vei
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February 2013
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Conor Harrington | The Unveiling | The Outsiders, by vei on Sept 15, 2014 18:34:40 GMT 1, Why would you want to hold on your cart? Just buy it.
Why would you want to hold on your cart? Just buy it.
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Conor Harrington | The Unveiling | The Outsiders, by Hubble Bubble on Sept 15, 2014 18:35:08 GMT 1, ^^ And before you all reply… I know, it's me!
^^ And before you all reply… I know, it's me!
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Conor Harrington | The Unveiling | The Outsiders, by mrchristopherrobinso on Sept 15, 2014 18:39:55 GMT 1, I am a little disappointed that the girl being 'unveiled' doesnt have nicer boobies. His other models were much better proportioned. Also, the level of detail on this image seems to be not quite as sharp as his dead meat series?
I am a little disappointed that the girl being 'unveiled' doesnt have nicer boobies. His other models were much better proportioned. Also, the level of detail on this image seems to be not quite as sharp as his dead meat series?
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Bansky
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February 2013
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Conor Harrington | The Unveiling | The Outsiders, by Bansky on Sept 15, 2014 19:32:22 GMT 1, Why would you want to hold on your cart? Just buy it. Just wondering if I need to practise my touch typing
Why would you want to hold on your cart? Just buy it. Just wondering if I need to practise my touch typing
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Dibbs 45
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Conor Harrington | The Unveiling | The Outsiders, by Dibbs 45 on Sept 15, 2014 19:33:16 GMT 1, Is it me or is it all a bit… Athena ? I have to say yes I thought that. Along the lines of Salvador Dali posters in the eighties. However part of my brain would not accept it when I looked at it more. I think its the photo. Still a great image and price.
Is it me or is it all a bit… Athena ? I have to say yes I thought that. Along the lines of Salvador Dali posters in the eighties. However part of my brain would not accept it when I looked at it more. I think its the photo. Still a great image and price.
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sky8888
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Conor Harrington | The Unveiling | The Outsiders, by sky8888 on Sept 15, 2014 19:51:54 GMT 1, On a side note, I think the dude on the left is Gaius Baltar
On a side note, I think the dude on the left is Gaius Baltar
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Icesay
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Conor Harrington | The Unveiling | The Outsiders, by Icesay on Sept 15, 2014 19:54:37 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light?
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light?
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Rsyok
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Conor Harrington | The Unveiling | The Outsiders, by Rsyok on Sept 15, 2014 20:06:41 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Try reading the title ( hint it's a naked bird under a sheet).
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Try reading the title ( hint it's a naked bird under a sheet).
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alittle
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Conor Harrington | The Unveiling | The Outsiders, by alittle on Sept 15, 2014 20:10:05 GMT 1, I wish this was the print release:
I wish this was the print release:
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Deleted
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January 1970
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Conor Harrington | The Unveiling | The Outsiders, by Deleted on Sept 15, 2014 20:12:52 GMT 1, I wish it was smaller, framing will cost more than the print!
I wish it was smaller, framing will cost more than the print!
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vei
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February 2013
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Conor Harrington | The Unveiling | The Outsiders, by vei on Sept 15, 2014 20:40:49 GMT 1, I wish this was the print release:
Yeah that's nice.
I wish this was the print release: Yeah that's nice.
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anbesivam1
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February 2012
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Conor Harrington | The Unveiling | The Outsiders, by anbesivam1 on Sept 15, 2014 20:44:56 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation.
I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective.
Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece.
His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor.
Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China.
In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated).
Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West?
The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'.
I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece.
What do others think?
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think?
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Conor Harrington | The Unveiling | The Outsiders, by Feral Things on Sept 15, 2014 21:51:35 GMT 1, That's really interesting, anbesivam1. I hadn't spotted a lot of the details you mentioned. I do like Conor's inclusion of busts from antiquity to draw parallels with events that befell past empires. In 'Watch Your Palace Fall' the bust of Julius Caesar references historic assassinations and in this piece I would assume from the furrowed brow that the bust depicts Nero who was the ineffectual Roman emperor that 'fiddled while Rome burned.'
That's really interesting, anbesivam1. I hadn't spotted a lot of the details you mentioned. I do like Conor's inclusion of busts from antiquity to draw parallels with events that befell past empires. In 'Watch Your Palace Fall' the bust of Julius Caesar references historic assassinations and in this piece I would assume from the furrowed brow that the bust depicts Nero who was the ineffectual Roman emperor that 'fiddled while Rome burned.'
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dueuomo
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January 2014
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Conor Harrington | The Unveiling | The Outsiders, by dueuomo on Sept 15, 2014 22:53:31 GMT 1, I really like this and ambesivam1 interpretation!
I really like this and ambesivam1 interpretation!
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jusdeep
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October 2007
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Conor Harrington | The Unveiling | The Outsiders, by jusdeep on Sept 15, 2014 23:20:49 GMT 1, Not so sure about this image. Looks too sharp, precise in places and almost looks like the image has been forced or digitally altered to make it rawer in form. For me it just doesn't seem 'in this image' to have the grittiness of Conor's work or capture the moment or feeling of the subjects. Plus I find the colours used quite unsettling. I'm sure most will disagree but I feel a little disappointed if this is it, even for the reasonable price.
Not so sure about this image. Looks too sharp, precise in places and almost looks like the image has been forced or digitally altered to make it rawer in form. For me it just doesn't seem 'in this image' to have the grittiness of Conor's work or capture the moment or feeling of the subjects. Plus I find the colours used quite unsettling. I'm sure most will disagree but I feel a little disappointed if this is it, even for the reasonable price.
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Conor Harrington | The Unveiling | The Outsiders, by Coach on Sept 15, 2014 23:33:13 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think?
Refreshing post. Thanks. I've only seen a tiny pic on my mobile. I'm waiting to have a look on a big screen. I'll be especially interested to do so after reading this.
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Refreshing post. Thanks. I've only seen a tiny pic on my mobile. I'm waiting to have a look on a big screen. I'll be especially interested to do so after reading this.
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sgolby
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Conor Harrington | The Unveiling | The Outsiders, by sgolby on Sept 15, 2014 23:47:17 GMT 1, Very well articulated, and analyzed...
Very well articulated, and analyzed...
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Deleted
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January 1970
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Conor Harrington | The Unveiling | The Outsiders, by Deleted on Sept 15, 2014 23:54:56 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Very refreshing to hear a thoughtful interpretation of art on here. Much better than the usually talk of money. Well done
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Very refreshing to hear a thoughtful interpretation of art on here. Much better than the usually talk of money. Well done
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vytis33
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October 2011
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Conor Harrington | The Unveiling | The Outsiders, by vytis33 on Sept 16, 2014 0:06:09 GMT 1, I wish this was the print release: Absolutely...that's a fantastic piece right there. Not crazy about the latest release to be honest.
I wish this was the print release: Absolutely...that's a fantastic piece right there. Not crazy about the latest release to be honest.
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thisisanton
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November 2012
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Conor Harrington | The Unveiling | The Outsiders, by thisisanton on Sept 16, 2014 0:17:37 GMT 1, I might have to pass on this one. Was not approved by the wife. Why get it if it won't make the wall? (Unless you plan to flip it.) I was hoping for this as a print.
I might have to pass on this one. Was not approved by the wife. Why get it if it won't make the wall? (Unless you plan to flip it.) I was hoping for this as a print.
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Conor Harrington | The Unveiling | The Outsiders, by Limited Prints on Sept 16, 2014 2:33:01 GMT 1, SWEEET, going to be a lot easier to get one of these. nice and large. SWEEEEEET.
SWEEET, going to be a lot easier to get one of these. nice and large. SWEEEEEET.
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Conor Harrington | The Unveiling | The Outsiders, by joker3000 on Sept 16, 2014 3:07:20 GMT 1, And glossy. Don't forget glossy.
Looking forward to any pics of this when folks receive them.
And glossy. Don't forget glossy.
Looking forward to any pics of this when folks receive them.
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Conor Harrington | The Unveiling | The Outsiders, by Jeezuz Jones Snr on Sept 16, 2014 3:29:49 GMT 1, I might have to pass on this one. Was not approved by the wife. Why get it if it won't make the wall? (Unless you plan to flip it.) I was hoping for this as a print. love this one Anton, would make a great release and would look great in my man cave. I wont be going for the release, been looking at it for a while but it doesn't jump out at me. Although I got loads of bills to pay this could be the first ever print i buy to flip will I make double the cost back?
I might have to pass on this one. Was not approved by the wife. Why get it if it won't make the wall? (Unless you plan to flip it.) I was hoping for this as a print. love this one Anton, would make a great release and would look great in my man cave. I wont be going for the release, been looking at it for a while but it doesn't jump out at me. Although I got loads of bills to pay this could be the first ever print i buy to flip will I make double the cost back?
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Deleted
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January 1970
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Conor Harrington | The Unveiling | The Outsiders, by Deleted on Sept 16, 2014 3:39:11 GMT 1, To make it glossy? Applied by silkscreen? I got that - but why does it need to be applied by silkscreen? genuinely curious. silkscreens are usually used to print using positive/negative space. Normally to get a gloss finish on a digital print, youd print it on a gloss stock. Archival stocks for the most part are matte, and the silkscreen adds a nice finish on the image itself, leaving the outside edge and sig areas untouched to be signed and numbered by pencil. Thats my guess
To make it glossy? Applied by silkscreen? I got that - but why does it need to be applied by silkscreen? genuinely curious. silkscreens are usually used to print using positive/negative space. Normally to get a gloss finish on a digital print, youd print it on a gloss stock. Archival stocks for the most part are matte, and the silkscreen adds a nice finish on the image itself, leaving the outside edge and sig areas untouched to be signed and numbered by pencil. Thats my guess
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jayTown
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February 2013
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Conor Harrington | The Unveiling | The Outsiders, by jayTown on Sept 16, 2014 6:01:09 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think?
Really interesting post! I keep trying to work out what countries are left on the globe. Looks more like part of Africa?
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Really interesting post! I keep trying to work out what countries are left on the globe. Looks more like part of Africa?
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mutatis
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July 2013
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Conor Harrington | The Unveiling | The Outsiders, by mutatis on Sept 16, 2014 7:54:40 GMT 1, But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Very interesting observations anbesivam1 and thank you for sharing – indeed these themes have indeed been consistently employed by Conor in the last couple of years. I’d only add that my guess is that in keeping with Conor’s previous work where naked flesh is literally "served up" and adds to the cornucopia and the idea of excess and abundance, that this is a comment on a sex (porn perhaps?) obsessed society and as a result of that I think the bust on the floor here could equally be Caligula as well as Nero (see the film below at 55.00 where Conor references Nero in Dead Meat).
For those of you that have not seen it – and I have only just come across it - here is a film of Conor from around the time of the Dead Meat show explaining his work up to that point. It’s all relevant and really revealing, but for those that are looking for clues for the meaning behind “The Unveiling” watch from around the 52.12 mark.
But what is the meaning of the picture? There seems to be a lot of elements to it or references perhaps....i like to know what is going on, that's what makes it clever or thought provoking...can anyone shed some light? Great question. I don't have the answer, but only my interpretation. I think, like any good art, there is room for the viewer to interpret this piece from his/her own perspective. Having said this, an understanding of the context of Conor's previous bodies of work is important in order to appreciate the symbolism and messages Conor portrays in this piece. His recent shows "Dead Meat" & "A whole lot of trouble for a little bit of win" gave us an insight in to the themes of empire and the cycles of power important to Conor. Conor is particularly interested in the transition of the centre of power from the West to the East. Despite his paintings referencing the Baroque period they are very much concerned with our contemporary world. Paintings titled, "Who's World is this?", "When we were kings" and "For Want of a Kingdom, the Battle Was Lost" all reference Europe's economic and political decline in light of the rise of China. In "The Unveiling", we can see familiar motifs of power the UN flag, a globe, a renaissance bust resting on the floor, the trophy dead pheasant and a table of cornucopia (with the nude female) being unveiled (offered) to the 'emperor' (seated). Why are the symbols of empire placed on the floor? And symbols of excess / plenty commanding the attention of the protagonist? Is it a reference as to the moral state of our society in the west, that has allowed us to lose our grip on empire? Has decadence led to the fall of the West? The flag is vague and the globe is also indistinct, which further lends to my interpretation that the artist feels power is fading in plain sight, whilst the protagonist pays more attention to the 'offering'. I would be interested to see the complete body of work for the show, which I am sure would add clarity to interpreting this piece. What do others think? Very interesting observations anbesivam1 and thank you for sharing – indeed these themes have indeed been consistently employed by Conor in the last couple of years. I’d only add that my guess is that in keeping with Conor’s previous work where naked flesh is literally "served up" and adds to the cornucopia and the idea of excess and abundance, that this is a comment on a sex (porn perhaps?) obsessed society and as a result of that I think the bust on the floor here could equally be Caligula as well as Nero (see the film below at 55.00 where Conor references Nero in Dead Meat). For those of you that have not seen it – and I have only just come across it - here is a film of Conor from around the time of the Dead Meat show explaining his work up to that point. It’s all relevant and really revealing, but for those that are looking for clues for the meaning behind “The Unveiling” watch from around the 52.12 mark.
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winston
New Member
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August 2014
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Conor Harrington | The Unveiling | The Outsiders, by winston on Sept 16, 2014 8:46:48 GMT 1, Hmm love his stuff but I'm a little disappointed with this? Expected some hand finishing...
Wanted to be blown away but I'm not
Hmm love his stuff but I'm a little disappointed with this? Expected some hand finishing... Wanted to be blown away but I'm not
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Conor Harrington | The Unveiling | The Outsiders, by aibohphobia on Sept 16, 2014 9:52:01 GMT 1, Any idea what shipping to the US will be? Last time I tried to order a "large" print it was like 75 bucks.
Any idea what shipping to the US will be? Last time I tried to order a "large" print it was like 75 bucks.
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mrkyuss
New Member
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September 2011
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Conor Harrington | The Unveiling | The Outsiders, by mrkyuss on Sept 16, 2014 10:36:38 GMT 1, Weak print compared to his last few.
Weak print compared to his last few.
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alittle
Junior Member
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November 2012
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Conor Harrington | The Unveiling | The Outsiders, by alittle on Sept 16, 2014 11:06:55 GMT 1, Any idea what shipping to the US will be? Last time I tried to order a "large" print it was like 75 bucks. I would expect the same.
Any idea what shipping to the US will be? Last time I tried to order a "large" print it was like 75 bucks. I would expect the same.
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