Bought one. Ty! «Plasma» blue.

so APs are released before the actual edition? odd. i'd want to know the edition size and price of the foils first before buying APs.

All sold out now

J'ai pu acheter un AP rose. Merci !!

Shat-At ‘Phasma’ - A stupidly limited hand painted edition on 297x420mm rainbow holographic paper exclusively for MondoCon in Austin TX next month. These will be on sale with my friends @uniquely_geekly.
If you can’t make it to MondoCon, head to shop.eelus.com where I have a few proofs available.

So these AP's were the only ones he had to sell on his own website.
Edit: and a couple of regular Pink

Here. Case closed.

Should put this image to rest rather than constantly revisting and continuing making alterations , has become the standard with a few artists profiteering from their popular images , great for them but hinders new development of artworks and takes away the speciality of having a limited rare piece for the collector of the early works and eventually becomes less interesting.
These more look like kids posters
Should just visit a stars wars convention and produced a timed release .

He told me they would be sent this week.
Haven't received any notification, so not sure it happened.

Never seen this version. Very cool. I’ve always liked this image, probably my favorite Eelus. If I didn’t have 4 pieces in some stage of being painted or queued I’d be all over this. Good luck.

Pm'd

The Eelus is dope!

Shat-At, Grey, 2006 from POW - note foxing
open to offers, still hoping to get a good price for it within reason.

19 1/2 × 27 1/4 in
49.5 × 69.2 cm
Edition 96/200

Please note the print has some foxing (info below) on the bottom edge shown in the last photo. Hence the lower starting price to others when they go up for sale. it is treatable I just don't have the time. It also has a slight crease shown in the second to last photo not noticeable unless right up close.

A note on postage it's currently based on the amount listed, higher amounts will require higher postage costs for overseas. Will be additional to existing post.

International Buyers
Please Note: Import duties, taxes and charges are not included in the item price or shipping charges.
These charges are the buyer's responsibility.
Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying.
These charges are normally collected by the delivering freight (shipping) company or when you pick the item up -　do not confuse them for additional shipping charges.

Foxing
For those interested in foxing it can be removed on the white area, it just takes time, patience and ideally a restorer but it's possible yourself. Here's how. Do a search on foxing and restoring prints. Bear in mind this can be framed to the edge of the print by your framer.

Paper can degrade over time for a number of reasons, which include light, moisture and oxidation problems. Foxing, a term referring to the brown blotches appearing on a print, results from airborne microorganisms, humidity and the presence of metals and fungi. To restore a lithograph print, use caution and a delicate touch using this traditional bleaching method to spot-restore your prints. As always, use discretion when altering or performing other procedures on a piece of art---consult an expert if you are not sure how a procedure will affect the particular pigments and paper used.
Step 1

Before mixing anything, check the condition of your paper. If it is thin or brittle, do not attempt anything without expert advice. Paper should be pliable and resilient. Pencil, ink and dirt will not be lifted by the bleaching process.
Step 2

Wear gloves while preparing the bleaching solution and throughout the remainder of the process. Dilute the distilled water and hydrogen peroxide (3 percent solution) in a 1:1 solution.
Step 3

Prepare the neutralization solution in a separate container. Pour 1 tsp. of calcium hydroxide into one liter of water. Mix well, then filter the water through a coffee filter placed in a stable container that supports the sides of the filter and allows the water to drain freely through and out the bottom. According to Dr. Andreas Grund, the process removes instances of acidic substances; what remains is a crystalline substance. Mix this into 1 liter of distilled water.
Step 4

Measure a few teaspoons of the hydrogen peroxide solution into a small glass container. Dr. Grund warns against double dipping a cotton swab that has touched the paper back into the working container, as the presence of pigments and impurities can degrade the solution.
Step 5

Place the lithograph print on the towel (using paper beneath the print can upset the process by causing bleeding of the chemical solution). Wet the area gently around the stain with water to control the peroxide solution when it reaches the paper.
Step 6

Apply the bleach with a cotton swab over the affected area every 30 minutes over a period of one to four hours. When the process is done, rinse the area where the solution was applied by rubbing a cotton swab, moistened with distilled water, lightly over the surface three to five times, using a clean swab with each pass.
Step 7

Apply the calcium hydroxide solution with a cotton swab; this solution does not need to be rinsed off. Allow the paper to dry.
Tip

Avoid using too much solution at one time, as this can cause the paper to become oversaturated. The bleaching process is slow and requires patience, as results are not immediately apparent. If foxing is consistent throughout the surface of the print, consult the resource on cleaning Shin Hanga prints (listed at the end of this article) for a print wash or complete bleaching (recommended using 1:2 peroxide to distilled water ratio). While the method is applied to a different type of print, the same procedure applies.
Warning

Rubbing the print while it is wet can cause the oils from your skin to contact the paper and can smudge pigments. If you are working with a rare or valuable print, consult an expert for advice before attempting any procedures. Professional art restorers have specialized knowledge concerning the type of paper and ink used, and how different processes can affect it. Several other methods are commonly used for bleaching prints, such as ultraviolet (UV) light treatment, oxidation and other bleach processes. Be very careful when attempting these procedures, as they are risky and may yield unpredictable results.

Hi! I believe I have some moderate foxing on my red Shat-At unfortunately. 
It's been out of the sun for years, probably just a poor framing job oh so long ago. 

Has anyone dealt with this, and if so, did you take it to a conservator? I know it's not a sure thing that it can be repaired 100%. I am waiting on my portfolio case to arrive... should I take it out of the frame and place it in acid free sleeves? Or leave in the frame?

Any advice or experience would be so helpful! Thank you in advance!