paints the comics right I know she now copies the comics. Before, she literally cut and pasted them onto her canvases. oh really, never knew that.
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