theclash
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Redchurch St, by theclash on Sept 26, 2020 20:43:02 GMT 1, Redchurch Street in Shoreditch has changed dramatically over the years but seriously good street art has been present throughout the whole gentrification process.
As part of the Shoreditch Design Triangle, itself a subset of the London Design Festival, I was asked to survey the history of Redchurch St street art. The novel twist was that OnRedchurch, the people who got in touch, set up several Cabinets of Curiosities in window fronts on Redchurch St where QR codes linked to online content realted to design and art on Redchurch. Here is a reproduction of my survey of Redchurch street art produced for the Shoreditch Design 2020 Triangle Cabinet of Curiosities. Redchurch Street with its swish boutiques, street fashion, food and coffee was until barely a decade ago a cut-through lined by roofless derelict properties and empty wasteland plots. As street art found its home in Shoreditch, Redchurch Street’s rough surfaces, dark corners and curious small spaces came to host a huge amount of street art and to play a role in developing the careers of many significant street artists.
Derelict properties led to squat galleries and exterior canvasses for street artists. The former Section Six Gallery, now the apartment block next door to Labour and Wait, sported a kaleidoscope of stencils and paste-ups and eventually was transformed with a mural by street artist and fashion designer INSA.
After dereliction, the next phase in an area's development sees properties made secure and ahead of redevelopment, street art becomes tolerated and, occasionally, explicitly consented. Many Redchurch Street facades witnessed early street art pieces from artists such as Roa, Otto Schade and Jimmy C and others who have since gone onto international success. Redchurch Street still had proper corner shops until a few years ago, shutters provided prime real estate for a rolling exhibition of graffiti luminaries such as Cept and Discreet, Aset (RIP) from the ATG crew and Vibes representing the RT crew. A significant factor was the presence of specialist spraypaint store Chrome and Black which had an entrance next door to Richmix on Redchurch St. Redchurch St was a linear building site for a large part of the late noughties, extensive building site hoardings hosted furiously changing art stencils, paste-up, tags and murals by artists from the UK and abroad. There is little doubt that street art was co-opted as a tool in the transformation process.  Dr Zadok, Meeting Of Styles 2014 by nolionsinengland, on Flickr Jim Vision, a spraypaint artist and key figure at the more permissioned end of the street art spectrum resided for many years on Redchurch Street. In his role as organiser of the Meeting Of Styles graffiti festival Jim Vision arranged impressive murals on Redchurch Street as well as painting massive spectaculars himself. He also curated a number of pop up graffiti writers and street artist group shows in several Redchurch St locations.
The cottage at the junction with Club Row hosted some stunning murals by Roa, James Bullough and Jim Vision as well as a long running relief sculpture by artist Cityzen Kane installed with permission as a poignant tribute to his deceased son.
As is often the case galleries sprung up In advance of the arrival of boutiques. The event space at the junction of Ebor St, in its guise as the London and Newcastle Gallery was the venue for pop up exhibitions by street artists such as Borondo, Insa and Shoreditch’s own Pure Evil as well as graffiti writer group shows. Its outside wall was the location of a piece of INSA’s pioneering “Giffiti”, an augmented reality mural which with a smartphone app would reveal a squad of policemen chasing eachother in “The Cycle Of Futility”. Urban Angel at the junction of Redchurch St and Chance St had very distinctive shutters declaring themselves as ART, as indeed they were having been painted by EINE in 2008. Doomed by the coincidence of its opening and the financial crash of 2008, its brief existence saw it host shows by Remi Rough, Hush, Copyright and Best Ever. It is hard to believe that 11 years have passed since Graffiti legend and renown musician Goldie had a two floor solo show with live painting demonstration at the Maverick Showrooms. At the time of going to press the London Mural Festival is in full swing and London Design Festival favourite Camille Walala has provided a huge makeover to the rear of Rich Mix at the eastern end of Redchurch St. The logical trajectory of combining property development, street art and expensive shopping reaches its unavoidable conclusion with spraypainted adverts appearing where once there was street art, though having spent years honing their spraypainting skills in the riskiest circumstances, who would begrudge artists a living. Among the niche fashion houses, beauty treatments and designer furnishing accessories Redchurch Street has not lost its edgy cool, a stroll will still yield brilliant stickers on lampposts, freehand non- permissioned portraits, art paste ups and for the especially observant, illegal bronze castings by street artist Jonesy.
Love this, lived around the corner for a decade and nearly bought one of the places with some street art on it in this set.
Redchurch Street in Shoreditch has changed dramatically over the years but seriously good street art has been present throughout the whole gentrification process.
As part of the Shoreditch Design Triangle, itself a subset of the London Design Festival, I was asked to survey the history of Redchurch St street art. The novel twist was that OnRedchurch, the people who got in touch, set up several Cabinets of Curiosities in window fronts on Redchurch St where QR codes linked to online content realted to design and art on Redchurch. Here is a reproduction of my survey of Redchurch street art produced for the Shoreditch Design 2020 Triangle Cabinet of Curiosities. Redchurch Street with its swish boutiques, street fashion, food and coffee was until barely a decade ago a cut-through lined by roofless derelict properties and empty wasteland plots. As street art found its home in Shoreditch, Redchurch Street’s rough surfaces, dark corners and curious small spaces came to host a huge amount of street art and to play a role in developing the careers of many significant street artists.
Derelict properties led to squat galleries and exterior canvasses for street artists. The former Section Six Gallery, now the apartment block next door to Labour and Wait, sported a kaleidoscope of stencils and paste-ups and eventually was transformed with a mural by street artist and fashion designer INSA.
After dereliction, the next phase in an area's development sees properties made secure and ahead of redevelopment, street art becomes tolerated and, occasionally, explicitly consented. Many Redchurch Street facades witnessed early street art pieces from artists such as Roa, Otto Schade and Jimmy C and others who have since gone onto international success. Redchurch Street still had proper corner shops until a few years ago, shutters provided prime real estate for a rolling exhibition of graffiti luminaries such as Cept and Discreet, Aset (RIP) from the ATG crew and Vibes representing the RT crew. A significant factor was the presence of specialist spraypaint store Chrome and Black which had an entrance next door to Richmix on Redchurch St. Redchurch St was a linear building site for a large part of the late noughties, extensive building site hoardings hosted furiously changing art stencils, paste-up, tags and murals by artists from the UK and abroad. There is little doubt that street art was co-opted as a tool in the transformation process. Dr Zadok, Meeting Of Styles 2014 by nolionsinengland, on Flickr Jim Vision, a spraypaint artist and key figure at the more permissioned end of the street art spectrum resided for many years on Redchurch Street. In his role as organiser of the Meeting Of Styles graffiti festival Jim Vision arranged impressive murals on Redchurch Street as well as painting massive spectaculars himself. He also curated a number of pop up graffiti writers and street artist group shows in several Redchurch St locations.
The cottage at the junction with Club Row hosted some stunning murals by Roa, James Bullough and Jim Vision as well as a long running relief sculpture by artist Cityzen Kane installed with permission as a poignant tribute to his deceased son.
As is often the case galleries sprung up In advance of the arrival of boutiques. The event space at the junction of Ebor St, in its guise as the London and Newcastle Gallery was the venue for pop up exhibitions by street artists such as Borondo, Insa and Shoreditch’s own Pure Evil as well as graffiti writer group shows. Its outside wall was the location of a piece of INSA’s pioneering “Giffiti”, an augmented reality mural which with a smartphone app would reveal a squad of policemen chasing eachother in “The Cycle Of Futility”. Urban Angel at the junction of Redchurch St and Chance St had very distinctive shutters declaring themselves as ART, as indeed they were having been painted by EINE in 2008. Doomed by the coincidence of its opening and the financial crash of 2008, its brief existence saw it host shows by Remi Rough, Hush, Copyright and Best Ever. It is hard to believe that 11 years have passed since Graffiti legend and renown musician Goldie had a two floor solo show with live painting demonstration at the Maverick Showrooms. At the time of going to press the London Mural Festival is in full swing and London Design Festival favourite Camille Walala has provided a huge makeover to the rear of Rich Mix at the eastern end of Redchurch St. The logical trajectory of combining property development, street art and expensive shopping reaches its unavoidable conclusion with spraypainted adverts appearing where once there was street art, though having spent years honing their spraypainting skills in the riskiest circumstances, who would begrudge artists a living. Among the niche fashion houses, beauty treatments and designer furnishing accessories Redchurch Street has not lost its edgy cool, a stroll will still yield brilliant stickers on lampposts, freehand non- permissioned portraits, art paste ups and for the especially observant, illegal bronze castings by street artist Jonesy.
Love this, lived around the corner for a decade and nearly bought one of the places with some street art on it in this set. |
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buffin
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September 2015
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Redchurch St, by buffin on Sept 26, 2020 20:48:09 GMT 1, Many thanks. Interesting article and great photos.
Many thanks. Interesting article and great photos.
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