Great and rare Dface, love this white version! Don't miss it!

Think you will struggle with mighty mo at that price

Looking for a you and me by Espo
Pm please. Based in uk
Thanks!

Or a Keys (you and me) or Universe
Thanks!

The 24x24 increased by $200, no?
And the 12x12 by $50.

But there always appears to be a demand for this print, so it'll sit, but not for too long.

LF a Steve Powers "Everything is shit but you, love" print and a Jack Crossing Astronaut.

Anyone have one they want to shift?

Ace. which one do you have?

Price check valuation thread for Steve Powers.

Not an edition but these prints at SFMOMA are hand finished which is kind of cool for a nice looking print at $100.

firstandfifteenth.bigcartel.com/product/wish-makers-letterpress

Anyone have one of the 12x12 for sale??

here you go. you can thank  me later.   I always like reading  espos  stories, they kinda of take me to a diffrent land.



"Everything Is Shit, Except You Love" is a 24"x24", 9 color screen print in a signed and numbered edition of 50. One per household please.

firstandfifteenth.square.site/product/EIS2021/72?cp=true&sa=true&sbp=false&q=false&mc_cid=ceb696ca4b&mc_eid=8d0ef0c9db

from espo 
"I really had a vision that by forcing a reprint I would cause Dickensian poverty and ink-stained wretches would be beaten for bankrupting Banksy. I was obviously oblivious to the big bank his enterprise was generating. I signed the prints, picked the least rubbish ones for myself, and sent the rest back where they were tossed into a churning marketplace that was snapping up everything that the gallery was pushing out. Banksy created an ATM machine, he loaded paper in, he pulled cash out. It would've been amazing if it was uplifting as well, but it was a major headache. I couldn't see any of that, all I saw, sitting stateside with a short stack of prints I was disappointed in, was the need to make a better print.This was the moment that I fell into owning a print shop, like my first sip of beer or maybe seeing a real quality trap for the first time. The first EIS issued by me was printed by Ralph Stollenwerk in Philly, shipped out of our first sign shop in Brooklyn, and promptly got us roasted on the Banksyforum, the Mos Eisley Cantina of Banksy print traders. People posted about their disappointment in one thing, another and a third, and I learned the Banksy version of the print was actually not shite at all (cue The More You Know Rainbow). We heard from one forum admin directly, who patiently emailed us the best practices for shipping prints. I printed it out and pinned it to the wall. I was already working with Brooklyn Master Printer Luther Davis by this point, and when I mentioned the Banksyforum, his blood pressure shot right up, “those guys have been nitpicking my prints for years.”

When I told him about printing out the criticism and learning from it, he said, “ok, that’s how you’re gonna win” (No, I havent seen Uncut Gems yet, why?). Luther gave me an amazing gift by offering advice as we were starting to print our own prints (“You should be good in 20 years”), and I immediately borrowed enough money to set up a proper shop. Now we are 8 years into printing our own prints, each one is a step climbing the peak towards Luther’s perfect prints. Baby steps first, one color, two color, now we’re crawling, tip toe, tight registration, 3 colors, bigger steps, four colors. We’ve been contracting another printer for our EIS Prints (thank you Brlsq), but we are walking tall now, baby, not at the mountaintop, but we’re above the clouds. I’m just the glamper, the real climbing/printing is being done by Matt Pearson, with assistance by Matthew Kuborn, Jake Buhler, and Erika Sequeira. I salute youse all. This print encapsulates all of our experience in printmaking until now, it's pretty perfect, but there's still room to grow. Looking forward."