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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Γ
gent Γacardi on Jul 13, 2007 20:57:01 GMT 1, not a rant jay, quite a well put point i think and one i totally agree with. permission to use 'like climbing on top of my head and taking a s**t' please? ;D
Hahaha! Use away! ;D
not a rant jay, quite a well put point i think and one i totally agree with. permission to use 'like climbing on top of my head and taking a s**t' please? ;D Hahaha! Use away! ;D
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mp
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by mp on Jul 13, 2007 21:13:40 GMT 1, Wow, I go away for my computer for a day and all hell breaks loose. Guess I can kiss the idea of the u/s morons for SBFO trade goodbye.
Looks like I might have to spend a couple months rent in a few days on this. And yeah, hopefully the quick rise in cost on this is going to inspire other flippers to put theirs up too.
Wow, I go away for my computer for a day and all hell breaks loose. Guess I can kiss the idea of the u/s morons for SBFO trade goodbye.
Looks like I might have to spend a couple months rent in a few days on this. And yeah, hopefully the quick rise in cost on this is going to inspire other flippers to put theirs up too.
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by rob123rob on Jul 13, 2007 21:38:58 GMT 1, Im going to bid on this, and if I end up winning I can guarantee it wont ever be flipped. this is a keeper. Fingers crossed
Im going to bid on this, and if I end up winning I can guarantee it wont ever be flipped. this is a keeper. Fingers crossed
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by bobbyt23 on Jul 13, 2007 21:50:07 GMT 1, Im going to bid on this, and if I end up winning I can guarantee it wont ever be flipped. this is a keeper. Fingers crossed
I love that. "I AM going to bid on this!"
Good luck mate. Hope you get it.
Im going to bid on this, and if I end up winning I can guarantee it wont ever be flipped. this is a keeper. Fingers crossed I love that. "I AM going to bid on this!" Good luck mate. Hope you get it.
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Strange Al
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Strange Al on Jul 13, 2007 21:52:43 GMT 1, Given that it now looks almost certain that the first SBFO listed on ebay is going to sell for over Β£1K, I feel compelled to re-post something I posted in a previous thread. These prices are totally obscene!
Don't get me wrong, I absolutely love Chris' work and think he's created some stunning images to date. It's great for him and SOS that things are going so well. Long may it continue!!!!
Though, when you consider what other art you can buy for Β£1,000+ it kind of puts things into perspective. For that sort of cash you can buy limited edition signed prints from some of the most famous contemporary artists in the world. For the same money you could buy a signed print by Hirst, Emin, Bridget Riley, Gormely, Moore, Hume, the Chapmans, Gilbert & George, Peter Blake or Terry Frost to name but a few. Artists who have been exhibiting for years, who have a long established reputation and whose works hang in the biggest contemporary galleries throughout the world. We often get into the debate about the stability of the market when considering Banksy's work. IMO I don't think it's the Banksy works that you need to worry about so much, it's the smaller artists in the scene that will really struggle if we do see some sort of crash.
If you can get a Beejoir work from the primary source - amazing!!! Though, I'd think long and hard before shelling out Β£1,000+ for a SBFO or Turin Scam. I know people say they don't care - they just love the images so much. Though unless you have an incredibly high disposable income, you can't buy art at Β£1K+ without some thought about residual value. Time may prove me wrong and in a few years a SBFO may sell for thousands. Lets hope so! Though that won't change the fact that I think this is crazy!
Given that it now looks almost certain that the first SBFO listed on ebay is going to sell for over Β£1K, I feel compelled to re-post something I posted in a previous thread. These prices are totally obscene! Don't get me wrong, I absolutely love Chris' work and think he's created some stunning images to date. It's great for him and SOS that things are going so well. Long may it continue!!!! Though, when you consider what other art you can buy for Β£1,000+ it kind of puts things into perspective. For that sort of cash you can buy limited edition signed prints from some of the most famous contemporary artists in the world. For the same money you could buy a signed print by Hirst, Emin, Bridget Riley, Gormely, Moore, Hume, the Chapmans, Gilbert & George, Peter Blake or Terry Frost to name but a few. Artists who have been exhibiting for years, who have a long established reputation and whose works hang in the biggest contemporary galleries throughout the world. We often get into the debate about the stability of the market when considering Banksy's work. IMO I don't think it's the Banksy works that you need to worry about so much, it's the smaller artists in the scene that will really struggle if we do see some sort of crash. If you can get a Beejoir work from the primary source - amazing!!! Though, I'd think long and hard before shelling out Β£1,000+ for a SBFO or Turin Scam. I know people say they don't care - they just love the images so much. Though unless you have an incredibly high disposable income, you can't buy art at Β£1K+ without some thought about residual value. Time may prove me wrong and in a few years a SBFO may sell for thousands. Lets hope so! Though that won't change the fact that I think this is crazy!
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RBK
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by RBK on Jul 13, 2007 22:01:55 GMT 1, My prediction 1323 GBP
My prediction 1323 GBP
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by verbalkint on Jul 13, 2007 22:29:18 GMT 1, Given that it now looks almost certain that the first SBFO listed on ebay is going to sell for over Β£1K, I feel compelled to re-post something I posted in a previous thread. These prices are totally obscene! Don't get me wrong, I absolutely love Chris' work and think he's created some stunning images to date. It's great for him and SOS that things are going so well. Long may it continue!!!! Though, when you consider what other art you can buy for Β£1,000+ it kind of puts things into perspective. For that sort of cash you can buy limited edition signed prints from some of the most famous contemporary artists in the world. For the same money you could buy a signed print by Hirst, Emin, Bridget Riley, Gormely, Moore, Hume, the Chapmans, Gilbert & George, Peter Blake or Terry Frost to name but a few. Artists who have been exhibiting for years, who have a long established reputation and whose works hang in the biggest contemporary galleries throughout the world. We often get into the debate about the stability of the market when considering Banksy's work. IMO I don't think it's the Banksy works that you need to worry about so much, it's the smaller artists in the scene that will really struggle if we do see some sort of crash. If you can get a Beejoir work from the primary source - amazing!!! Though, I'd think long and hard before shelling out Β£1,000+ for a SBFO or Turin Scam. I know people say they don't care - they just love the images so much. Though unless you have an incredibly high disposable income, you can't buy art at Β£1K+ without some thought about residual value. Time may prove me wrong and in a few years a SBFO may sell for thousands. Lets hope so! Though that won't change the fact that I think this is crazy!
I really dont understand your point. if you tried to sell me a peter blake ciggerette packet print for Β£1000 or even Β£500 i would laugh in your face, they are shit (in my opinion) and i know the guy did sergant peppers, but i dont like his work, it aint worth nothing to me, i wouldnt waste Β£50 on a tracy emin print, or a or the chapman brothers
Your argument that the prices are obscence just because chris is a new artist is ridiculous, you are also assuming that people are buying for an investment. I have spent 10 grand on Beejoirs work in the last 3 weeks and i absolutely guarantee than none of it will ever see the open market again. For my money i got 2 fucking amazing originals, an edition of 15, an editon of 3, an edition of 10 an edition of 35 and one of 75. And what does it matter if an artist has work hanging in galleries around the world? Does that give them kudos to you? If you had 10 grand to spend and you could either buy the most amazing work of art you had ever seen in your life by someone you had never heard of, or an OK one by an artist who has work in the tate, which one would you pick?
The most sensible way to collect and to buy art is to look at the piece and decide how much you want it, and what you are willing to pay. I do not determine what i am willing to pay by any other standard than how much i want it. I like 21st century love by micallef, but i only like it enough to pay Β£3000 for it, so now i will never own it, i know that, i accept it. I know i could afford it if i was willing to pay Β£6000, but im not. You might look at SBFO and think you would pay Β£200 for it, i happen to think that beejoir is better than any other artist out there at the minute, so i am willing to pay more for it.
I do understand that you said 'unless you have a large disposable income', but surely people who dont have a massive income should think long and hard before spending Β£1000 on ANY piece of art. But if we must talk about beejoir in terms of investment potential, then i dont think anyone who buys any of his prints for todays prices has anything at all to worry about. These prints are not only super limited, but instant classics. Look at the LV, unsigned edition of 400, already going for over Β£200, so imagine what they will be worth when he gets a good agent and his popularity explodes.
my two cents
Given that it now looks almost certain that the first SBFO listed on ebay is going to sell for over Β£1K, I feel compelled to re-post something I posted in a previous thread. These prices are totally obscene! Don't get me wrong, I absolutely love Chris' work and think he's created some stunning images to date. It's great for him and SOS that things are going so well. Long may it continue!!!! Though, when you consider what other art you can buy for Β£1,000+ it kind of puts things into perspective. For that sort of cash you can buy limited edition signed prints from some of the most famous contemporary artists in the world. For the same money you could buy a signed print by Hirst, Emin, Bridget Riley, Gormely, Moore, Hume, the Chapmans, Gilbert & George, Peter Blake or Terry Frost to name but a few. Artists who have been exhibiting for years, who have a long established reputation and whose works hang in the biggest contemporary galleries throughout the world. We often get into the debate about the stability of the market when considering Banksy's work. IMO I don't think it's the Banksy works that you need to worry about so much, it's the smaller artists in the scene that will really struggle if we do see some sort of crash. If you can get a Beejoir work from the primary source - amazing!!! Though, I'd think long and hard before shelling out Β£1,000+ for a SBFO or Turin Scam. I know people say they don't care - they just love the images so much. Though unless you have an incredibly high disposable income, you can't buy art at Β£1K+ without some thought about residual value. Time may prove me wrong and in a few years a SBFO may sell for thousands. Lets hope so! Though that won't change the fact that I think this is crazy! I really dont understand your point. if you tried to sell me a peter blake ciggerette packet print for Β£1000 or even Β£500 i would laugh in your face, they are shit (in my opinion) and i know the guy did sergant peppers, but i dont like his work, it aint worth nothing to me, i wouldnt waste Β£50 on a tracy emin print, or a or the chapman brothers Your argument that the prices are obscence just because chris is a new artist is ridiculous, you are also assuming that people are buying for an investment. I have spent 10 grand on Beejoirs work in the last 3 weeks and i absolutely guarantee than none of it will ever see the open market again. For my money i got 2 fucking amazing originals, an edition of 15, an editon of 3, an edition of 10 an edition of 35 and one of 75. And what does it matter if an artist has work hanging in galleries around the world? Does that give them kudos to you? If you had 10 grand to spend and you could either buy the most amazing work of art you had ever seen in your life by someone you had never heard of, or an OK one by an artist who has work in the tate, which one would you pick? The most sensible way to collect and to buy art is to look at the piece and decide how much you want it, and what you are willing to pay. I do not determine what i am willing to pay by any other standard than how much i want it. I like 21st century love by micallef, but i only like it enough to pay Β£3000 for it, so now i will never own it, i know that, i accept it. I know i could afford it if i was willing to pay Β£6000, but im not. You might look at SBFO and think you would pay Β£200 for it, i happen to think that beejoir is better than any other artist out there at the minute, so i am willing to pay more for it. I do understand that you said 'unless you have a large disposable income', but surely people who dont have a massive income should think long and hard before spending Β£1000 on ANY piece of art. But if we must talk about beejoir in terms of investment potential, then i dont think anyone who buys any of his prints for todays prices has anything at all to worry about. These prints are not only super limited, but instant classics. Look at the LV, unsigned edition of 400, already going for over Β£200, so imagine what they will be worth when he gets a good agent and his popularity explodes. my two cents
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by bobbyt23 on Jul 13, 2007 22:36:06 GMT 1, I agree with you Verbalkint. I buy pieces I like.
I just wish I could afford more of the pieces I like. But many of them are now out of my league. Them's the breaks though. You get some stuff you like others you dont.
It all comes down to what you can afford and I would always urge people buying for "investment" to seriously consider their decision. Nothing is certain in this world so if you cant afford to lose it dont risk it.
I agree with you Verbalkint. I buy pieces I like.
I just wish I could afford more of the pieces I like. But many of them are now out of my league. Them's the breaks though. You get some stuff you like others you dont.
It all comes down to what you can afford and I would always urge people buying for "investment" to seriously consider their decision. Nothing is certain in this world so if you cant afford to lose it dont risk it.
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by verbalkint on Jul 13, 2007 22:38:38 GMT 1, And whilst i know that Chris prefers his work to go to people who wont sell it on, I personally like flippers, without them i wouldnt have half my collection. I know its s**t when you miss out on a 'must have' print and have to fork out loads more on ebay for it, but can you imagine how s**t it would be if you missed out on a 'must have' print and that was the end of it, no chance at all to ever get your hands on a copy? that would be worse You can look at it in another way... if flippers (the "I don't give a sh!t about the piece, I just want to turn it around for a quick buck even before I've received it" kind) didn't exist, then perhaps you would have been able to snag one for yourself when it went on sale, no? Personally, I think the blatant flippers (the aforementioned kind) are a huge insult to any artists' integrity. They're totally using the artists' fame/skill/talent/ideas to make money for themselves. If I were an artist, it would be like saying to my face, "I don't care about you or your 'talent', I just want to make money off of you." That's like you climbing on top of my head and taking a sh!t. But of course, I realize that's a very idealistic viewpoint, and the real world has many other variables, too many to consider in many instances. Flipping has a lot to do with the increase in value of artworks, and perhaps many artists wouldn't have gained as much recognition if flipping didn't exist. Typical double-edged sword, huh... Just my two cents, sorry if it ended up being a rant ;D
i understand what you are saying, but the world is not made up of good and evil, light and dark, black and white, fans and flippers.
For example, i bought the Ian francis print 'Devouring bunny' because i liked it and it gave me a semi!! I paid Β£275 from RP gallery, now lets say all of a sudden everyone goes crazy apeshit bonkers for ian francis and his prints are going on ebay for Β£4000 a pop, then i would sell it in a heart beat, because i could use that Β£4000 to buy some other stuff i really like
There will be some people who bought this print and now they have seen it going for about a grand will just not be able to resist selling it, its just not worth a grand to them. Obviously there will have been those who sat there all weekend to get one to flip, but you could say that they hung around all weekend so they could make some money and deserve to get one just like everyone else, or maybe they did buy one to sell, but only because there is another print they love which is a grand and they only have Β£200 in the bank, its a good way to get to the print they love.
then of course there are the guys who specialise in getting every new release just to make money, and yes that isnt a nice thing to do and obviously im no fan of these people, the problem is you cannot just tar everyone who decides to sell this print with the same brush, you cannot know their reasons.
It funny, my respect was 16 yesterday and it has gone down 7 points. that is what happens on here when you express an opinion.
And whilst i know that Chris prefers his work to go to people who wont sell it on, I personally like flippers, without them i wouldnt have half my collection. I know its s**t when you miss out on a 'must have' print and have to fork out loads more on ebay for it, but can you imagine how s**t it would be if you missed out on a 'must have' print and that was the end of it, no chance at all to ever get your hands on a copy? that would be worse You can look at it in another way... if flippers (the "I don't give a sh!t about the piece, I just want to turn it around for a quick buck even before I've received it" kind) didn't exist, then perhaps you would have been able to snag one for yourself when it went on sale, no? Personally, I think the blatant flippers (the aforementioned kind) are a huge insult to any artists' integrity. They're totally using the artists' fame/skill/talent/ideas to make money for themselves. If I were an artist, it would be like saying to my face, "I don't care about you or your 'talent', I just want to make money off of you." That's like you climbing on top of my head and taking a sh!t. But of course, I realize that's a very idealistic viewpoint, and the real world has many other variables, too many to consider in many instances. Flipping has a lot to do with the increase in value of artworks, and perhaps many artists wouldn't have gained as much recognition if flipping didn't exist. Typical double-edged sword, huh... Just my two cents, sorry if it ended up being a rant ;D i understand what you are saying, but the world is not made up of good and evil, light and dark, black and white, fans and flippers. For example, i bought the Ian francis print 'Devouring bunny' because i liked it and it gave me a semi!! I paid Β£275 from RP gallery, now lets say all of a sudden everyone goes crazy apeshit bonkers for ian francis and his prints are going on ebay for Β£4000 a pop, then i would sell it in a heart beat, because i could use that Β£4000 to buy some other stuff i really like There will be some people who bought this print and now they have seen it going for about a grand will just not be able to resist selling it, its just not worth a grand to them. Obviously there will have been those who sat there all weekend to get one to flip, but you could say that they hung around all weekend so they could make some money and deserve to get one just like everyone else, or maybe they did buy one to sell, but only because there is another print they love which is a grand and they only have Β£200 in the bank, its a good way to get to the print they love. then of course there are the guys who specialise in getting every new release just to make money, and yes that isnt a nice thing to do and obviously im no fan of these people, the problem is you cannot just tar everyone who decides to sell this print with the same brush, you cannot know their reasons. It funny, my respect was 16 yesterday and it has gone down 7 points. that is what happens on here when you express an opinion.
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by bobbyt23 on Jul 13, 2007 22:48:38 GMT 1,
HaHaHaHaaaaaa. I thought this thread was getting too serious until I read that!!!!
HaHaHaHaaaaaa. I thought this thread was getting too serious until I read that!!!!
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by verbalkint on Jul 13, 2007 22:51:52 GMT 1,
HaHaHaHaaaaaa. I thought this thread was getting too serious until I read that!!!!
im telling you mate, quite a few of his prints are a turn on!
HaHaHaHaaaaaa. I thought this thread was getting too serious until I read that!!!! im telling you mate, quite a few of his prints are a turn on!
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motor
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by motor on Jul 13, 2007 23:00:44 GMT 1, Verbal + some members here are sooo 'funny'. Sometimes it feels like being on the kids playground
Verbal + some members here are sooo 'funny'. Sometimes it feels like being on the kids playground
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by carlito on Jul 13, 2007 23:12:54 GMT 1, wise words verbal u hit the nail on the head with many of your points
for my money I'd choose Beejoir's work above all those 'established' artists any day of the week - because his work means more and that at the end of the day is all that matters - my personal taste
flipping / selling on has been gone over many times on this board and it's never as simple as good and evil / right and wrong, many shades of grey ... i totally understand the need to sell to buy, and deciding another piece is of more value
wise words verbal u hit the nail on the head with many of your points for my money I'd choose Beejoir's work above all those 'established' artists any day of the week - because his work means more and that at the end of the day is all that matters - my personal taste flipping / selling on has been gone over many times on this board and it's never as simple as good and evil / right and wrong, many shades of grey ... i totally understand the need to sell to buy, and deciding another piece is of more value
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Strange Al
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Strange Al on Jul 13, 2007 23:49:46 GMT 1, Verbal - My basic point is one which I think you agree with: "buy what you like and spend what you can afford to lose". I have quoted this mantra many a time, including in a post earlier this evening, and absolutely live by it.
For fear of repeating myself, however much someone likes a piece of art I don't know many people who can spend a Β£1K without considering the residual value of that work. You just have to ask yourself what will it be worth if I'm ever forced to sell this piece? I don't consider this a question of investment (although arguably it is), but more one of financial necessity.
Unfortunately, reputation and where an artist has exhibited is a major factor in determining what the residual value of a particular piece of art is likely to be. At least in the traditional art markets. The bottom end of the street art market pays little regard for this, which is arguably a very good thing. You could call it a meritocracy - you come up with a good piece of art and people are willing to pay good prices for it. But if you're looking at the long term career of an artist and the long term value of their works, that artist is going to have to transcend the confines of the street art scene. The artist's achieving the greatest success and increase in values (Chris aside), have all made in roads into the traditional markets - Banksy, Mic, Neate, Fairey. They've all been painting and exhibiting for years and they all have something unique about their work.
I truly hope that Chris will join the list one day - he's a top bloke and deserves all his success. Though IMO at this point in his career he still has a long way to go. Even with the best agent in the world, I think you'd have some difficulty selling beejoir into the traditional art circles at this stage in his career.
Given my respect for Chris and his work, I really don't wish to start dissecting SBFO on the forum. I will say however that I listed the contemporary artists that I did not only because of their reputations, but also because I think they've all produced works which are both conceptually more innovative and more skillfully executed than SBFO. Therefore, for me it's not a choice between: 1) a great piece by an artist without a reputation; and 2) a bad piece by an artist with a reputation. I just think there are better things available in the market for the same money (both artistically and in terms of long term financial security).
Finally, in case you're wondering, I haven't given you any - respect recently. I'm all in favour of differing views and a bit of debate.
Verbal - My basic point is one which I think you agree with: "buy what you like and spend what you can afford to lose". I have quoted this mantra many a time, including in a post earlier this evening, and absolutely live by it.
For fear of repeating myself, however much someone likes a piece of art I don't know many people who can spend a Β£1K without considering the residual value of that work. You just have to ask yourself what will it be worth if I'm ever forced to sell this piece? I don't consider this a question of investment (although arguably it is), but more one of financial necessity.
Unfortunately, reputation and where an artist has exhibited is a major factor in determining what the residual value of a particular piece of art is likely to be. At least in the traditional art markets. The bottom end of the street art market pays little regard for this, which is arguably a very good thing. You could call it a meritocracy - you come up with a good piece of art and people are willing to pay good prices for it. But if you're looking at the long term career of an artist and the long term value of their works, that artist is going to have to transcend the confines of the street art scene. The artist's achieving the greatest success and increase in values (Chris aside), have all made in roads into the traditional markets - Banksy, Mic, Neate, Fairey. They've all been painting and exhibiting for years and they all have something unique about their work.
I truly hope that Chris will join the list one day - he's a top bloke and deserves all his success. Though IMO at this point in his career he still has a long way to go. Even with the best agent in the world, I think you'd have some difficulty selling beejoir into the traditional art circles at this stage in his career.
Given my respect for Chris and his work, I really don't wish to start dissecting SBFO on the forum. I will say however that I listed the contemporary artists that I did not only because of their reputations, but also because I think they've all produced works which are both conceptually more innovative and more skillfully executed than SBFO. Therefore, for me it's not a choice between: 1) a great piece by an artist without a reputation; and 2) a bad piece by an artist with a reputation. I just think there are better things available in the market for the same money (both artistically and in terms of long term financial security).
Finally, in case you're wondering, I haven't given you any - respect recently. I'm all in favour of differing views and a bit of debate.
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by verbalkint on Jul 14, 2007 0:11:29 GMT 1, I never thought you had negged me, i dont think you are so childish
I do appreciate what you are saying with buy what you can afford to lose, but everyone is thinking about this the wrong way. Everyone is sayin 'ooooohh when the banksy bubble bursts some people are going to get shafted'. I do not think that any artist within this scene will have their prices go down over any 6 month period. yes you get dips, like adam neates went to Β£2500, then back down to Β£1700, now hovering around Β£2100, but you just watch them piss past the Β£3000 mark by august, then past Β£4500 by christmas and Β£5000 next year at this time, maybe more. Images are definative, people either like them or dont like them, or maybe love them or maybe hate them. But if you like an image now, the chances are you will like it in 20 years time. Art has scenes and trends like anything, but this art scene is comperable to the brit pop scene of the mid 90's, you got your heavyweights like oasis and blur who had long careers (banksy and micallef) you had your pretender to the throne pulp (adam neate) you had the old masters coming back on the scene the stone roses (blek, shephard) then you had loads of smaller bands coming through (gene, sleeper, cast, northern uproar, menswear, shed seven) who releaesed the odd good song, but on the whole were not as good as the bigger bands (bast, mantis, blu, insect)
but then just as the scene was getting a bit samey the verve came along (beejoir) and created a huge buzz again. whenever there is a scene there are a glut of things from that scene. look at the number of new prints released, i mean seriously, how many f**king pictures can you get on your walls? I bet hundreds of people on these forums have scores of prints under their beds that will never get on the walls (i am guilty of that!)
My point is that the big boys of this scene are here to stay (banksy, micallef, adam neate) I just cannot see their prices going down, Some of the artist will fade away, in a few years time you will look at your print collection and think 'i cannot believe i bought that' and you will laugh at yourself, but i just do not see Beejoir in that catagory, I see him being a genuine top 5 artist and a genuine contender for the throne. I dont think you can deny that there is no other artist outside of the big 3 who could release a print and have it selling for almost 1000% more within a week of it going on sale? I think that is pretty unique. Beejoir has proved this week to everyone that he commands a higher price than Dface and mantis and is the one artist from the chasing pack who is going straight into the big leagues
I never thought you had negged me, i dont think you are so childish
I do appreciate what you are saying with buy what you can afford to lose, but everyone is thinking about this the wrong way. Everyone is sayin 'ooooohh when the banksy bubble bursts some people are going to get shafted'. I do not think that any artist within this scene will have their prices go down over any 6 month period. yes you get dips, like adam neates went to Β£2500, then back down to Β£1700, now hovering around Β£2100, but you just watch them piss past the Β£3000 mark by august, then past Β£4500 by christmas and Β£5000 next year at this time, maybe more. Images are definative, people either like them or dont like them, or maybe love them or maybe hate them. But if you like an image now, the chances are you will like it in 20 years time. Art has scenes and trends like anything, but this art scene is comperable to the brit pop scene of the mid 90's, you got your heavyweights like oasis and blur who had long careers (banksy and micallef) you had your pretender to the throne pulp (adam neate) you had the old masters coming back on the scene the stone roses (blek, shephard) then you had loads of smaller bands coming through (gene, sleeper, cast, northern uproar, menswear, shed seven) who releaesed the odd good song, but on the whole were not as good as the bigger bands (bast, mantis, blu, insect)
but then just as the scene was getting a bit samey the verve came along (beejoir) and created a huge buzz again. whenever there is a scene there are a glut of things from that scene. look at the number of new prints released, i mean seriously, how many f**king pictures can you get on your walls? I bet hundreds of people on these forums have scores of prints under their beds that will never get on the walls (i am guilty of that!)
My point is that the big boys of this scene are here to stay (banksy, micallef, adam neate) I just cannot see their prices going down, Some of the artist will fade away, in a few years time you will look at your print collection and think 'i cannot believe i bought that' and you will laugh at yourself, but i just do not see Beejoir in that catagory, I see him being a genuine top 5 artist and a genuine contender for the throne. I dont think you can deny that there is no other artist outside of the big 3 who could release a print and have it selling for almost 1000% more within a week of it going on sale? I think that is pretty unique. Beejoir has proved this week to everyone that he commands a higher price than Dface and mantis and is the one artist from the chasing pack who is going straight into the big leagues
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stuey09
New Member
π¨οΈ 49
ππ» 1
August 2008
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by stuey09 on Jul 14, 2007 0:34:51 GMT 1, Stuff the investment. Just buy what excites you and falls within your budget
Stuff the investment. Just buy what excites you and falls within your budget
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by rob123rob on Jul 14, 2007 1:22:22 GMT 1, and remember that something is only worth as much as someone is willing to pay for it
and remember that something is only worth as much as someone is willing to pay for it
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RBK
Junior Member
π¨οΈ 2,925
ππ» 104
September 2006
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by RBK on Jul 14, 2007 1:41:10 GMT 1, and remember that something is only worth as much as someone is willing to pay for it
Agree - and furthermore, it only needs to be just one person
and remember that something is only worth as much as someone is willing to pay for it Agree - and furthermore, it only needs to be just one person
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by verbalkint on Jul 14, 2007 8:03:32 GMT 1,
and remember that something is only worth as much as someone is willing to pay for it Agree - and furthermore, it only needs to be just one person
actually, if you are selling at auction you only get one bid more than what the 2nd highest bidder was willing to pay, so you really need 2 people to be willing to spend alot to get a good result.
When beejoirs greed print came on ebay i bid Β£1001 at the last moment and won it for Β£514!! I was well pleased cos i really did want that print quite badly. The only problem is that now i feel i am Β£500 up on what i 'should' have spent, so i tell myself that for the next 'have to have' piece, i can go Β£500 over budget!! it is nice when you win for less than you bid though
and remember that something is only worth as much as someone is willing to pay for it Agree - and furthermore, it only needs to be just one person actually, if you are selling at auction you only get one bid more than what the 2nd highest bidder was willing to pay, so you really need 2 people to be willing to spend alot to get a good result. When beejoirs greed print came on ebay i bid Β£1001 at the last moment and won it for Β£514!! I was well pleased cos i really did want that print quite badly. The only problem is that now i feel i am Β£500 up on what i 'should' have spent, so i tell myself that for the next 'have to have' piece, i can go Β£500 over budget!! it is nice when you win for less than you bid though
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by numusic on Jul 14, 2007 8:10:50 GMT 1, verbal.. dream on
verbal.. dream on
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romanywg
Junior Member
π¨οΈ 4,093
ππ» 36
October 2006
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by romanywg on Jul 14, 2007 8:17:34 GMT 1, Just out of interest verbalkint where did you buy your 2 originals from? I do hope that everyone that goes to the 'Found' exhibition on the preview night isn't going to be met with a sea of red dots on every painting! How/Why does this happen?
Just out of interest verbalkint where did you buy your 2 originals from? I do hope that everyone that goes to the 'Found' exhibition on the preview night isn't going to be met with a sea of red dots on every painting! How/Why does this happen?
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by numusic on Jul 14, 2007 8:31:22 GMT 1, I never thought you had negged me, i dont think you are so childish I do appreciate what you are saying with buy what you can afford to lose, but everyone is thinking about this the wrong way. Everyone is sayin 'ooooohh when the banksy bubble bursts some people are going to get shafted'. I do not think that any artist within this scene will have their prices go down over any 6 month period. yes you get dips, like adam neates went to Β£2500, then back down to Β£1700, now hovering around Β£2100, but you just watch them piss past the Β£3000 mark by august, then past Β£4500 by christmas and Β£5000 next year at this time, maybe more. Images are definative, people either like them or dont like them, or maybe love them or maybe hate them. But if you like an image now, the chances are you will like it in 20 years time. Art has scenes and trends like anything, but this art scene is comperable to the brit pop scene of the mid 90's, you got your heavyweights like oasis and blur who had long careers (banksy and micallef) you had your pretender to the throne pulp (adam neate) you had the old masters coming back on the scene the stone roses (blek, shephard) then you had loads of smaller bands coming through (gene, sleeper, cast, northern uproar, menswear, shed seven) who releaesed the odd good song, but on the whole were not as good as the bigger bands (bast, mantis, blu, insect) but then just as the scene was getting a bit samey the verve came along (beejoir) and created a huge buzz again. whenever there is a scene there are a glut of things from that scene. look at the number of new prints released, i mean seriously, how many f**king pictures can you get on your walls? I bet hundreds of people on these forums have scores of prints under their beds that will never get on the walls (i am guilty of that!) My point is that the big boys of this scene are here to stay (banksy, micallef, adam neate) I just cannot see their prices going down, Some of the artist will fade away, in a few years time you will look at your print collection and think 'i cannot believe i bought that' and you will laugh at yourself, but i just do not see Beejoir in that catagory, I see him being a genuine top 5 artist and a genuine contender for the throne. I dont think you can deny that there is no other artist outside of the big 3 who could release a print and have it selling for almost 1000% more within a week of it going on sale? I think that is pretty unique. Beejoir has proved this week to everyone that he commands a higher price than Dface and mantis and is the one artist from the chasing pack who is going straight into the big leagues
LMAO.. this is just so so wrong.. but I'd have to write 4 pages of verbal to cover just how wrong it is. This is a public forum..and people should hear other points of view. Beej being a member here makes that a tad difficult no ?.. but really.. this is close to fantasy wishfullfillment. You just spanked 10k on someone who's made 3 ok prints and one produced good adbusters image... (look at stencil revolution, there's a thousand good images).. but spending 10k and then ranting on about how Beej is the next big thing, etc etc, smacks of desperation on your part.
I sincerly hope you like this work in 20 years time, cos to be honest, the posters I had 20 years ago are s**t .
1000+ quid for SBFO is laughable.. IMO
sorry Chris
* Edit.. feel free to jump in this discussion people. Needs a bit of balanced discussion maybe. Beej, we need an interview what are your thoughts on it ?
** ok, thought about it a bit more. And fuck it.. anyone who spends 10k on this type of work and imagery, then Respect + !
*** But maybe a bit less hype would help us all, including Beej.
Peace
I never thought you had negged me, i dont think you are so childish I do appreciate what you are saying with buy what you can afford to lose, but everyone is thinking about this the wrong way. Everyone is sayin 'ooooohh when the banksy bubble bursts some people are going to get shafted'. I do not think that any artist within this scene will have their prices go down over any 6 month period. yes you get dips, like adam neates went to Β£2500, then back down to Β£1700, now hovering around Β£2100, but you just watch them piss past the Β£3000 mark by august, then past Β£4500 by christmas and Β£5000 next year at this time, maybe more. Images are definative, people either like them or dont like them, or maybe love them or maybe hate them. But if you like an image now, the chances are you will like it in 20 years time. Art has scenes and trends like anything, but this art scene is comperable to the brit pop scene of the mid 90's, you got your heavyweights like oasis and blur who had long careers (banksy and micallef) you had your pretender to the throne pulp (adam neate) you had the old masters coming back on the scene the stone roses (blek, shephard) then you had loads of smaller bands coming through (gene, sleeper, cast, northern uproar, menswear, shed seven) who releaesed the odd good song, but on the whole were not as good as the bigger bands (bast, mantis, blu, insect) but then just as the scene was getting a bit samey the verve came along (beejoir) and created a huge buzz again. whenever there is a scene there are a glut of things from that scene. look at the number of new prints released, i mean seriously, how many f**king pictures can you get on your walls? I bet hundreds of people on these forums have scores of prints under their beds that will never get on the walls (i am guilty of that!) My point is that the big boys of this scene are here to stay (banksy, micallef, adam neate) I just cannot see their prices going down, Some of the artist will fade away, in a few years time you will look at your print collection and think 'i cannot believe i bought that' and you will laugh at yourself, but i just do not see Beejoir in that catagory, I see him being a genuine top 5 artist and a genuine contender for the throne. I dont think you can deny that there is no other artist outside of the big 3 who could release a print and have it selling for almost 1000% more within a week of it going on sale? I think that is pretty unique. Beejoir has proved this week to everyone that he commands a higher price than Dface and mantis and is the one artist from the chasing pack who is going straight into the big leagues LMAO.. this is just so so wrong.. but I'd have to write 4 pages of verbal to cover just how wrong it is. This is a public forum..and people should hear other points of view. Beej being a member here makes that a tad difficult no ?.. but really.. this is close to fantasy wishfullfillment. You just spanked 10k on someone who's made 3 ok prints and one produced good adbusters image... (look at stencil revolution, there's a thousand good images).. but spending 10k and then ranting on about how Beej is the next big thing, etc etc, smacks of desperation on your part. I sincerly hope you like this work in 20 years time, cos to be honest, the posters I had 20 years ago are s**t . 1000+ quid for SBFO is laughable.. IMO sorry Chris * Edit.. feel free to jump in this discussion people. Needs a bit of balanced discussion maybe. Beej, we need an interview what are your thoughts on it ? ** ok, thought about it a bit more. And fuck it.. anyone who spends 10k on this type of work and imagery, then Respect + ! *** But maybe a bit less hype would help us all, including Beej. Peace
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by insite on Jul 14, 2007 8:49:25 GMT 1, Just out of interest verbalkint where did you buy your 2 originals from? I do hope that everyone that goes to the 'Found' exhibition on the preview night isn't going to be met with a sea of red dots on every painting! How/Why does this happen?
Yeah I hope not as well, I don't expect to be able to afford an original but I'd still like the chance to not buy one ;D
Just out of interest verbalkint where did you buy your 2 originals from? I do hope that everyone that goes to the 'Found' exhibition on the preview night isn't going to be met with a sea of red dots on every painting! How/Why does this happen? Yeah I hope not as well, I don't expect to be able to afford an original but I'd still like the chance to not buy one ;D
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Photoxtc
Junior Member
π¨οΈ 2,500
ππ» 194
July 2007
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Photoxtc on Jul 14, 2007 8:56:07 GMT 1, "posters" being the operative word, bad comparison nuart... kind of hard to compare a print of a very talented artist that can convey a very strong message with an amazing piece of art to an old Rush Poster or a Farrah Fawcett poster you used to have a wank to every night...
"posters" being the operative word, bad comparison nuart... kind of hard to compare a print of a very talented artist that can convey a very strong message with an amazing piece of art to an old Rush Poster or a Farrah Fawcett poster you used to have a wank to every night...
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by numusic on Jul 14, 2007 9:08:26 GMT 1, "posters" being the operative word, bad comparison nuart... kind of hard to compare a print of a very talented artist that can convey a very strong message with an amazing piece of art to an old Rush Poster or a Farrah Fawcett poster you used to have a wank to every night...
That was a lie ! I never wanked to my *Rush poster, it was the tennis player scratching her ass. !!!
*PS : who are Rush ?
"posters" being the operative word, bad comparison nuart... kind of hard to compare a print of a very talented artist that can convey a very strong message with an amazing piece of art to an old Rush Poster or a Farrah Fawcett poster you used to have a wank to every night... That was a lie ! I never wanked to my *Rush poster, it was the tennis player scratching her ass. !!! *PS : who are Rush ?
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Photoxtc
Junior Member
π¨οΈ 2,500
ππ» 194
July 2007
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Photoxtc on Jul 14, 2007 9:13:51 GMT 1, well I was trying to think of an old band that was around 20 yrs ago.. and all I could think of was Rush... too funny
well I was trying to think of an old band that was around 20 yrs ago.. and all I could think of was Rush... too funny
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Simococo
Junior Member
π¨οΈ 3,183
ππ» 401
April 2007
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Simococo on Jul 14, 2007 9:15:49 GMT 1, Does Beejoir have a lot of work on the streets ?
Does Beejoir have a lot of work on the streets ?
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by numusic on Jul 14, 2007 9:39:31 GMT 1, well I was trying to think of an old band that was around 20 yrs ago.. and all I could think of was Rush... too funny
LOL.. sad ! hope it was your older brothers.
well I was trying to think of an old band that was around 20 yrs ago.. and all I could think of was Rush... too funny LOL.. sad ! hope it was your older brothers.
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by catfelix69 on Jul 14, 2007 9:55:15 GMT 1, Ridiculous price!
Ridiculous price!
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Beejoir π¬π§ LV Child β’ Imodium β’ Colour of Money, by Martin Whatson on Jul 14, 2007 10:01:52 GMT 1, Does Beejoir have a lot of work on the streets ?
farm2.static.flickr.com/1379/779757560_0874333f4a.jpg[/img] He does some atleast Spotted several of theese while on holiday in Bankok. Would like to see the photos of the original SBFO aswell. Beej??
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