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KLF, The JAMs, by Daniel Silk on Jul 22, 2017 11:19:07 GMT 1,
Liverpool:Welcome To The Dark Ages. 23rd - 25th August 2017
Day One: Why Did The K Foundation Burn A Million Quid? Day Two: 2023: What The Fuuk Is Going On? Day Three:The Rites of MuMufication.
Only 400 tickets available. No guest lists. No press passes. All ticket holders are Volunteers. Tickets go on sale 11:23AM 23rd July 2017
bidolito.co.uk/jams/
Liverpool:Welcome To The Dark Ages. 23rd - 25th August 2017 Day One: Why Did The K Foundation Burn A Million Quid? Day Two: 2023: What The Fuuk Is Going On? Day Three:The Rites of MuMufication. Only 400 tickets available. No guest lists. No press passes. All ticket holders are Volunteers. Tickets go on sale 11:23AM 23rd July 2017 bidolito.co.uk/jams/
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KLF, The JAMs, by Daniel Silk on Jul 22, 2017 11:24:53 GMT 1,
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KLF, The JAMs, by Everyone Owes on Jul 22, 2017 11:34:48 GMT 1, All ticket holders will be volunteers....
..three different events over three days.
Very Black Mirror. Love it.
All ticket holders will be volunteers....
..three different events over three days.
Very Black Mirror. Love it.
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yobaby
New Member
🗨️ 408
👍🏻 254
November 2016
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KLF, The JAMs, by yobaby on Jul 22, 2017 11:44:30 GMT 1, Love this.
Love this.
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KLF, The JAMs, by Daniel Silk on Jul 22, 2017 11:52:47 GMT 1, Hope it's real.
A bit disappointed in the "Day One: Why Did The K Foundation Burn A Million Quid?" I mean let's move forward please 😉
I'm a big KLF fan, as I have said before, it's part of the story how I got into Art and this forum certainly would never have been created without the inspiration of the KLF.
Hope it's real.
A bit disappointed in the "Day One: Why Did The K Foundation Burn A Million Quid?" I mean let's move forward please 😉
I'm a big KLF fan, as I have said before, it's part of the story how I got into Art and this forum certainly would never have been created without the inspiration of the KLF.
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yobaby
New Member
🗨️ 408
👍🏻 254
November 2016
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KLF, The JAMs, by yobaby on Jul 22, 2017 12:01:15 GMT 1, I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF.
This could well or spectacularly wrong, precisely why I love these guys
I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF. This could well or spectacularly wrong, precisely why I love these guys
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KLF, The JAMs, by Daniel Silk on Jul 22, 2017 12:11:53 GMT 1, I think most of us pray for a full return of the KLF, coz I'm sure they can have a bigger impact now than they did before. They clearly both have strong views on today's world and they have the skills to really make a mark. I just wonder if they have slightly lost track of things? I mean are they both happy in what they have been doing in the last decade or are they secretly hoping things would be getting more exposure?
I think most of us pray for a full return of the KLF, coz I'm sure they can have a bigger impact now than they did before. They clearly both have strong views on today's world and they have the skills to really make a mark. I just wonder if they have slightly lost track of things? I mean are they both happy in what they have been doing in the last decade or are they secretly hoping things would be getting more exposure?
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KLF, The JAMs, by blackdogprints on Jul 22, 2017 12:13:06 GMT 1, kLF kylie said to Jason propa
kLF kylie said to Jason propa
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KLF, The JAMs, by stillborncrisps on Jul 22, 2017 13:17:30 GMT 1, I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF. This could well or spectacularly wrong, precisely why I love these guys I sort of agree, but at the same time from what I remember, they've always claimed they don't know why they did it. Maybe they will finally give a real answer. (some hope )
I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF. This could well or spectacularly wrong, precisely why I love these guys I sort of agree, but at the same time from what I remember, they've always claimed they don't know why they did it. Maybe they will finally give a real answer. (some hope )
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KLF, The JAMs, by Daniel Silk on Jul 22, 2017 13:27:19 GMT 1, I think the KLF could maybe go along the lines of what Banksy has done. What I mean is, they seemed a bit shy making so much money from the music, but I think now they would have more imaginative ways of using it on projects similar to how Banksy selling his art to help fund things like the Hotel and Dismaland. I would guess if KLF allowed download sites to start selling their back catalogue, and possibly releasing some new tracks or remixes of old tracks, that could fund more exciting KLF projects. Even start a art Gallery under the KLF name? Supporting similar artists.
I think the KLF could maybe go along the lines of what Banksy has done. What I mean is, they seemed a bit shy making so much money from the music, but I think now they would have more imaginative ways of using it on projects similar to how Banksy selling his art to help fund things like the Hotel and Dismaland. I would guess if KLF allowed download sites to start selling their back catalogue, and possibly releasing some new tracks or remixes of old tracks, that could fund more exciting KLF projects. Even start a art Gallery under the KLF name? Supporting similar artists.
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Deleted
🗨️ 0
👍🏻
January 1970
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KLF, The JAMs, by Deleted on Jul 23, 2017 19:58:14 GMT 1, I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF. This could well or spectacularly wrong, precisely why I love these guys I sort of agree, but at the same time from what I remember, they've always claimed they don't know why they did it. Maybe they will finally give a real answer. (some hope )
There was a contract written on a car pushed off a cliff that said they wouldn't speak about it for 23 years. That was 23 years ago.
klf.de/home/ufaqs/push-car-cape-wrath/
I have to agree with you about point 1. The million quid stunt has been pored over to death, reinvention not nostalgia is what I'd expect from the KLF. This could well or spectacularly wrong, precisely why I love these guys I sort of agree, but at the same time from what I remember, they've always claimed they don't know why they did it. Maybe they will finally give a real answer. (some hope ) There was a contract written on a car pushed off a cliff that said they wouldn't speak about it for 23 years. That was 23 years ago. klf.de/home/ufaqs/push-car-cape-wrath/
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Deleted
🗨️ 0
👍🏻
January 1970
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KLF, The JAMs, by Deleted on Jul 23, 2017 20:38:22 GMT 1, Hang on a minute. Supposed Banksy pops up in Liverpool and now the KLF are playing. Is Banksy Jimmy Cauty? Is Robert Del Naja one of the KLF? Is the new Timelord a lady, Could Banksy be Bambi?
Hang on a minute. Supposed Banksy pops up in Liverpool and now the KLF are playing. Is Banksy Jimmy Cauty? Is Robert Del Naja one of the KLF? Is the new Timelord a lady, Could Banksy be Bambi?
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notudon
New Member
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👍🏻 18
January 2013
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KLF, The JAMs, by notudon on Jul 23, 2017 20:42:08 GMT 1, Anyone else buy tickets?
Anyone else buy tickets?
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yorkie
New Member
🗨️ 867
👍🏻 708
June 2016
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KLF, The JAMs, by yorkie on Jul 24, 2017 1:09:49 GMT 1, Didn't get a ticket but I would have if I'd have been in the U.K.
ELF - great songs!
Yorkie
Didn't get a ticket but I would have if I'd have been in the U.K.
ELF - great songs!
Yorkie
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mose
New Member
🗨️ 410
👍🏻 424
May 2017
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KLF, The JAMs, by mose on Jul 24, 2017 1:15:28 GMT 1, IMO, I would pay close attention the the return of the KLF. I think it will give hints as to how Banksy will translate for younger generations.
IMO, I would pay close attention the the return of the KLF. I think it will give hints as to how Banksy will translate for younger generations.
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Deleted
🗨️ 0
👍🏻
January 1970
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KLF, The JAMs, by Deleted on Jul 24, 2017 12:00:31 GMT 1, "Yes. They burnt a million pounds in an abandoned boathouse on Jura, (near the village of Ardfin if you want to make a pilgrimage) in the middle of the night of the 23rd of August 1994. It took just over an hour for Cauty and Drummond to pile the wads onto the flames, while Gimpo filmed it, and freelance journalist Jim Reid witnessed it. The whole story is told by Reid in an article called ‘Money To Burn’ from GQ magazine, available in the ftp archive. Reid admits to feeling at first guilt, then boredom while watching the money burn. In the Omnibus documentary, the K-F’s bank confirmed that a million pounds in cash had been withdrawn (intriguingly, the pictured statement also shows a credit transfer of ukp1,300,000 going into the Foundation’s account just a few days later!!!), and picked up by a private security firm who also confirmed the amount. Some of the notes remained unburned, were washed out to sea when the tide came in, and were later found by a Jura resident on a beach. He handed 1500 pounds into the police who traced the serial numbers and confirmed with Drummond that they were his and that he didn’t want them back. Some ashes (valued in the Omnibus documentary at between ukp 800 to 81,000!) were brought back from Jura, and kept in a suitcase, until Bill and Jimmy asked Chesham brickmaker James Matthews (age 23) to make them into a brick. Bill said the reason for the request would be revealed in 23 years. The film “Watch the K Foundation Burn a Million Quid” was shown to nearly half the population of Jura on the 23rd of August 1995. Unfortunately it was very badly filmed (on Super 8) and all the dialogue is almost intelligible. The next question is why on earth did they do it? For the first six months of 1994 the K-F tried to get their art exhibition (which consisted of over a million pounds in actual bank notes) staged. The most likely gallery was the Tate in Liverpool, where Jayne Casey from Big In Japan now works (shown here with Bill and Jimmy). Unfortunately it didn’t come off so they had to consider other options. They thought about taking the exhibition across Russia by train, but the cost of insuring a million pounds against robbery by the armed gangs that roam across the Steppes, was too high. They decided that the money was a millstone around their necks, that depressed them. They decided they would have to really burn the money. They couldn’t decide whether to make the burning public or not. They thought of putting a picture of ‘Nailed to the Wall’ with a flame-thrower beside it, on a billboard in London. A week later the picture would have changed to ashes. Eventually Drummond decided that ‘the shock value will spoil it really. Because it doesn’t want to be a shocking thing; it just wants to be a fire’. However they still took a journalist along to witness it. They thought it was important that the public had faith that they did do it, so they (said they had) destroyed the video evidence. All through their career the concept of burning a million pounds comes up. When they deleted their back catalogue it was described as being the equivalent of burning millions of pounds. They threatened to burn the K-F art award prize money (Gimpo was fumbling with matches and lighter fluid when at the last moment Rachel Whiteread accepted the prize). And in the 7th K-F press advert they stated “What would you do with a million pounds? Burn it?” Also they had made the decision that the money was not theirs, it was the K-F’s. It had to be used for a K-F project, and couldn’t be given to anyone else. The money burning is in effect a massive, and very expensive, publicity stunt so that Drummond and Cauty can go down in history as the men who burnt a million pounds. It is supposed to make you think about money, and its relationship with art. Really what is the difference between spending money on useless objects or publicity, and making the actual loss of the money the publicity. No one castigates Cher for spending her millions on 12 mansions world-wide and not giving them to charity. Why attack the K-F for spending their million and not giving it to charity. Bill once said in a letter to Nick: “…we could have gone and put the money to some publicly acceptable good use (The starving millions, cancer research, Greenpeace; take your pick), but no, we chose to burn it. Why?… What is the appeal?” If they have introduced an important debate about the nature of money, art and fame, then the money might have been used wisely. It’s not even true that they are fools who have lost their money, as by having “he burnt a million pounds” on their CV’s they will be interesting to the media for the rest of their lives, and able to make it back easily. Just like the first line in every biography and obituary of Divine was “he once ate dog shit on film” the names of Bill Drummond and Jimmy Cauty will always be followed by “the men who burnt a million pounds”. Bill also said, in 1996, that someone once told him, (after seeing the video for Earth Song), that the reason the K Foundation burned it is because they knew they would never be as good as Michael Jackson. In March 1997, after some years consideration, Bill explained: “One night an audience was asked: is there anyone here that would’ve liked to do this or thought about this? And people put up their hands. That became a regular thing and it would be about ten per cent [of the audience], so ten per cent of the population …or ten per cent of the people who came to see this film! [Drummond laughs uproariously] Or maybe they were just trying to endear themselves to us- but it was a real thing. We realised that it wasn’t like we were so different or so special or so far-out or so fucking fucked-up; we just happened to have a million lying around…”" klf.de/home/faqs/other-creative-exploits/
"Yes. They burnt a million pounds in an abandoned boathouse on Jura, (near the village of Ardfin if you want to make a pilgrimage) in the middle of the night of the 23rd of August 1994. It took just over an hour for Cauty and Drummond to pile the wads onto the flames, while Gimpo filmed it, and freelance journalist Jim Reid witnessed it. The whole story is told by Reid in an article called ‘Money To Burn’ from GQ magazine, available in the ftp archive. Reid admits to feeling at first guilt, then boredom while watching the money burn. In the Omnibus documentary, the K-F’s bank confirmed that a million pounds in cash had been withdrawn (intriguingly, the pictured statement also shows a credit transfer of ukp1,300,000 going into the Foundation’s account just a few days later!!!), and picked up by a private security firm who also confirmed the amount. Some of the notes remained unburned, were washed out to sea when the tide came in, and were later found by a Jura resident on a beach. He handed 1500 pounds into the police who traced the serial numbers and confirmed with Drummond that they were his and that he didn’t want them back. Some ashes (valued in the Omnibus documentary at between ukp 800 to 81,000!) were brought back from Jura, and kept in a suitcase, until Bill and Jimmy asked Chesham brickmaker James Matthews (age 23) to make them into a brick. Bill said the reason for the request would be revealed in 23 years. The film “Watch the K Foundation Burn a Million Quid” was shown to nearly half the population of Jura on the 23rd of August 1995. Unfortunately it was very badly filmed (on Super 8) and all the dialogue is almost intelligible. The next question is why on earth did they do it? For the first six months of 1994 the K-F tried to get their art exhibition (which consisted of over a million pounds in actual bank notes) staged. The most likely gallery was the Tate in Liverpool, where Jayne Casey from Big In Japan now works (shown here with Bill and Jimmy). Unfortunately it didn’t come off so they had to consider other options. They thought about taking the exhibition across Russia by train, but the cost of insuring a million pounds against robbery by the armed gangs that roam across the Steppes, was too high. They decided that the money was a millstone around their necks, that depressed them. They decided they would have to really burn the money. They couldn’t decide whether to make the burning public or not. They thought of putting a picture of ‘Nailed to the Wall’ with a flame-thrower beside it, on a billboard in London. A week later the picture would have changed to ashes. Eventually Drummond decided that ‘the shock value will spoil it really. Because it doesn’t want to be a shocking thing; it just wants to be a fire’. However they still took a journalist along to witness it. They thought it was important that the public had faith that they did do it, so they (said they had) destroyed the video evidence. All through their career the concept of burning a million pounds comes up. When they deleted their back catalogue it was described as being the equivalent of burning millions of pounds. They threatened to burn the K-F art award prize money (Gimpo was fumbling with matches and lighter fluid when at the last moment Rachel Whiteread accepted the prize). And in the 7th K-F press advert they stated “What would you do with a million pounds? Burn it?” Also they had made the decision that the money was not theirs, it was the K-F’s. It had to be used for a K-F project, and couldn’t be given to anyone else. The money burning is in effect a massive, and very expensive, publicity stunt so that Drummond and Cauty can go down in history as the men who burnt a million pounds. It is supposed to make you think about money, and its relationship with art. Really what is the difference between spending money on useless objects or publicity, and making the actual loss of the money the publicity. No one castigates Cher for spending her millions on 12 mansions world-wide and not giving them to charity. Why attack the K-F for spending their million and not giving it to charity. Bill once said in a letter to Nick: “…we could have gone and put the money to some publicly acceptable good use (The starving millions, cancer research, Greenpeace; take your pick), but no, we chose to burn it. Why?… What is the appeal?” If they have introduced an important debate about the nature of money, art and fame, then the money might have been used wisely. It’s not even true that they are fools who have lost their money, as by having “he burnt a million pounds” on their CV’s they will be interesting to the media for the rest of their lives, and able to make it back easily. Just like the first line in every biography and obituary of Divine was “he once ate dog shit on film” the names of Bill Drummond and Jimmy Cauty will always be followed by “the men who burnt a million pounds”. Bill also said, in 1996, that someone once told him, (after seeing the video for Earth Song), that the reason the K Foundation burned it is because they knew they would never be as good as Michael Jackson. In March 1997, after some years consideration, Bill explained: “One night an audience was asked: is there anyone here that would’ve liked to do this or thought about this? And people put up their hands. That became a regular thing and it would be about ten per cent [of the audience], so ten per cent of the population …or ten per cent of the people who came to see this film! [Drummond laughs uproariously] Or maybe they were just trying to endear themselves to us- but it was a real thing. We realised that it wasn’t like we were so different or so special or so far-out or so fucking fucked-up; we just happened to have a million lying around…”" klf.de/home/faqs/other-creative-exploits/
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notudon
New Member
🗨️ 30
👍🏻 18
January 2013
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KLF, The JAMs, by notudon on Aug 19, 2017 21:35:25 GMT 1, I have one ticket available for the three day event with the 2023 book bundle. Asking price paid 124 GBP or 160 USD PM if interested.
I have one ticket available for the three day event with the 2023 book bundle. Asking price paid 124 GBP or 160 USD PM if interested.
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Leo Boyd
Artist
Junior Member
🗨️ 1,474
👍🏻 2,084
June 2016
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KLF, The JAMs, by Leo Boyd on Aug 20, 2017 17:36:11 GMT 1, Tammy Wynette is Banksy! Just the other week I went to Cushendall Curfew tower which is owned by Bill Drummond for use for artists residencies. The tower is tiny. Like a little toy town folly. No one was in. Unless they were asleep? Cushendall town was pretty cute but I was expecting the whole thing to be a bit more KLF.
Tammy Wynette is Banksy! Just the other week I went to Cushendall Curfew tower which is owned by Bill Drummond for use for artists residencies. The tower is tiny. Like a little toy town folly. No one was in. Unless they were asleep? Cushendall town was pretty cute but I was expecting the whole thing to be a bit more KLF.
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