Chrisp
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July 2011
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Dolk Rip On / Rip Off May 24th , by Chrisp on May 25, 2016 18:53:55 GMT 1, I helped him hang booth of these exhibitions and I have to say it looks magnificent. A lot of street art is only temporary and the only way to consume it, is through a computer screen since the work no longer exists. These work can in no way be enjoyed only looking at a screen. The richness of the metal plates is something that completely is overlooked in the pictures. He's also still working within his subject that is the street. Earlier he added elements to the street, now he's highlighting parts of the urban environment and fetishizing about the simplest form of vandalism, keying. The way the surface of the "canvases" are you're also forced to put yourself into the works and consider yourself a part of the work. The perfect surface is destroyed and you're left there helpless as a viewer. I find it interesting that there's a long thread about the death of street art and when someone tries to do something about it, no one seems to care or doesn't want to understand. Is street art only built up of easy access images and pop cultural references? An artist has to evolve to stay relevant, and evolving within stencils is to me an impossible task (please prove me wrong, and don't say Banksy). An era is over, Dolk went back to the roots of vandalism and he's showing us that it's possible to evolve beyond the stencil. More artists should dare to take this step, and hopefully he will start a trend where artists step out of their comfort zone. For the "scene" to survive boundaries have to be pushed, instead of remixing the same images again and again until IKEA think it's a good idea to sell it in their stores.
Can't says this is evolving it's like Jaffa Cakes making floor cleaner instead. It also doesn't look like 'street art' prove me wrong in 10 years time though but I can't see it.
It's just seems like he's trying an differemt class market going all contemporary on us.
I helped him hang booth of these exhibitions and I have to say it looks magnificent. A lot of street art is only temporary and the only way to consume it, is through a computer screen since the work no longer exists. These work can in no way be enjoyed only looking at a screen. The richness of the metal plates is something that completely is overlooked in the pictures. He's also still working within his subject that is the street. Earlier he added elements to the street, now he's highlighting parts of the urban environment and fetishizing about the simplest form of vandalism, keying. The way the surface of the "canvases" are you're also forced to put yourself into the works and consider yourself a part of the work. The perfect surface is destroyed and you're left there helpless as a viewer. I find it interesting that there's a long thread about the death of street art and when someone tries to do something about it, no one seems to care or doesn't want to understand. Is street art only built up of easy access images and pop cultural references? An artist has to evolve to stay relevant, and evolving within stencils is to me an impossible task (please prove me wrong, and don't say Banksy). An era is over, Dolk went back to the roots of vandalism and he's showing us that it's possible to evolve beyond the stencil. More artists should dare to take this step, and hopefully he will start a trend where artists step out of their comfort zone. For the "scene" to survive boundaries have to be pushed, instead of remixing the same images again and again until IKEA think it's a good idea to sell it in their stores. Can't says this is evolving it's like Jaffa Cakes making floor cleaner instead. It also doesn't look like 'street art' prove me wrong in 10 years time though but I can't see it. It's just seems like he's trying an differemt class market going all contemporary on us. |
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HRE
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March 2007
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Dolk Rip On / Rip Off May 24th , by HRE on May 25, 2016 18:56:54 GMT 1, I like it. So what if people change direction. Change is good. Don't get too hooked on one body of work. Artists should explore new directions and see where it leads.
I like it. So what if people change direction. Change is good. Don't get too hooked on one body of work. Artists should explore new directions and see where it leads.
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Chrisp
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July 2011
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Dolk Rip On / Rip Off May 24th , by Chrisp on May 25, 2016 19:03:41 GMT 1, I like it. So what if people change direction. Change is good. Don't get too hooked on one body of work. Artists should explore new directions and see where it leads.
Not saying it's a bad thing at all, a change of direction is new and exciting for Dolk I'm sure. it's just too different for me and not my thing. If I saw it on the street it just would interest me enough to grab any of my attention. Again I'm probably wrong it just seems like he's going for a different market for his work.
I like it. So what if people change direction. Change is good. Don't get too hooked on one body of work. Artists should explore new directions and see where it leads. Not saying it's a bad thing at all, a change of direction is new and exciting for Dolk I'm sure. it's just too different for me and not my thing. If I saw it on the street it just would interest me enough to grab any of my attention. Again I'm probably wrong it just seems like he's going for a different market for his work. |
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Dolk Rip On / Rip Off May 24th , by Daniel Silk on May 25, 2016 19:12:33 GMT 1, Looks good to me 
Yeah it's certainly a new direction.
Many Artists are getting knocked for rerelease prints and reworking old images and styles, so Dolk doing something very different and risky like this should be welcomed in my opinion.
But saying that  I still feel he had a massive archive of images yet to be released as prints in his old style and it's sad if they never ever get released and given the coverage that they deserve.
Looks good to me Yeah it's certainly a new direction. Many Artists are getting knocked for rerelease prints and reworking old images and styles, so Dolk doing something very different and risky like this should be welcomed in my opinion. But saying that I still feel he had a massive archive of images yet to be released as prints in his old style and it's sad if they never ever get released and given the coverage that they deserve. |
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Dolk Rip On / Rip Off May 24th , by Daniel Silk on May 25, 2016 19:18:16 GMT 1, I think maybe we have two types of Artists in this scene, those that produce what people want! and Artists who produce what they Artistically want and feel
I think Dolk is now in a position that he is totally free to do whatever he wants so I think he deserves congratulations for using that to express himself totally without boarders.
I think maybe we have two types of Artists in this scene, those that produce what people want! and Artists who produce what they Artistically want and feel I think Dolk is now in a position that he is totally free to do whatever he wants so I think he deserves congratulations for using that to express himself totally without boarders. |
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Deleted
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January 1970
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Dolk Rip On / Rip Off May 24th , by Deleted on May 25, 2016 19:20:08 GMT 1, I think it's a good thing to change direction and try different things for artists of all genres. If it works thats good if it doesn't work it's something one can use as knowledge for future projects.
The transition from street art to this exhibition could seem a big leap but it's very similar in that street art was about graffiti and urban vandalism by tagging buildings etc and the vandalism and tagging is still there on the pristine painted panels that have been keyed or marked as in some form of vandalism.
It's the opposite of Koons altho slick reflective panels in as much as Koons stuff is meant to be handled with cotton gloves and even a fingerprint or a fly fart on a Koons piece can ruin the effect.
Dolk has gone for the damage and marking each pristine piece in a way that a tagger or vandal could walk into a galelry and vandalise a painting or sculpture.
It's not Weiwei as in Weiwei smashing vases.
It's probably too subtle for most people who don't get the link with urban vandalism but i'm sure some people will buy the art.
It also reminds us that we are not perfect no matter how much we look in amirror and see perfection, our reflection to others is always flawed unless it's Kanye of course
A transition from the streets and stencils to this expo could have been if Dolk had exhibited a new car door and keyed it or done a dali and loaded a shotgun with nails and shot it at a painted panel or canvas.
Or entered the gallery and just whacked a panel unnanounced with a sledge hammer and announce loudly, "now it's finished"
Some artists pander to buyers who are put off by change.
Picasso painted the same style and it worked for him.
Chagall painted the same stuff all his life and people bought it (even tho to me his art is crap)
J K Rowling when she wrote a novel for adults was panned as it wasn't Harry Potter ish.
I'm sure Dolk puts the same feeling and effort into this new body f art that he did in his stencils on teh streets.
There again Dali has allready done it
I think it's a good thing to change direction and try different things for artists of all genres. If it works thats good if it doesn't work it's something one can use as knowledge for future projects. The transition from street art to this exhibition could seem a big leap but it's very similar in that street art was about graffiti and urban vandalism by tagging buildings etc and the vandalism and tagging is still there on the pristine painted panels that have been keyed or marked as in some form of vandalism. It's the opposite of Koons altho slick reflective panels in as much as Koons stuff is meant to be handled with cotton gloves and even a fingerprint or a fly fart on a Koons piece can ruin the effect. Dolk has gone for the damage and marking each pristine piece in a way that a tagger or vandal could walk into a galelry and vandalise a painting or sculpture. It's not Weiwei as in Weiwei smashing vases. It's probably too subtle for most people who don't get the link with urban vandalism but i'm sure some people will buy the art. It also reminds us that we are not perfect no matter how much we look in amirror and see perfection, our reflection to others is always flawed unless it's Kanye of course A transition from the streets and stencils to this expo could have been if Dolk had exhibited a new car door and keyed it or done a dali and loaded a shotgun with nails and shot it at a painted panel or canvas. Or entered the gallery and just whacked a panel unnanounced with a sledge hammer and announce loudly, "now it's finished" Some artists pander to buyers who are put off by change. Picasso painted the same style and it worked for him. Chagall painted the same stuff all his life and people bought it (even tho to me his art is crap) J K Rowling when she wrote a novel for adults was panned as it wasn't Harry Potter ish. I'm sure Dolk puts the same feeling and effort into this new body f art that he did in his stencils on teh streets. There again Dali has allready done it |
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jayTown
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Dolk Rip On / Rip Off May 24th , by jayTown on May 25, 2016 20:03:14 GMT 1, Feels like there's a lot of trying to justify mediocracy because it's Dolk.
Feels like there's a lot of trying to justify mediocracy because it's Dolk.
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Dolk Rip On / Rip Off May 24th , by Briggs 74 on May 25, 2016 21:28:40 GMT 1, Really don't think these are mediocre. There may be ill feeling towards them because the new direction threatens the prospective value of his earlier style. looking at both styles with unbiased eyes (I don't have any Dolks in my collection) I like both but have to honestly say that these will age far better than his stencils and will stand him in good stead for his artistic future.
Really don't think these are mediocre. There may be ill feeling towards them because the new direction threatens the prospective value of his earlier style. looking at both styles with unbiased eyes (I don't have any Dolks in my collection) I like both but have to honestly say that these will age far better than his stencils and will stand him in good stead for his artistic future.
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BKBOI
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Dolk Rip On / Rip Off May 24th , by BKBOI on May 25, 2016 21:39:05 GMT 1, Feels like there's a lot of trying to justify mediocracy because it's Dolk.
Gotta protect dat investment.
Feels like there's a lot of trying to justify mediocracy because it's Dolk. Gotta protect dat investment. |
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nex
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Dolk Rip On / Rip Off May 24th , by nex on May 25, 2016 21:45:29 GMT 1, Feels like there's a lot of trying to justify mediocracy because it's Dolk. Gotta protect dat investment.
It's a bit late for that? Dolks work has been on the slide for years.
Feels like there's a lot of trying to justify mediocracy because it's Dolk. Gotta protect dat investment. It's a bit late for that? Dolks work has been on the slide for years. |
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Deleted
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January 1970
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Dolk Rip On / Rip Off May 24th , by Deleted on May 25, 2016 21:56:04 GMT 1, Gotta protect dat investment. It's a bit late for that? Dolks work has been on the slide for years.
LOL, put your claws back in :-)
Gotta protect dat investment. It's a bit late for that? Dolks work has been on the slide for years. LOL, put your claws back in :-) |
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Dolk Rip On / Rip Off May 24th , by davievegas on May 25, 2016 21:58:06 GMT 1, Feels like there's a lot of trying to justify mediocracy because it's Dolk. Gotta protect dat investment.
Feels like there's a lot of trying to justify mediocracy because it's Dolk. Gotta protect dat investment. Amen to that |
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batemanz
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November 2014
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Dolk Rip On / Rip Off May 24th , by batemanz on May 25, 2016 22:08:47 GMT 1, Gotta protect dat investment. Amen to that
You are very active in this thread to have lost all interest in Dolk :-)
Gotta protect dat investment. Amen to that You are very active in this thread to have lost all interest in Dolk :-) |
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BKBOI
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Dolk Rip On / Rip Off May 24th , by BKBOI on May 25, 2016 23:05:53 GMT 1, Gotta protect dat investment. It's a bit late for that? Dolks work has been on the slide for years.
Norwegian economy / low oil prices was the primary cause of the slide. His decision to release 3x chief and sleep walker did the finishing touches.
Gotta protect dat investment. It's a bit late for that? Dolks work has been on the slide for years. Norwegian economy / low oil prices was the primary cause of the slide. His decision to release 3x chief and sleep walker did the finishing touches. |
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Bangksy
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Dolk Rip On / Rip Off May 24th , by Bangksy on May 26, 2016 6:54:02 GMT 1, Damn, shoulda dumped all my DOLK before this show.
Damn, shoulda dumped all my DOLK before this show.
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Dolk Rip On / Rip Off May 24th , by Drymounted on May 26, 2016 7:36:27 GMT 1, I am actually quite a fan of these works conceptually. From what I can tell, the initial application and execution on the aluminum is FLAWLESS. To lay out the initial layer so perfectly, and then add the tension of the intentional vandalism takes some real balls.
Looking at the progression of Dolk from day 1, to where he is at today...This current output was laid out pretty clearly to us. Dolk has essentially gone from making us all very comfortable with aesthetically pleasing work, to making aesthetically pleasing work with an element of discomfort added to it.
That said, I feel you have to have actually followed his progression from day 1, through today to actually understand what he is saying or trying to get across. For new viewers, the progression will not be evident. For fans of his previous works, it's quite obvious that the majority will fall off.
I like that Dolk is branching off and doing what pleases him. Few artists have the ability to actually follow their creative passion, as most need to stick to their formula to pay the bills.
Street Art fans are different than most fine art observers. It's not uncommon that well known artists jump from period to period. Sometimes drastic departures, sometimes small. But watching an artist dip his feet in other waters is pretty exciting.
For those worried about investment: You's better hope that the contemporary art market welcomes this departure. Having an artist succeed in that world will only increase the value of his earlier works down the road.
I am actually quite a fan of these works conceptually. From what I can tell, the initial application and execution on the aluminum is FLAWLESS. To lay out the initial layer so perfectly, and then add the tension of the intentional vandalism takes some real balls.
Looking at the progression of Dolk from day 1, to where he is at today...This current output was laid out pretty clearly to us. Dolk has essentially gone from making us all very comfortable with aesthetically pleasing work, to making aesthetically pleasing work with an element of discomfort added to it.
That said, I feel you have to have actually followed his progression from day 1, through today to actually understand what he is saying or trying to get across. For new viewers, the progression will not be evident. For fans of his previous works, it's quite obvious that the majority will fall off.
I like that Dolk is branching off and doing what pleases him. Few artists have the ability to actually follow their creative passion, as most need to stick to their formula to pay the bills.
Street Art fans are different than most fine art observers. It's not uncommon that well known artists jump from period to period. Sometimes drastic departures, sometimes small. But watching an artist dip his feet in other waters is pretty exciting.
For those worried about investment: You's better hope that the contemporary art market welcomes this departure. Having an artist succeed in that world will only increase the value of his earlier works down the road.
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Deleted
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January 1970
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Dolk Rip On / Rip Off May 24th , by Deleted on May 26, 2016 13:21:04 GMT 1, I am actually quite a fan of these works conceptually. From what I can tell, the initial application and execution on the aluminum is FLAWLESS. To lay out the initial layer so perfectly, and then add the tension of the intentional vandalism takes some real balls. Looking at the progression of Dolk from day 1, to where he is at today...This current output was laid out pretty clearly to us. Dolk has essentially gone from making us all very comfortable with aesthetically pleasing work, to making aesthetically pleasing work with an element of discomfort added to it. That said, I feel you have to have actually followed his progression from day 1, through today to actually understand what he is saying or trying to get across. For new viewers, the progression will not be evident. For fans of his previous works, it's quite obvious that the majority will fall off. I like that Dolk is branching off and doing what pleases him. Few artists have the ability to actually follow their creative passion, as most need to stick to their formula to pay the bills. Street Art fans are different than most fine art observers. It's not uncommon that well known artists jump from period to period. Sometimes drastic departures, sometimes small. But watching an artist dip his feet in other waters is pretty exciting. For those worried about investment: You's better hope that the contemporary art market welcomes this departure. Having an artist succeed in that world will only increase the value of his earlier works down the road.
"the initial application and execution on the aluminum is FLAWLESS. To lay out the initial layer so perfectly"
Thats probably because the panels were prepared and spray painted in a spray booth by a professional automotive painter.
I am actually quite a fan of these works conceptually. From what I can tell, the initial application and execution on the aluminum is FLAWLESS. To lay out the initial layer so perfectly, and then add the tension of the intentional vandalism takes some real balls. Looking at the progression of Dolk from day 1, to where he is at today...This current output was laid out pretty clearly to us. Dolk has essentially gone from making us all very comfortable with aesthetically pleasing work, to making aesthetically pleasing work with an element of discomfort added to it. That said, I feel you have to have actually followed his progression from day 1, through today to actually understand what he is saying or trying to get across. For new viewers, the progression will not be evident. For fans of his previous works, it's quite obvious that the majority will fall off. I like that Dolk is branching off and doing what pleases him. Few artists have the ability to actually follow their creative passion, as most need to stick to their formula to pay the bills. Street Art fans are different than most fine art observers. It's not uncommon that well known artists jump from period to period. Sometimes drastic departures, sometimes small. But watching an artist dip his feet in other waters is pretty exciting. For those worried about investment: You's better hope that the contemporary art market welcomes this departure. Having an artist succeed in that world will only increase the value of his earlier works down the road. Thats probably because the panels were prepared and spray painted in a spray booth by a professional automotive painter. |
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Deleted
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January 1970
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Dolk Rip On / Rip Off May 24th , by Deleted on May 26, 2016 15:58:20 GMT 1, The level of ignorance by a vocal minority on here directed at anyone producing work that requires even a modicum of thought , never fails to amaze. No wonder the old guard are moving on to arenas with audiences who have the mental capacity and will to invest some time , thought,and energy into understanding their concepts.
This isn't really a "new direction" at all, it's just a new body of work, it explores and occupies the same conceptual ground that his original street work did. If you genuinely liked his earlier work, then you should also at least, be interested, in this. Next level and as authentic as it comes.
The level of ignorance by a vocal minority on here directed at anyone producing work that requires even a modicum of thought , never fails to amaze. No wonder the old guard are moving on to arenas with audiences who have the mental capacity and will to invest some time , thought,and energy into understanding their concepts.
This isn't really a "new direction" at all, it's just a new body of work, it explores and occupies the same conceptual ground that his original street work did. If you genuinely liked his earlier work, then you should also at least, be interested, in this. Next level and as authentic as it comes.
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elkev
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May 2014
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Dolk Rip On / Rip Off May 24th , by elkev on May 26, 2016 17:08:54 GMT 1, They are extremely hard to photograph. I just looked through my photos from the installation and they are better than the ones already provided, but nothing close to what they look like in real life. And that to me is also part of the point. You actually have to get of your ass and go and see the works to get the full impact of them. The best way to enjoy the beauty of the works if you can't go is to get the book that's being released in the second part of the show. Nice to get a perspective from someone who really knows what they're talking about. The images posted, albeit decent ones, are really hard to gauge properly. Would like a book. When and how can you get hold of one Gard?
The book is released at the second part (Rip Off) in June. And I agree with Gard: none of the photos come close to experiencing the works in real life.
They are extremely hard to photograph. I just looked through my photos from the installation and they are better than the ones already provided, but nothing close to what they look like in real life. And that to me is also part of the point. You actually have to get of your ass and go and see the works to get the full impact of them. The best way to enjoy the beauty of the works if you can't go is to get the book that's being released in the second part of the show. Nice to get a perspective from someone who really knows what they're talking about. The images posted, albeit decent ones, are really hard to gauge properly. Would like a book. When and how can you get hold of one Gard? The book is released at the second part (Rip Off) in June. And I agree with Gard: none of the photos come close to experiencing the works in real life. |
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Dolk Rip On / Rip Off May 24th , by Drymounted on May 26, 2016 19:08:07 GMT 1, The level of ignorance by a vocal minority on here directed at anyone producing work that requires even a modicum of thought , never fails to amaze. No wonder the old guard are moving on to arenas with audiences who have the mental capacity and will to invest some time , thought,and energy into understanding their concepts. This isn't really a "new direction" at all, it's just a new body of work, it explores and occupies the same conceptual ground that his original street work did. If you genuinely liked his earlier work, then you should also at least, be interested, in this. Next level and as authentic as it comes.
Who knows what the future will bring. I wouldn't put it past Dolk to bring back more figurative elements over the next few years. While I personally won't purchase any of the new pieces, I'm interested in seeing what he brings down the road.
The level of ignorance by a vocal minority on here directed at anyone producing work that requires even a modicum of thought , never fails to amaze. No wonder the old guard are moving on to arenas with audiences who have the mental capacity and will to invest some time , thought,and energy into understanding their concepts. This isn't really a "new direction" at all, it's just a new body of work, it explores and occupies the same conceptual ground that his original street work did. If you genuinely liked his earlier work, then you should also at least, be interested, in this. Next level and as authentic as it comes. Picasso had 7 main bodies of work. Not every collector loves every body of work, but when looking at them as a whole, you see the journey. If Dolk has a long career, I wouldn't doubt that we'll see more than a couple more bodies of work throughout the years. Regardless, artist progression is a beautiful thing to see, whether you enjoy the body of work in front of you, or not. Who knows what the future will bring. I wouldn't put it past Dolk to bring back more figurative elements over the next few years. While I personally won't purchase any of the new pieces, I'm interested in seeing what he brings down the road. |
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Deleted
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January 1970
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Dolk Rip On / Rip Off May 24th , by Deleted on May 31, 2016 18:19:39 GMT 1, Dolks new work. Not easy to flip lol lol lol
Dolks new work. Not easy to flip lol lol lol |
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1978per
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July 2012
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Dolk Rip On / Rip Off May 24th , by 1978per on Jun 14, 2016 16:55:08 GMT 1, Part 2 of the exhibition coming up on Saturday the 18th. The book is also released on Saturday and is 200 pages. Open edition it seems, but with a limited edition of 75 which are signed and includes a small rip on original.
Part 2 of the exhibition coming up on Saturday the 18th. The book is also released on Saturday and is 200 pages. Open edition it seems, but with a limited edition of 75 which are signed and includes a small rip on original.
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natstan
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March 2013
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Dolk Rip On / Rip Off May 24th , by natstan on Jun 15, 2016 5:30:55 GMT 1, Really wish I could see this new body of work in person. I feel it's really important to see abstract art in person to truly get its full effect and strength. I used to think nothing about katrin fridrik's works until I get to see them up close one day at a local opera gallery. Closing up on the texture, size, brush strokes, shine or matte of the surface is essential with works like these. But I do agree these may be a tad hard to stomach on a daily basis at home compared to hanging his early stuff. May drive away a lot of his early fans, but also could gain new ones.
Really wish I could see this new body of work in person. I feel it's really important to see abstract art in person to truly get its full effect and strength. I used to think nothing about katrin fridrik's works until I get to see them up close one day at a local opera gallery. Closing up on the texture, size, brush strokes, shine or matte of the surface is essential with works like these. But I do agree these may be a tad hard to stomach on a daily basis at home compared to hanging his early stuff. May drive away a lot of his early fans, but also could gain new ones.
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Ruggs
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Dolk Rip On / Rip Off May 24th , by Ruggs on Jun 15, 2016 12:19:20 GMT 1, Limited edition of 75 is 20.000 NOK + shipping
Standard edition is 500 NOK + shipping.
Limited edition of 75 is 20.000 NOK + shipping
Standard edition is 500 NOK + shipping.
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jusdeep
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October 2007
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Dolk Rip On / Rip Off May 24th , by jusdeep on Jun 15, 2016 12:37:29 GMT 1, Limited edition of 75 is 20.000 NOK + shipping Standard edition is 500 NOK + shipping.
Is he delivering it personally and it includes his first class flight?
Limited edition of 75 is 20.000 NOK + shipping Standard edition is 500 NOK + shipping. 20,000 NOK? Wow! One for the fans then! Is he delivering it personally and it includes his first class flight? |
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Ruggs
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Dolk Rip On / Rip Off May 24th , by Ruggs on Jun 15, 2016 13:08:25 GMT 1, Limited edition of 75 is 20.000 NOK + shipping Standard edition is 500 NOK + shipping. 20,000 NOK? Wow! One for the fans then! Is he delivering it personally and it includes his first class flight?
Limited edition of 75 is 20.000 NOK + shipping Standard edition is 500 NOK + shipping. 20,000 NOK? Wow! One for the fans then! Is he delivering it personally and it includes his first class flight? Could be a mistake jusdeep. I cut and pasted it from Galleri S.E. reply. Regular edition for me. Both books will be available from artstore.no |
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NYart
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Dolk Rip On / Rip Off May 24th , by NYart on Jun 15, 2016 13:59:25 GMT 1, Doesn't appear to be a mistake, I got the email too. Bummed because I'd really like the limited edition but not for that much. Seems to be pricing it like a true original when it seems more comparable to just a hand finished piece.
Doesn't appear to be a mistake, I got the email too. Bummed because I'd really like the limited edition but not for that much. Seems to be pricing it like a true original when it seems more comparable to just a hand finished piece.
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daveart
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February 2008
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Dolk Rip On / Rip Off May 24th , by daveart on Jun 15, 2016 13:59:45 GMT 1, when i read these threads critiquing artist selection of work for release or critiquing their new body of work i start to think 'what if the internet chat board system had been around in previous generations.' imagine your critique say of Warhol's camouflage series or duchamp's The Fountain. or closer in what were your thoughts on FAILE's pieces of FAILE - so many critiqued and said it was the end ..etc. the future is pretty hard to predict and its just so easy to have an opinion and type it out quickly. i get that .. i suppose i even encourage it.. just keep it civil - and here's my opinion. any artist working hard, putting themselves and their work out there for critique, and trying to be successful and relevant deserves at least your respect.
when i read these threads critiquing artist selection of work for release or critiquing their new body of work i start to think 'what if the internet chat board system had been around in previous generations.' imagine your critique say of Warhol's camouflage series or duchamp's The Fountain. or closer in what were your thoughts on FAILE's pieces of FAILE - so many critiqued and said it was the end ..etc. the future is pretty hard to predict and its just so easy to have an opinion and type it out quickly. i get that .. i suppose i even encourage it.. just keep it civil - and here's my opinion. any artist working hard, putting themselves and their work out there for critique, and trying to be successful and relevant deserves at least your respect.
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Dolk Rip On / Rip Off May 24th , by Coach on Jun 15, 2016 14:05:37 GMT 1, when i read these threads critiquing artist selection of work for release or critiquing their new body of work i start to think 'what if the internet chat board system had been around in previous generations.' imagine your critique say of Warhol's camouflage series or duchamp's The Fountain. or closer in what were your thoughts on FAILE's pieces of FAILE - so many critiqued and said it was the end ..etc. the future is pretty hard to predict and its just so easy to have an opinion and type it out quickly. i get that .. i suppose i even encourage it.. just keep it civil - and here's my opinion. any artist working hard, putting themselves and their work out there for critique, and trying to be successful and relevant deserves at least your respect.
There is truth in this. When the impressionists first exhibited, critics and the wealthy turned up mostly to slate the work.
when i read these threads critiquing artist selection of work for release or critiquing their new body of work i start to think 'what if the internet chat board system had been around in previous generations.' imagine your critique say of Warhol's camouflage series or duchamp's The Fountain. or closer in what were your thoughts on FAILE's pieces of FAILE - so many critiqued and said it was the end ..etc. the future is pretty hard to predict and its just so easy to have an opinion and type it out quickly. i get that .. i suppose i even encourage it.. just keep it civil - and here's my opinion. any artist working hard, putting themselves and their work out there for critique, and trying to be successful and relevant deserves at least your respect. There is truth in this. When the impressionists first exhibited, critics and the wealthy turned up mostly to slate the work. |
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I still feel he had a massive archive of images yet to be released as prints in his old style and it's sad if they never ever get released and given the coverage that they deserve.
