artylang
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by artylang on Oct 9, 2020 17:21:19 GMT 1, lol wouldnt be caught dead buying from them on the brink of bankruptcy.
lol wouldnt be caught dead buying from them on the brink of bankruptcy.
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duffer31
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by duffer31 on Oct 9, 2020 17:26:03 GMT 1, lol wouldnt be caught dead buying from them on the brink of bankruptcy.
Link please
lol wouldnt be caught dead buying from them on the brink of bankruptcy. Link please
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Imoy-San
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Imoy-San on Oct 10, 2020 10:22:01 GMT 1, Selling my Daniel Arsham - Alarm Clock, which is part of the original Future Relic series.
Box was damaged on delivery, but I have the original receipt of purchase.
Possibly looking for swaps with other Arsham relics.
DM with interest.
Selling my Daniel Arsham - Alarm Clock, which is part of the original Future Relic series.
Box was damaged on delivery, but I have the original receipt of purchase.
Possibly looking for swaps with other Arsham relics.
DM with interest.
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tesla
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by tesla on Oct 14, 2020 15:40:11 GMT 1, Hi,
I'm looking to sell my Daniel Arsham unique patch.
I prefer not to go through the auction houses because of the self-covered shipping cost to HK (where Arsham has a major following base) as well as other auction fees. Besides, it will save fees for the buyer as well.
This one comes with no resale clause, direct from Perrotin.
Patch, 2018 Quartz, hydrostone 82 ร 48 ร 2 1/4 in 208.3 ร 121.9 ร 5.7 cm
Please DM if interested. The work is in NYC UOVO storage, shipping will be covered by the buyer.
Thanks, Tesla
Hi, I'm looking to sell my Daniel Arsham unique patch. I prefer not to go through the auction houses because of the self-covered shipping cost to HK (where Arsham has a major following base) as well as other auction fees. Besides, it will save fees for the buyer as well. This one comes with no resale clause, direct from Perrotin. Patch, 2018 Quartz, hydrostone 82 ร 48 ร 2 1/4 in 208.3 ร 121.9 ร 5.7 cm Please DM if interested. The work is in NYC UOVO storage, shipping will be covered by the buyer. Thanks, Tesla
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allbriton
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October 2020
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by allbriton on Oct 26, 2020 23:16:56 GMT 1, Hi Tesla,
Is this still available? Do you have more images? And what's the price? I'm very interested. Thank you!
Hi Tesla,
Is this still available? Do you have more images? And what's the price? I'm very interested. Thank you!
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axoss
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by axoss on Oct 27, 2020 0:11:39 GMT 1, Interested. Pm
Thanks
Interested. Pm
Thanks
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aumi
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by aumi on Oct 28, 2020 16:10:52 GMT 1, Pace just announced the release of the Paper Relics series.
Daniel Arsham
Paper Relics (2020) Set of three cast pigmented cotton prints with embedded quartz crystals and artist-designed frames 28 1/4 x 21 1/2 x 5 1/4 inches, each ยท Edition of 20
$30,000 (framing included)
paceprints.com/viewing-rooms
Small edition size of three pieces but still a hefty price tag
Pace just announced the release of the Paper Relics series. Daniel Arsham Paper Relics (2020) Set of three cast pigmented cotton prints with embedded quartz crystals and artist-designed frames 28 1/4 x 21 1/2 x 5 1/4 inches, each ยท Edition of 20 $30,000 (framing included) paceprints.com/viewing-roomsSmall edition size of three pieces but still a hefty price tag
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irl1
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by irl1 on Oct 28, 2020 16:15:55 GMT 1, Pace Prints
Daniel Arsham
Paper Relics (2020)
Set of three cast pigmented cotton prints with embedded quartz crystals and artist-designed frames
28 1/4 x 21 1/2 x 5 1/4 inches, each ยท Edition of 20
$30,000 (framing included)
Pace Prints is pleased to announce the release of a new edition by Daniel Arsham. "Paper Relics," Arshamโs first project with Pace Prints, is a set of three cast cotton paper pulp works with embedded quartz crystals. The edition of twenty includes artist-designed frames with built-in LED lighting.
Daniel Arshamโs work exists in the realm of the โFuture Relicโโa distant, yet inevitable, time in which our world and our objects have become the subject of history. Arsham takes easily recognizable items emblematic of our recent past, such as the Walkman, the Kit-Cat Klock, and the Leica M3 camera, and re-contextualizes them as if discovered on a future archeological site
The cast paper pieces appear in a paradoxical in-between, simultaneously falling apart and coming together. The crystals mine temporal indeterminacy, growing while eroding the host body. When Paper Relics hangs on the wall, recessed in frames with diffused lighting systems, the viewer is transported to the Natural History Museum in the year 3020, to contemplate both real and imagined realms.
Pace Prints Daniel Arsham Paper Relics (2020) Set of three cast pigmented cotton prints with embedded quartz crystals and artist-designed frames 28 1/4 x 21 1/2 x 5 1/4 inches, each ยท Edition of 20 $30,000 (framing included) Pace Prints is pleased to announce the release of a new edition by Daniel Arsham. "Paper Relics," Arshamโs first project with Pace Prints, is a set of three cast cotton paper pulp works with embedded quartz crystals. The edition of twenty includes artist-designed frames with built-in LED lighting. Daniel Arshamโs work exists in the realm of the โFuture Relicโโa distant, yet inevitable, time in which our world and our objects have become the subject of history. Arsham takes easily recognizable items emblematic of our recent past, such as the Walkman, the Kit-Cat Klock, and the Leica M3 camera, and re-contextualizes them as if discovered on a future archeological site The cast paper pieces appear in a paradoxical in-between, simultaneously falling apart and coming together. The crystals mine temporal indeterminacy, growing while eroding the host body. When Paper Relics hangs on the wall, recessed in frames with diffused lighting systems, the viewer is transported to the Natural History Museum in the year 3020, to contemplate both real and imagined realms.
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nobokov
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by nobokov on Oct 28, 2020 16:17:58 GMT 1, Instant loss of respect for Pace Prints.
Instant loss of respect for Pace Prints.
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Poster Bob
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Poster Bob on Oct 28, 2020 16:27:39 GMT 1, I was going to go for the Kit-Cat if the price was $7,500 or less. Lo and behold you have to buy a set, they're only editions of 20 and they're $10,000 a piece.
Oh, and I had to laugh at this: "The crystals mine temporal indeterminacy, growing while eroding the host body."
I was going to go for the Kit-Cat if the price was $7,500 or less. Lo and behold you have to buy a set, they're only editions of 20 and they're $10,000 a piece.
Oh, and I had to laugh at this: "The crystals mine temporal indeterminacy, growing while eroding the host body."
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qest
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by qest on Oct 28, 2020 16:28:16 GMT 1, I look forward to a future in which Arsham is a relic.
I look forward to a future in which Arsham is a relic.
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hellfo
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by hellfo on Oct 28, 2020 16:46:37 GMT 1, This price is crazy.
This price is crazy.
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startimeash
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by startimeash on Oct 28, 2020 17:05:42 GMT 1, I think itโs a toss up between him and KAWS as to who can take the piss the most...
I think itโs a toss up between him and KAWS as to who can take the piss the most...
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maven
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by maven on Oct 28, 2020 18:43:27 GMT 1, Likewise, I was interested in these paper relics until I saw the price ๐ฐ ๐
Likewise, I was interested in these paper relics until I saw the price ๐ฐ ๐
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.dappy
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by .dappy on Oct 28, 2020 19:44:36 GMT 1, ... gosh ...
... gosh ...
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ca
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by ca on Oct 28, 2020 20:19:35 GMT 1, Hate the artist but love the craftsmanship by Pace on this
Hate the artist but love the craftsmanship by Pace on this
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lv90210
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by lv90210 on Oct 28, 2020 20:20:53 GMT 1, What a load of crap.
What a load of crap.
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Newar
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Newar on Oct 28, 2020 20:32:40 GMT 1, At that price cheaper to buy OG drawings from perrotin
At that price cheaper to buy OG drawings from perrotin
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kwatis
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by kwatis on Oct 28, 2020 21:46:53 GMT 1, Pulp-tures
Pulp-tures
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jp226
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by jp226 on Oct 28, 2020 22:24:36 GMT 1, Arsham is the definition of hypbeast garbage. He's a one trick pony with a fragile ego.
Arsham is the definition of hypbeast garbage. He's a one trick pony with a fragile ego.
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Poster Bob
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Poster Bob on Oct 28, 2020 22:46:53 GMT 1, Arsham is the definition of hypbeast garbage. He's a one trick pony with a fragile ego. That Hypebeast garbage just started to release works via Pace. Now if you remember your history, it did wonders for Kaws. Watch the same thing happen again.
Arsham is the definition of hypbeast garbage. He's a one trick pony with a fragile ego. That Hypebeast garbage just started to release works via Pace. Now if you remember your history, it did wonders for Kaws. Watch the same thing happen again.
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Poster Bob
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๐จ๏ธ 5,891
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Poster Bob on Oct 28, 2020 23:23:49 GMT 1, Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense.
Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense.
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jp226
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by jp226 on Oct 28, 2020 23:59:38 GMT 1, Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up....
As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop.
Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop.
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Poster Bob
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๐จ๏ธ 5,891
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by Poster Bob on Oct 29, 2020 0:01:03 GMT 1, Worthless repros
Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up....ย As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. ย
Worthless repros Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up....ย As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. ย
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krazy
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by krazy on Oct 29, 2020 0:31:38 GMT 1, Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000.
I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all.
The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense.
Yeah, because they took on some hypebeast asshat just to take in $600,000 as an act of pure desperation. Makes total sense. Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense.
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tcb
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by tcb on Oct 29, 2020 9:34:50 GMT 1, Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense. Fully agree!
And IMO he's deliberately separating these two markets.
Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense. Fully agree! And IMO he's deliberately separating these two markets.
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medichead
New Member
๐จ๏ธ 575
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January 2017
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by medichead on Oct 29, 2020 9:40:14 GMT 1, Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense.
I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales...
Ohhh, c'mon bobby boy. If we're talking history, we should start at how you said unsigned Banksy prints were just tat that wouldn't go up.... As for KAWs, I know plenty of serious collectors who are liquidating --- his bubble is about to pop. The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense. I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales...
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krazy
New Member
๐จ๏ธ 226
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September 2006
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by krazy on Oct 29, 2020 22:25:19 GMT 1, The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense. I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales... I've been closely following the art market for almost 20 years. I look at long and short term trends. A handful of auctions can tell as much of a story as 5 years of auctions.
Too many people look at the art market in the same way as stocks (or even crypto because of the extreme highs), but it's dangerous to do that, as there's very very rarely a correlation between the two. Art has its own set of rules, patterns, etc. To understand it, you need to understand the minds and intent of old money, new money, young fans, old fans, celebrities, galleries, artists, flippers, and everyone in between, because they all have a part to play.
The upcoming auctions (and lack of stock) tell a different story, particularly for his originals. His lower quality (and more generic) prints and vinyl have had a slight drop, but that's because they're mostly held by flippers and short-term/swing collectors. The canvases are still very tightly held and seeing solid results. Look at the most recent auctions.. $200k for Kimpsons PP, an Untitled for $650,000, and the mediocre ad disruption for $293,000. I also find it quite funny when people keep claiming that an artists bubble is about to 'pop'. It's very rare to see an artist like KAWS (who is very very strongly supported by collectors, galleries, celebrities, etc) drop in value. What we do see though is a broad drop in art values across the entire market, like we saw in 2016 when the 'overheated' market dropped almost overnight by about 20-30%. In fact, people have been predicting that the KAWS bubble will pop since around 2012 when the prices started to go stratospheric (after the Macy's day parade)... but that hasn't happened. If anything, I think his original (and high ranking print) prices have moved in-line with the general contemporary art market, which isn't a bad thing at all. The KAWS vinyl and mass market print market is another story altogether... KAWS runs a 2-speed economy in that sense. I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales... I've been closely following the art market for almost 20 years. I look at long and short term trends. A handful of auctions can tell as much of a story as 5 years of auctions. Too many people look at the art market in the same way as stocks (or even crypto because of the extreme highs), but it's dangerous to do that, as there's very very rarely a correlation between the two. Art has its own set of rules, patterns, etc. To understand it, you need to understand the minds and intent of old money, new money, young fans, old fans, celebrities, galleries, artists, flippers, and everyone in between, because they all have a part to play.
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medichead
New Member
๐จ๏ธ 575
๐๐ป 578
January 2017
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Daniel Arsham ๐บ๐ธ New York โข Eroded Future Relic, by medichead on Oct 30, 2020 0:21:52 GMT 1, I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales... I've been closely following the art market for almost 20 years. I look at long and short term trends. A handful of auctions can tell as much of a story as 5 years of auctions. Too many people look at the art market in the same way as stocks (or even crypto because of the extreme highs), but it's dangerous to do that, as there's very very rarely a correlation between the two. Art has its own set of rules, patterns, etc. To understand it, you need to understand the minds and intent of old money, new money, young fans, old fans, celebrities, galleries, artists, flippers, and everyone in between, because they all have a part to play.
If you want to talk market, letโs do it.
I presume you donโt think Arsham is a long term hold (20-30 years +).
When, exactly, do you think you would eject and dump your Arsham stock, and what signals will you look for to inform that decision?
I donโt want other members unwittingly getting left holding some bags...
I would be extremely cautious about how much weight you seem to be placing an a handful of auction sales... I've been closely following the art market for almost 20 years. I look at long and short term trends. A handful of auctions can tell as much of a story as 5 years of auctions. Too many people look at the art market in the same way as stocks (or even crypto because of the extreme highs), but it's dangerous to do that, as there's very very rarely a correlation between the two. Art has its own set of rules, patterns, etc. To understand it, you need to understand the minds and intent of old money, new money, young fans, old fans, celebrities, galleries, artists, flippers, and everyone in between, because they all have a part to play. If you want to talk market, letโs do it. I presume you donโt think Arsham is a long term hold (20-30 years +). When, exactly, do you think you would eject and dump your Arsham stock, and what signals will you look for to inform that decision? I donโt want other members unwittingly getting left holding some bags...
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