BONGO
Junior Member
Posts โข 1,004
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February 2007
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BOILERHOUSING, by BONGO on Dec 29, 2007 11:25:39 GMT 1, BONGO MORE THAN FAMILIAR WITH BOILERHOUSE APPROACH IN EQUITIES MARKETS, WHERE TRAINED SALESMEN COLD CALL WORTHLESS STOCKS TO UNSUSPECTING VICTIMS IN PUMP AND DUMP PROCESS
BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND
FURTHER, BONGO WOULD LIKE TO BRING IN ASPECT AS TO WHETHER THIS PROCESS CAN BE UTILISED BY SLEIGHT OF HAND BY ASTUTE INDIVIDUALS OR BUSINESS IN ORDER TO CREATE MARKET FOR STOCKS OF PRINTS WITH LOW DEMAND
BONGO MORE THAN FAMILIAR WITH BOILERHOUSE APPROACH IN EQUITIES MARKETS, WHERE TRAINED SALESMEN COLD CALL WORTHLESS STOCKS TO UNSUSPECTING VICTIMS IN PUMP AND DUMP PROCESS
BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND
FURTHER, BONGO WOULD LIKE TO BRING IN ASPECT AS TO WHETHER THIS PROCESS CAN BE UTILISED BY SLEIGHT OF HAND BY ASTUTE INDIVIDUALS OR BUSINESS IN ORDER TO CREATE MARKET FOR STOCKS OF PRINTS WITH LOW DEMAND
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Simococo
Junior Member
Posts โข 3,143
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April 2007
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BOILERHOUSING, by Simococo on Dec 29, 2007 11:41:14 GMT 1, were you thinking of a particular print?
were you thinking of a particular print?
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BOILERHOUSING, by paulypaul on Dec 29, 2007 11:48:21 GMT 1, Surprised at you with this one, Bongo. Bit 101.
Answer - yes.
Surprised at you with this one, Bongo. Bit 101.
Answer - yes.
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BONGO
Junior Member
Posts โข 1,004
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February 2007
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BOILERHOUSING, by BONGO on Dec 29, 2007 11:50:40 GMT 1, BONGO WASNT THINKING OF A SPECIFIC PRINT OR ARTIST, BUT BONGO IS ALWAYS SURPRISED WHEN WHAT SEEM TO UNINSPIRED WORKS ATTRACT A RABID FOLLOWING FOR SHORT PERIODS AND ARE SUBJECT TO EXTREME PRICE VOLATILITY
BONGO KNOWS THAT IF SUCH A TREND WAS SEEN IN FINANCIAL MARKETS, STOCKS AND TRADING WOULD BE SUSPENED AND ALL TRANSACTIONS INVESTIGATED
BONGO OF COURSE UNDERSTANDS THAT PERSONAL TASTE - BE IT ORGANIC & INDIGENOUS OR INFLUENCED EXPLICITLY OR IMPLICITLY - MUST BE THE OVERRIDING FACTOR HERE
FOR BONGO, THE DEGREE OF SUCH MANIPULATION OF TASTE AND CHOICE IS INTERESTING
BONGO WASNT THINKING OF A SPECIFIC PRINT OR ARTIST, BUT BONGO IS ALWAYS SURPRISED WHEN WHAT SEEM TO UNINSPIRED WORKS ATTRACT A RABID FOLLOWING FOR SHORT PERIODS AND ARE SUBJECT TO EXTREME PRICE VOLATILITY
BONGO KNOWS THAT IF SUCH A TREND WAS SEEN IN FINANCIAL MARKETS, STOCKS AND TRADING WOULD BE SUSPENED AND ALL TRANSACTIONS INVESTIGATED
BONGO OF COURSE UNDERSTANDS THAT PERSONAL TASTE - BE IT ORGANIC & INDIGENOUS OR INFLUENCED EXPLICITLY OR IMPLICITLY - MUST BE THE OVERRIDING FACTOR HERE
FOR BONGO, THE DEGREE OF SUCH MANIPULATION OF TASTE AND CHOICE IS INTERESTING
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BONGO
Junior Member
Posts โข 1,004
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February 2007
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BOILERHOUSING, by BONGO on Dec 29, 2007 11:59:49 GMT 1, Surprised at you with this one, Bongo. Bit 101. Answer - yes.
BONGO UNDERSTAND, GIVEN BONGOS OUTLOOK ON ART, VALUE AND HYPE
BUT BONGO STILL INTERESTED IN OPEN DISCUSSION OF THE PHENOMENA
BONGO ESPECIALLY INTERESTED TO HEAR OF EXPERIENCES WITH WITH IMPULSE BUYING AND LATER REGRET OF THE PURCHASE
Surprised at you with this one, Bongo. Bit 101. Answer - yes. BONGO UNDERSTAND, GIVEN BONGOS OUTLOOK ON ART, VALUE AND HYPE BUT BONGO STILL INTERESTED IN OPEN DISCUSSION OF THE PHENOMENA BONGO ESPECIALLY INTERESTED TO HEAR OF EXPERIENCES WITH WITH IMPULSE BUYING AND LATER REGRET OF THE PURCHASE
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BOILERHOUSING, by paulypaul on Dec 29, 2007 12:00:44 GMT 1, Cos people is sheeple big fella!
edit ..
Specifically - people waiting in the 'piss stinking shopping centre in the new side of town' (I'm paraphrasing) for uninspired Micalleff release...
Several of the new ghetto release, sales of recent d*Face stuff at cost etc etc etc
I confess - I have an 'Attack of the 40ft t**t'...
Live and learn
Cos people is sheeple big fella!
edit ..
Specifically - people waiting in the 'piss stinking shopping centre in the new side of town' (I'm paraphrasing) for uninspired Micalleff release...
Several of the new ghetto release, sales of recent d*Face stuff at cost etc etc etc
I confess - I have an 'Attack of the 40ft t**t'...
Live and learn
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G-Man
Junior Member
Posts โข 3,529
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November 2007
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BOILERHOUSING, by G-Man on Dec 29, 2007 12:04:30 GMT 1, I think you are spot on in some respects Bongo.....
Some prints/stocks will always have buyers and backers and be seen as safe investments no matter what the price as long as the price is in line with the rest of the market
It is very easy for advertising and promoting to be influenced and artificially inflated
This can lead to the impression that a certain print/stock is more sought after and valuable as an investment or purchase
I can think of prints and artists that this has happened to this year
BUT I can also think of some that are still under valued and under invested that sit around for too long and these are the gems in this kind of market
Just IMO though!
I think you are spot on in some respects Bongo.....
Some prints/stocks will always have buyers and backers and be seen as safe investments no matter what the price as long as the price is in line with the rest of the market
It is very easy for advertising and promoting to be influenced and artificially inflated
This can lead to the impression that a certain print/stock is more sought after and valuable as an investment or purchase
I can think of prints and artists that this has happened to this year
BUT I can also think of some that are still under valued and under invested that sit around for too long and these are the gems in this kind of market
Just IMO though!
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BOILERHOUSING, by finsburyparkranger on Dec 29, 2007 13:15:49 GMT 1, BONGO MORE THAN FAMILIAR WITH BOILERHOUSE APPROACH IN EQUITIES MARKETS, WHERE TRAINED SALESMEN COLD CALL WORTHLESS STOCKS TO UNSUSPECTING VICTIMS IN PUMP AND DUMP PROCESS BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND FURTHER, BONGO WOULD LIKE TO BRING IN ASPECT AS TO WHETHER THIS PROCESS CAN BE UTILISED BY SLEIGHT OF HAND BY ASTUTE INDIVIDUALS OR BUSINESS IN ORDER TO CREATE MARKET FOR STOCKS OF PRINTS WITH LOW DEMAND
The ebay effect is a bigger worry than the forum effect. Its Really bad actually for the longevity of some artists careers. Lots of people know how to create auctions on ebay to look like things have been bought and sold to create an inflated perceived price (usually just before a show) to sell prints. No one likes to discuss it, because so many people are relying on selling their prints at a good price, even if that price perception was created through deception by someone else. The day ebay hid the bidders names was the day ebay decided to collude with the great ebay con trick.
BONGO MORE THAN FAMILIAR WITH BOILERHOUSE APPROACH IN EQUITIES MARKETS, WHERE TRAINED SALESMEN COLD CALL WORTHLESS STOCKS TO UNSUSPECTING VICTIMS IN PUMP AND DUMP PROCESS BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND FURTHER, BONGO WOULD LIKE TO BRING IN ASPECT AS TO WHETHER THIS PROCESS CAN BE UTILISED BY SLEIGHT OF HAND BY ASTUTE INDIVIDUALS OR BUSINESS IN ORDER TO CREATE MARKET FOR STOCKS OF PRINTS WITH LOW DEMAND The ebay effect is a bigger worry than the forum effect. Its Really bad actually for the longevity of some artists careers. Lots of people know how to create auctions on ebay to look like things have been bought and sold to create an inflated perceived price (usually just before a show) to sell prints. No one likes to discuss it, because so many people are relying on selling their prints at a good price, even if that price perception was created through deception by someone else. The day ebay hid the bidders names was the day ebay decided to collude with the great ebay con trick.
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BOILERHOUSING, by carlito on Dec 29, 2007 13:20:23 GMT 1, i think it's very sad to start labelling people as 'sheep' seing as in that case it's a great deal of people who frequent these forums...what I would say is places such as this do act as a 'boilerhouse' any artist of merit or no merit can come here and hoc their wears and if they're 'bigged up' then can make a fast buck and disappear again...of course a lot of good works appear in this manner but to the unsuspecting eye, someone new, they can get caught up in the moment and buy something they later regret...such is life, where would you be if you couldn't make mistakes and learn from them eh?
i think it's very sad to start labelling people as 'sheep' seing as in that case it's a great deal of people who frequent these forums...what I would say is places such as this do act as a 'boilerhouse' any artist of merit or no merit can come here and hoc their wears and if they're 'bigged up' then can make a fast buck and disappear again...of course a lot of good works appear in this manner but to the unsuspecting eye, someone new, they can get caught up in the moment and buy something they later regret...such is life, where would you be if you couldn't make mistakes and learn from them eh?
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BOILERHOUSING, by Daniel Silk on Dec 29, 2007 13:29:11 GMT 1, Yep! and another angle on this could be that some artists might be hounded out of posting on forum in an attempt to keep the forum limelight on an artist that they are a big fan of, and have a large collection of When you think about it, their are so many possible reasons for things being certain ways.
Yep! and another angle on this could be that some artists might be hounded out of posting on forum in an attempt to keep the forum limelight on an artist that they are a big fan of, and have a large collection of When you think about it, their are so many possible reasons for things being certain ways.
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G-Man
Junior Member
Posts โข 3,529
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November 2007
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BOILERHOUSING, by G-Man on Dec 29, 2007 13:29:55 GMT 1, It is true that as long as you are buying a print because you like the image then you cant go wrong...
BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment..
IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special
IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure?
It is true that as long as you are buying a print because you like the image then you cant go wrong... BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment.. IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure?
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BOILERHOUSING, by Daniel Silk on Dec 29, 2007 13:33:28 GMT 1, It is true that as long as you are buying a print because you like the image then you cant go wrong... BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment.. IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure?
Yeah, I can see how it could easily damage an artists career like Aiko's if her work was over priced by the gallery And I think more and more artists are realizing that they need to take a more active roll in the decisions about pricing and release dates.
It is true that as long as you are buying a print because you like the image then you cant go wrong... BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment.. IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure? Yeah, I can see how it could easily damage an artists career like Aiko's if her work was over priced by the gallery And I think more and more artists are realizing that they need to take a more active roll in the decisions about pricing and release dates.
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BOILERHOUSING, by graeme501 on Dec 29, 2007 13:34:56 GMT 1, i think the problem comes from people wanting 2 find 'the next banksy'
people hear stories of signed banksys being bout for ยฃ50 a few years ago and sold for ยฃ1000's so when a new artist comes along who has a bit of hype behind him they think y not this guy aswell ? in a few years he/she could be worth ยฃ1000's too
so the print gets sold out quickly then people see them on ebay and think, its only 3x its cost price, but in 1 year it will be worth 7x, so its cheep now, which encourages flippers coz they see massive instant profit to be made
and can u blame flippers, if u have no interest in art and some1 says, hey, if u buy this for ยฃ500 u can sell it on for ยฃ2k the same day, then you would do it too
obvioulsy this is all my opinion but i think this is how it works with a few artists
i think the problem comes from people wanting 2 find 'the next banksy'
people hear stories of signed banksys being bout for ยฃ50 a few years ago and sold for ยฃ1000's so when a new artist comes along who has a bit of hype behind him they think y not this guy aswell ? in a few years he/she could be worth ยฃ1000's too
so the print gets sold out quickly then people see them on ebay and think, its only 3x its cost price, but in 1 year it will be worth 7x, so its cheep now, which encourages flippers coz they see massive instant profit to be made
and can u blame flippers, if u have no interest in art and some1 says, hey, if u buy this for ยฃ500 u can sell it on for ยฃ2k the same day, then you would do it too
obvioulsy this is all my opinion but i think this is how it works with a few artists
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G-Man
Junior Member
Posts โข 3,529
Likes โข 33
November 2007
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BOILERHOUSING, by G-Man on Dec 29, 2007 14:28:27 GMT 1, It is true that as long as you are buying a print because you like the image then you cant go wrong... BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment.. IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure? Yeah, I can see how it could easily damage an artists career like Aiko's if her work was over priced by the gallery And I think more and more artists are realizing that they need to take a more active roll in the decisions about pricing and release dates.
Surely the artists can exercise their muscles a bit more in this repect?
The pre-release mailing to customers is one way.. but can still include people tryin to make a fast few quid
It is true that as long as you are buying a print because you like the image then you cant go wrong... BUT if the demand is artificially drummed up and then the price is inflated you end up paying more than the print is worth even though you're not buying it to re-sell or investment.. IMO Aiko at the SG was inflated.. I love it and bought anyhow but thought I had to pay too much for the special IMO Mr Jago is deflated at the moment and I'm lovin that... but for how long I'm not sure? Yeah, I can see how it could easily damage an artists career like Aiko's if her work was over priced by the gallery And I think more and more artists are realizing that they need to take a more active roll in the decisions about pricing and release dates. Surely the artists can exercise their muscles a bit more in this repect? The pre-release mailing to customers is one way.. but can still include people tryin to make a fast few quid
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BOILERHOUSING, by fartofthestate on Dec 29, 2007 18:58:35 GMT 1, If your buying for investment things don't happen over night, plain and simple.
Alright if you buy a Banksy print you might make a grand over night but in the REAL world of art investment things take time, the wheat from the chaff and all that. A year from now we'll see who's lasted and made the cut investment wise.
If your buying for investment things don't happen over night, plain and simple.
Alright if you buy a Banksy print you might make a grand over night but in the REAL world of art investment things take time, the wheat from the chaff and all that. A year from now we'll see who's lasted and made the cut investment wise.
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BOILERHOUSING, by fartofthestate on Dec 29, 2007 19:31:38 GMT 1, Not really as it was not controlled properly, have another look at Micallef prices in 3 years its a good time to buy at the moment.
Not really as it was not controlled properly, have another look at Micallef prices in 3 years its a good time to buy at the moment.
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jnschicago
New Member
Posts โข 210
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July 2007
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BOILERHOUSING, by jnschicago on Dec 29, 2007 20:11:14 GMT 1, Bongo - great post. Very interesting topic indeed.
I have a couple of thoughts.
First, I believe what we're seeing is intrinsically different from the "boilerhouse" financial schemes that were particularly popular in the 80's and 90's. First, stocks represent an ownership interest in an underlying company. A company that has a fundamental value. That value can be manipulated through financial trickery.
Art has no fundamental, underlying value. Other than, perhaps, the cost of paper and ink. It is 100% driven by impression, hype, etc.
Why did I just purchase that wonderful Eskay101 print for 25 pounds. Meanwhile, I managed to score Trolleys for 20x that amount and I could sell it on eBay for 100x that amount?
The only difference is the hype that surrounds Banksy. It's difficult to apply traditional economic or financial measures to art. Especially the stuff we love i.e. street art. It's totally new. There is no history. And, like it or not, there could come a time when we're all buying signed Banksy's for 50 pounds again. Once the flippers have gone home, the hedge fund managers have lost interest and the ruthless gallery owners have lost their shirts. Then again, in 10 years time, we might be able to sell our collections and retire to the south of France. Who knows? And that's the point. There really aren't too many indicators to watch. Consequently, the only solid reason to be involved in the scene is for love of the work.
Perhaps the only slight exception in the art world is the old masters. They've been around long enough to create a track record. But, even in that world, if there's a worldwide recession, the value plummets. And, if Russian oil tycoons are making billions, the value skyrockets. It's a very slippery slope.
Bongo - great post. Very interesting topic indeed.
I have a couple of thoughts.
First, I believe what we're seeing is intrinsically different from the "boilerhouse" financial schemes that were particularly popular in the 80's and 90's. First, stocks represent an ownership interest in an underlying company. A company that has a fundamental value. That value can be manipulated through financial trickery.
Art has no fundamental, underlying value. Other than, perhaps, the cost of paper and ink. It is 100% driven by impression, hype, etc.
Why did I just purchase that wonderful Eskay101 print for 25 pounds. Meanwhile, I managed to score Trolleys for 20x that amount and I could sell it on eBay for 100x that amount?
The only difference is the hype that surrounds Banksy. It's difficult to apply traditional economic or financial measures to art. Especially the stuff we love i.e. street art. It's totally new. There is no history. And, like it or not, there could come a time when we're all buying signed Banksy's for 50 pounds again. Once the flippers have gone home, the hedge fund managers have lost interest and the ruthless gallery owners have lost their shirts. Then again, in 10 years time, we might be able to sell our collections and retire to the south of France. Who knows? And that's the point. There really aren't too many indicators to watch. Consequently, the only solid reason to be involved in the scene is for love of the work.
Perhaps the only slight exception in the art world is the old masters. They've been around long enough to create a track record. But, even in that world, if there's a worldwide recession, the value plummets. And, if Russian oil tycoons are making billions, the value skyrockets. It's a very slippery slope.
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Existencil
Junior Member
Posts โข 1,305
Likes โข 2
July 2007
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BOILERHOUSING, by Existencil on Dec 29, 2007 20:21:58 GMT 1, If there was a course on marketing street art, the Banksy Forum would have its own module...
If there was a course on marketing street art, the Banksy Forum would have its own module...
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BOILERHOUSING, by cashman on Dec 29, 2007 20:27:58 GMT 1, If there was a course on marketing street art, the Banksy Forum would have its own module...
nah I see this place more like a church
If there was a course on marketing street art, the Banksy Forum would have its own module... nah I see this place more like a church
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aginghippie
New Member
Posts โข 211
Likes โข 0
December 2007
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BOILERHOUSING, by aginghippie on Dec 29, 2007 23:11:03 GMT 1, BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND Definitely but it's not unique to this forum, all forums are vulnerable to it. There is a movement on message boards in general towards group-think. This can be exploited to create an apparent consensus about an artist. All it takes is some sock-puppets to create the buzz and suck in some real people then it takes on a life of it's own. It's more akin to the way stocks were manipulated in in the early 1900s than the boilerhouse.
BONGO WOULD LIKE A DISCUSSION ON WHETHER THIS FORUM HAS A DIRECT EFFECT ON IDEA OF ARTISTS PRODUCTS WORTH, THUS ELEVATING PRICES AND DEMAND Definitely but it's not unique to this forum, all forums are vulnerable to it. There is a movement on message boards in general towards group-think. This can be exploited to create an apparent consensus about an artist. All it takes is some sock-puppets to create the buzz and suck in some real people then it takes on a life of it's own. It's more akin to the way stocks were manipulated in in the early 1900s than the boilerhouse.
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Cocteau 101
Junior Member
Posts โข 3,483
Likes โข 1,202
January 2007
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BOILERHOUSING, by Cocteau 101 on Dec 29, 2007 23:42:21 GMT 1, DO MONKEYS EAT PEANUTS
DO MONKEYS EAT PEANUTS
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pezlow
Junior Member
Posts โข 5,388
Likes โข 254
January 2007
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BOILERHOUSING, by pezlow on Dec 30, 2007 8:16:24 GMT 1, I don't believe that any of the prints that are being released now will ever attract the sort of price hikes that early banksy prints attract. The reason for this is that the a large proportion of them are now bought by speculators. Compare the amount of buying on here to the number of prints that are actually framed and posted on the get the banksys out thread.
The early banksy prints are rareities because they were bought by people who love the art and framed them up, or even maybe blue tacked them to the wall. Now people are buying for profit there is always going to be a steady supply of these prints on ebay hence depressing the prices. Prints sold from about February of this year onwards all have this quality.
Take the morons sepia - god knows how many of those have been sold on the secondary market but 8 months or so after release there is still a steady stream of them on ebay thus depressing prices.
An equivalent would be football programmes. Pre-1960's they were considered just throw away magazines. People went to the match, read the programme and threw them away. So pre 1960's football programmes now have value because of their rareity. In around the mid 1960's fans realised that programmes were collectable and started keeping them. Hence the number in supply rises dramatically and the value of programmes from the mid-1960's to date is very limited.
I don't believe that any of the prints that are being released now will ever attract the sort of price hikes that early banksy prints attract. The reason for this is that the a large proportion of them are now bought by speculators. Compare the amount of buying on here to the number of prints that are actually framed and posted on the get the banksys out thread.
The early banksy prints are rareities because they were bought by people who love the art and framed them up, or even maybe blue tacked them to the wall. Now people are buying for profit there is always going to be a steady supply of these prints on ebay hence depressing the prices. Prints sold from about February of this year onwards all have this quality.
Take the morons sepia - god knows how many of those have been sold on the secondary market but 8 months or so after release there is still a steady stream of them on ebay thus depressing prices.
An equivalent would be football programmes. Pre-1960's they were considered just throw away magazines. People went to the match, read the programme and threw them away. So pre 1960's football programmes now have value because of their rareity. In around the mid 1960's fans realised that programmes were collectable and started keeping them. Hence the number in supply rises dramatically and the value of programmes from the mid-1960's to date is very limited.
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