This is a beauty 

I have 1, I think there is 1 for sale still from stowe. Lovely piece. 

One of my favorite pieces. 

I've just posted in the Internacional thread about damage to my print, but are you sure the prints are numbered as I couldn't see one on mine?

I have to ask, did you bother to inspect the print when you received it from Stowe? What was the condition then? Your post is not providing enough information but it is your job to immediately inspect a print upon receipt, and to then obtain a replacement if it's damaged. Anything that happens after that is not the responsibility of the gallery nor the artist.

Paco Pomet is realising a small editions set of prints with Ateliar Clot, the cost should be 287.50€.

I contacted them via Instagram and I got an huge discount for the unframed version that is not available on the website! 

Below some of the prints (not all) that are going to be available!

A new print from Paco Pomet is released later today ‘Not Street Art’

Print and release details from Christian M Walter below, promises to be outstanding quality, a classic Paco image 👍🏻👌🏻




We are pleased to announce a new screen-print-release of Paco Pomet based on his outstanding painting “Not Street Art”.

We achieved this work printing it on thick card-board, which we covered with a screen-printed layer of acrylic dispersion on both sides, and then used 18 colours for the image.
The size of the print is 62 x 75,5 cm. The edition run is 75 copies and 8 artists proofs, its price is 840 €

Available on our website www.cmwalter.com on 9th of May (19.00 CET) for sales to the EU and worldwide, and www.houseofpomet.com for sales in the UK.

Still looking, thanks.

Paco Pomet - $Sold
Alumbramiento, 2022

Digital print on Hahnemühle William Turner 190g paper with 2 screenprinted layers of acrylic varnish

23 1/5 × 20 1/10 in | 59 × 51 cm

Edition of 99

SOLD

New show with Nino Mier in Brussels is now open













Nino Mier Gallery is pleased to present Some New Disorders, our first solo exhibition by Spanish painter Paco Pomet. On view in Brussels from November 17 – December 16, 2023, the exhibition will feature a series of new oil paintings and charcoal drawings that appropriate—and subvert—archival imagery with the inclusion of the artist’s characteristically irreverent details.

In Some New Disorders, Pomet intrudes upon his signature monochromatic, realist scenes with illustrations that are both cartoonish and surreal. Pomet collects his source images from family archives, flea markets, and the internet. But rather than using photography to nostalgically reflect on the past, he uses these collected pictures as material for more contemporary aesthetic interventions. In his paintings and drawings, the new and the old collapse, fracturing divisions between modern and contemporary modes of representation.

Drawing inspiration from vintage photographs of figures, household interiors, and cityscapes, Pomet disrupts a sense of archival solemnity through the inclusion of absurd details. In The Critic (all works 2023), for instance, Pomet paints a realist depiction of an artist and a suited critic standing before an easel en plein air. The artist’s hands are massively exaggerated, rendered in a style common to comic books or graphic novels. These enlarged hands physicalize the artist’s anxiety under a critic’s gaze while also rendering the scene’s stuffiness entirely farcical. Similarly, in Charm, a man swings a woman gracefully, each dancing in elegant ballroom attire. The woman’s feet, however, are indecorously bare and cartoonishly caricatured, bringing a moment of grotesque humor to the refined and genteel atmosphere of the work.

Throughout most of the works, Pomet works in an impishly satirical register. He tends to fix his gaze manifestations of power and class, mediating their representations with locker room and gallows humor alike. In Small Talkers, a group of well dressed, distinguished men lounge around a table, seemingly drunk. Each “gentleman” grasps at a single speech bubble, a comic pictorial device that underscores both the image’s latent buffoonishness and the figures’ upper-class myopia. The satirical mode also extends to Pomet’s use of materials, as he often adds acrylic and marker to his oil paintings, an admixture of high and low materials.

In Some New Disorders, Pomet’s oil paintings are complemented by a series of small-scale charcoal on paper drawings. The works feature surreal figures isolated on white backgrounds, imparting an almost allegorical weight to their cartoonish, hybrid forms. These paper works make clear Pomet’s desire not to revisit old images as sites of nostalgic attachment, but rather to use their constructs to create newly imaginative, impish images.

Hi,

Selling my Paco Pomet Internacional 2014 edition of 60. Professionally framed with museum glass. Comes with all relevant papers, COA... Bought just after the dismaland show.

This is amazing

Agreed - awesome piece! GLWTS