Fantastic news, that's for posting 
Will see if I still fit into my 2 tone stay press and dust off the trilby hat

Terry, Horace and Lynval are the remaining original members.  
Tim Smart – trombone 
Drew Stansall – saxophone, flute 
Nikolaj Torp Larsen – keyboards 
Steve Cradock - lead guitar 
Pablo Mandleson - trumpet 
Gary Powell – drums 

Enjoyed reading that Lroy and great pics and drawings.
Please feel free to post what you like. 

Screen print by Harry Pye from 2012

The Specials 2019 - Encore 

The First Album Review

Source - MIS Madness Infomation Service

"I’m chuffed to bits that I’ve been asked to give the first review of the new Specials album due out in 2019."...February 1st - Encore - The Specials"

Over this past year, I have been honoured and extremely privileged to be privy to the process and progress of the brand-new Specials album, entitled "Encore".

As in all things, history tells its own story and the Specials’ history is a colourful one. Members have come and gone, and the sad passing of drumming legend John Bradbury could have brought an end to proceedings. But Brad had been a keen advocate of recording new material and had jammed with the rhythm section on embryonic versions of new tunes, with the intention of taking the band to the next step, before his untimely passing.

The seeds were already planted and earlier this year, original members, Lynval Golding, Horace Panter, Terry Hall were joined in a quiet London studio with the familiar touring band that have joined them on-stage for the last few years. Artists including Nikolaj Torp Larsen on keyboard, who has been with the band since they first reunited, Steve Cradock on guitar and Kenrick Rowe, the multi experienced ska/reggae drummer on board.

So, set history aside and remove yourself from who is and is not appearing on the album. Remove preconceptions and prejudices and allow “Encore” to speak for itself.

The album intends to pick up where More Specials left off 38 years ago in 1980 and is the first Specials album to feature Terry Hall since then. But don’t expect to step back in time. This album is unashamedly modern, extremely dark, a moody, brooding beast of a collection. If “Specials” was the complete snapshot of 1979, and “Ghost Town” was the anthem of 1981, then “Encore” is the snapshot of the world today – and on a global scale. In typical Specials style the band holds up an unforgiving mirror to contemporary society and asks why things haven’t changed for the better.

If you are expecting an all-out ska album, then expect to be disappointed. But then, The Specials were always so much more than a ska band. Ska was an influence and a layer to the band’s sound which encompassed a broad church of influences from rock, pop, reggae, blues, soul, funk. All these and more modern influences are expertly stirred into the mix of “Encore”.

For the traditionalists, there is a reworking of The Valentines’ “Blam Blam Fever” which harks back to old influences and recalls “Too Hot” in its arrangement. The track addresses the current issue of gun crime in America. This is one of three cover tracks on the album. What will prove to be a surprise for some, “The Lunatics”, Fun Boy Three debut release is on the album. Personally speaking, I feel this track was a natural follow up to Ghost Town, and here it is done in Specials 2018 style. With hints and echoes of The Special AKA’s “In the Studio”, the lyrics remain relevant and sit superbly with today’s political climate.

“10 Commandments” is based loosely around the ultimately sexist Prince Buster tune. Cleverly turning this track completely on its head and with more than a nod to the #metoo movement and womens’ rights, vocal duties are given over to Saffiyah Khan, the girl who wore The Specials t-shirt and faced off the EDL in Birmingham with a smile. With biting and unshrinking lyrics, this is an expression of the female experience in 2018, backed by Sir Horace’s stonking reggae bassline! Boom.

In continuation of the hard-hitting themes, track “B.L.M”, is a heart-on-the-sleeve story of Golding’s experiences of casual and aggressive racism. Beginning from his father’s experiences on his Windrush arrival in the UK, to the modern day, the track asks you to consider the realities of Black Lives Matter, and with a sorry trickle of racist events appearing on social media and news to the time of writing, the track is more than timely.

Continuing the theme of race and in the tradition of The Specials “Black Skinned Blue-Eyed Boys” is originally a tune by The Equals. This version really opens the eyes and sees nods to many of the musical influences. Reggae and disco? You better believe it! With controversial lyrics - one world one people - it sits well with the other content.

The Life and Times of a Man Called Depression”, is a complete bearing of the soul by Hall, addressing his mental health issues. Cheer up Terry? Here’s why he is who he is. Terry’s spoken, and poignantly honest, lyrics are backed by a bouncing soundtrack. Great brass riff in there also.

The track “Vote for Me” is awesome. A political stab at the leaders of the country. The lyrics are intelligent, and smart wrapped up in a haunting melody and a great trombone from Tim Smart. This is an album highlight for me, what The Specials were conceived for. There is the bouncing oompah (yes oompah) reggae of “Breaking Point”. One thing that’s happened over the years is that Terry Halls voice has matured to great depths and this tune is a fine example of that, and lyrics like “Social media is a trend that’ll send us all around the bend” smothered in a richly dark tune (I can hear bits of Madness in this).

“Embarrassed by You” is a Golding/Hall duet again with great lyrics covering contemporary issues of knife crime and moped gangs. “We never fought for freedom for nasty little brutes like you, to come and undo the work we do – you bring shame on this country for true, embarrassed by you”. Cutting, precise and forceful lyrics, wrapped up in layers of instrumentation.

The final track to discuss is “We Sell Hope” is for me, another album highlight. Grown up Specials. An amazing tune with so many layers of instrumentation. Lyrics to match with more social commentary and everything you’d expect from The Specials. A possible single contender?

This album will prove to be controversial and divisive. Not all original fans will warm to, however, as is always the way they are damned if they do and damned if they don’t. I believe they have delivered. This is mature Specials, well and truly with two feet placed squarely in 2018 not 1979. This Are The Specials 2018 - Encore!

Paul Willo
Source - MIS Madness Infomation Service

This is an interesting pieceBurghers means people of and Broadgate is the centre of Coventry. It’s is also very relevant to the Specisls as they formed as part of an anti racist reaction in the City. Broadgate was where the NF and the Anti racists met each Saturday.

Wow, he thinks its great!
These type of comeback things rarely end well and as a betting man, I'd say its slightly odds on that it could turn out being a bit shit

Got to have faith geezermate     

A regular face around the N1 area.    Totally agree 100% cool as fuck 

Yes mate, bring it on!




www.thespecials.com/gigs.html

Well spotted coach, is that down to there not being a big enough venue in Cov?