met
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June 2009
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by met on Aug 16, 2016 15:08:51 GMT 1, If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend'
I'm guessing you mean the National Gallery, in the same room where Whistlejacket is displayed.
If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend' I'm guessing you mean the National Gallery, in the same room where Whistlejacket is displayed.
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annar50
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May 2008
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by annar50 on Aug 16, 2016 15:25:01 GMT 1, Haven't got 1 .. if I didn't buy at the time ,it's tough luck..
Haven't got 1 .. if I didn't buy at the time ,it's tough luck..
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Trevorm
Junior Member
Posts โข 1,160
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August 2010
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Trevorm on Aug 16, 2016 15:30:23 GMT 1, Hockney - Swimming Pool (the darker colourway preferred) or, if it's a smaller lottery win, Warhol - Mammy (with diamond dust)
Hockney - Swimming Pool (the darker colourway preferred) or, if it's a smaller lottery win, Warhol - Mammy (with diamond dust)
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Viking Surfer
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February 2015
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Viking Surfer on Aug 16, 2016 15:48:01 GMT 1, If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend' I'm guessing you mean the National Gallery, in the same room where Whistlejacket is displayed. Yes, I meant the National Gallery. Who would you choose - Constable or Stubbs?
If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend' I'm guessing you mean the National Gallery, in the same room where Whistlejacket is displayed. Yes, I meant the National Gallery. Who would you choose - Constable or Stubbs?
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Deleted
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January 1970
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Deleted on Aug 16, 2016 15:48:42 GMT 1, Zedsy - Soup Can.... ยฃ48.50.
Zedsy - Soup Can.... ยฃ48.50.
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Harveyn
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July 2007
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Harveyn on Aug 16, 2016 16:11:33 GMT 1, I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever.
I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever.
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Harveyn
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July 2007
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Harveyn on Aug 16, 2016 16:18:44 GMT 1, In the last 2 years I have become obsessed with this guys work but again the ship appears to be sailing into the horizon.
In the last 2 years I have become obsessed with this guys work but again the ship appears to be sailing into the horizon.
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Deleted
Posts โข 0
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January 1970
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Deleted on Aug 16, 2016 16:23:54 GMT 1, If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend' is it Scottish school?
If we're talking art thief grade grail then it would be this majestic work: On display at the National Portrait Gallery if anybody knows 'a friend' is it Scottish school?
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nobokov
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February 2016
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by nobokov on Aug 16, 2016 16:40:59 GMT 1, Zedsy - Soup Can.... ยฃ48.50. haha
Zedsy - Soup Can.... ยฃ48.50. haha
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nobokov
Junior Member
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February 2016
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by nobokov on Aug 16, 2016 16:41:48 GMT 1, I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever. Is that Ryan Hewett?
I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever. Is that Ryan Hewett?
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Coach on Aug 16, 2016 16:45:39 GMT 1, Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these.
Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these.
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Harveyn
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July 2007
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Harveyn on Aug 16, 2016 16:48:14 GMT 1, Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Coach on Aug 16, 2016 16:50:24 GMT 1, Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
Thanks mate. The Condo piece is fabulous.
Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
Thanks mate. The Condo piece is fabulous.
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Harveyn
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July 2007
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Harveyn on Aug 16, 2016 16:50:26 GMT 1, I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever. Is that Ryan Hewett?
I can certainly see the similarities and hence my liking of Ryan's work with the two canvases I have.
This work is by Adrian Ghenie with his work impossible to get primary and sales at auction well over ยฃ500k for small works.
I did not miss out on this particular work but a few years back his smaller portraits were just within reach and under consideration at a push. That ship has sailed forever. Is that Ryan Hewett?
I can certainly see the similarities and hence my liking of Ryan's work with the two canvases I have.
This work is by Adrian Ghenie with his work impossible to get primary and sales at auction well over ยฃ500k for small works.
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lee3
New Member
Posts โข 832
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November 2009
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by lee3 on Aug 16, 2016 16:53:48 GMT 1, In the last 2 years I have become obsessed with this guys work but again the ship appears to be sailing into the horizon. That last show of his was his best body of work in the 20 years since the big red series for my eyes.
In the last 2 years I have become obsessed with this guys work but again the ship appears to be sailing into the horizon. That last show of his was his best body of work in the 20 years since the big red series for my eyes.
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ferg
Junior Member
Posts โข 1,351
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January 2013
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by ferg on Aug 16, 2016 16:59:32 GMT 1, Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
didnt see this answered my question
Can we have some artists names included chaps? I'm not ashamed to say that I do not know all of these. Sorry Coach.
The first one is Adrian Ghenie and the second is George Condo.
didnt see this answered my question
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Deleted
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January 1970
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Deleted on Aug 16, 2016 17:03:08 GMT 1, I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow!
I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow!
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Deleted
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January 1970
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Deleted on Aug 16, 2016 17:04:29 GMT 1,
Jean Ranc
Photos don't do this painting justice.
It's in the museum in Montpellier.
Jean Ranc Photos don't do this painting justice. It's in the museum in Montpellier.
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sin
New Member
Posts โข 614
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February 2013
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by sin on Aug 16, 2016 17:06:08 GMT 1, My ultimate holy grail, which would require an art heist.
Edward Hopper - Cape Cod Evening. Currently sits in the National Gallery in Washington DC. I've been hunting for sketches / studies from it forever.
A20138.jpg by Craig ONeil, on Flickr
Something more reasonable
My very own
Os Gemeos, the Bowery Wall. Lesser known fact, that piece is still there on the wall and the current wall is built in front of it. I have a picture that shows the head inside the burro on the bottom right side.
homeless-man-passes-in-front-of-the-os-gemeos-mural-at-bowery-and-BD43GK by Craig ONeil, on Flickr
My ultimate holy grail, which would require an art heist. Edward Hopper - Cape Cod Evening. Currently sits in the National Gallery in Washington DC. I've been hunting for sketches / studies from it forever. A20138.jpg by Craig ONeil, on Flickr Something more reasonable My very own Os Gemeos, the Bowery Wall. Lesser known fact, that piece is still there on the wall and the current wall is built in front of it. I have a picture that shows the head inside the burro on the bottom right side. homeless-man-passes-in-front-of-the-os-gemeos-mural-at-bowery-and-BD43GK by Craig ONeil, on Flickr
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Flashback
Junior Member
Posts โข 1,240
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April 2016
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Flashback on Aug 16, 2016 17:37:02 GMT 1, Pejac - Decompression.
Tried hard to get this but went to a VERY lucky home.
If the buyer reads this and has buyers remorse then let's talk:)
meadow is a close second!
Pejac - Decompression. Tried hard to get this but went to a VERY lucky home. If the buyer reads this and has buyers remorse then let's talk:) meadow is a close second!
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bdr79
New Member
Posts โข 109
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May 2015
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by bdr79 on Aug 17, 2016 0:53:34 GMT 1, Holy Grail. Diego Koi's "Sensazioni". Hyper Realistic genius. Just missed out on it. Believe the lucky buyer is based in Singapore.
Would LOVE to have owned this! Even now....I still look at it and just think "wow".
Regrets on not pulling the trigger on Alexandra Pacula originals at crazy cheap prices Bought a couple of canvases in Paris, but passed up another couple direct from the artist....and now she's way out of my pay grade!
Sensazioni
Sensazioni in progress
Midenight Serenity
Momentary Sighting 3
Ardent Phenomenon
Holy Grail. Diego Koi's "Sensazioni". Hyper Realistic genius. Just missed out on it. Believe the lucky buyer is based in Singapore. Would LOVE to have owned this! Even now....I still look at it and just think "wow". Regrets on not pulling the trigger on Alexandra Pacula originals at crazy cheap prices Bought a couple of canvases in Paris, but passed up another couple direct from the artist....and now she's way out of my pay grade! Sensazioni Sensazioni in progress Midenight Serenity Momentary Sighting 3 Ardent Phenomenon
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nobokov
Junior Member
Posts โข 4,937
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February 2016
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by nobokov on Aug 17, 2016 3:05:10 GMT 1, Pejac - Decompression. Tried hard to get this but went to a VERY lucky home. If the buyer reads this and has buyers remorse then let's talk:) meadow is a close second! How much did that go for? Thats on my best of the year so far list.
Pejac - Decompression. Tried hard to get this but went to a VERY lucky home. If the buyer reads this and has buyers remorse then let's talk:) meadow is a close second! How much did that go for? Thats on my best of the year so far list.
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Street Art Fan on Aug 17, 2016 5:37:17 GMT 1, Love these! Interesting how many of these holy grails aren't by street artists. Do I sense a maturing of tastes among our senior forum members?
Love these! Interesting how many of these holy grails aren't by street artists. Do I sense a maturing of tastes among our senior forum members?
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ABC
Artist
Junior Member
Posts โข 5,533
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August 2006
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by ABC on Aug 17, 2016 8:56:13 GMT 1, I was often hopeful of getting a Banksy canvas one day. In particular I wanted a Lenin. It most defiantly won't happen now. But it's still my Grail.
That's interesting as you may remember back in 06/07 there was a discussion about a Lenin canvas for sale on eBay. I was bidding on it but it got to 5k and I bottled out...Lots said it was fake (as usual) but is was legit for sure. Same with the rose/trap banksy canvas that came up, same thing...
I was often hopeful of getting a Banksy canvas one day. In particular I wanted a Lenin. It most defiantly won't happen now. But it's still my Grail. That's interesting as you may remember back in 06/07 there was a discussion about a Lenin canvas for sale on eBay. I was bidding on it but it got to 5k and I bottled out...Lots said it was fake (as usual) but is was legit for sure. Same with the rose/trap banksy canvas that came up, same thing...
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ABC
Artist
Junior Member
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August 2006
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by ABC on Aug 17, 2016 8:57:54 GMT 1, My Grail would be a kandinsky or pollock canvas.
My Grail would be a kandinsky or pollock canvas.
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Hubble Bubble
Junior Member
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December 2010
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Hubble Bubble on Aug 17, 2016 9:25:00 GMT 1, Ludicrous I know but David Hockney's 'Grand Canyon'.
Sixty separate canvasses
20 metres x 7.5 metres
For anyone interested in the piece (which I was lucky enough to see at the RA Exhibition a few years back):
-----
In 1982 David Hockney took a series of photographs of the Grand Canyon that he placed together to form a collage. Hockney returned to the Grand Canyon theme in 1986, producing a large-scale photo-collage of sixty photographs; and again in 1997, when he painted A composition for a bigger Grand Canyon.
Hockney began work on the National Gallery of Australiaโs A bigger Grand Canyon in February 1998. The painting is a culminating statement about the depiction and experience of space. By using different views taken over a period of time, Hockney refers to Cubism, where a subject is depicted from multiple viewpoints; to Chinese scroll painting, where different time sequences and landscape elements come together to form an apparent whole; and to his own set designs for opera.
With its many viewpoints and shifting timeframe, A bigger Grand Canyon suggests what it is like to be in a landscape, to travel around it, to view tiny details as well as dramatic vistas, to see changing light and to trample the earth underfoot. The large format and extravagant colour has also been related to the spectacle of Hollywood and to representations of the sublime.
Hockney photographed the Grand Canyon in 1982, commenting later that 'โฆ there is no question โฆ that the thrill of standing on that rim of the Grand Canyon is spatial. It is the biggest space you can look out over that has an edge โฆ' He took a series of photographs which, with their multiple vanishing points, he placed together in a collage. Grand Canyon with ledge, Arizona, 1982, one of several such collages, was a crucial step in the making of A Bigger Grand Canyon. In 1986 the artist revisited his preferred collaged view of the Grand Canyon to produce a large scale photo-collage of sixty photographs, reprinting them using the full negatives, then abutting them to produce Grand Canyon with ledge, Arizona. 1982, collage # 2, made May 1986. In June and July 1997 Hockney made two long car trips from Los Angeles to Santa Fe and back: 'I'd been contemplating some sort of big landscape of the West โฆ I was experiencing a growing claustrophobia โฆ [and] stronger, the longing for big spaces.'
He painted two studies, one of nine canvases, the other of fifteen, and cleared his studio of everything else, except two related photo-collages. These formed the basis for A composition for A Bigger Grand Canyon. The painting is a culminating statement about the depiction of space and the experience of being within a space, or travelling through a space, over time. Hockney refers to the lessons of Cubism where a subject is depicted with multiple viewpoints, to Chinese scroll painting, where different time sequences and different elements of a landscape coalesce to form an apparent whole, and his own set designs for opera.
Hockney created his sixty-canvas work with as many viewpoints and points in time. The painting suggests what it is like to be in a landscape, to travel around it, to view tiny details as well as dramatic vistas, to see changing light, to trample the earth underfoot, and to feel the sun beating down. The viewer is able to round jagged outcrops, descend rocky steps, look down over dry river beds and view distant escarpments, while confronting at close hand strange sculptural forms. Marco Livingstone commented that 'A Bigger Grand Canyon places the viewer so convincingly at the canyon's south rim at Powell Point, one of the most spectacular vantage points, as to induce in some the vertiginous thrill of standing on the edge of a precipice so deep and extensive that it almost defies the imagination.'
The element of the Sublime has been noted by Paul Melia: 'The genre of landscape has been important to Hockney since the beginning of his professional career. Until relatively recently, however, he was unable to draw upon the Romantic or neo-Romantic tradition of landscape art: personal experience, empathy, quasi-magical feelings aroused by a place or location, spontaneity - all triggers of artistic production for older generations of [British] artists.' A Bigger Grand Canyon has links to the rich and awe-inspiring English Romantic tradition, but also to the Symbolist landscapes of Paul Gauguin and the Pont Aven artists. In their works the universal, the symbolic, are tapped while the pedestrian or the man-made is excluded. Hockney presents the Grand Canyon without evidence of human intrusion.
Brilliance of colour and vastness of space characterised the world of dreams when Hockney was growing up in the then heavily industrialised North of England. His Grand Canyon painting, according to Livingstone, recalls 'the magnificent spectacle of the Hollywood cinema which had helped draw him [Hockney] to the American West while he was a young boy day dreaming in Bradford'. A Bigger Grand Canyon is rich in golds, crimsons, scarlets, oranges, ochres and browns, and contrasts of brilliant blues and greens. The visual impact, on even the most jaded twenty-first century eye, is as powerful and confronting as a Fauve palette would have been in the restrained world at the beginning of the last century.
(credit: National Gallery of Australia)
Ludicrous I know but David Hockney's 'Grand Canyon'. Sixty separate canvasses 20 metres x 7.5 metres For anyone interested in the piece (which I was lucky enough to see at the RA Exhibition a few years back): ----- In 1982 David Hockney took a series of photographs of the Grand Canyon that he placed together to form a collage. Hockney returned to the Grand Canyon theme in 1986, producing a large-scale photo-collage of sixty photographs; and again in 1997, when he painted A composition for a bigger Grand Canyon. Hockney began work on the National Gallery of Australiaโs A bigger Grand Canyon in February 1998. The painting is a culminating statement about the depiction and experience of space. By using different views taken over a period of time, Hockney refers to Cubism, where a subject is depicted from multiple viewpoints; to Chinese scroll painting, where different time sequences and landscape elements come together to form an apparent whole; and to his own set designs for opera. With its many viewpoints and shifting timeframe, A bigger Grand Canyon suggests what it is like to be in a landscape, to travel around it, to view tiny details as well as dramatic vistas, to see changing light and to trample the earth underfoot. The large format and extravagant colour has also been related to the spectacle of Hollywood and to representations of the sublime. Hockney photographed the Grand Canyon in 1982, commenting later that 'โฆ there is no question โฆ that the thrill of standing on that rim of the Grand Canyon is spatial. It is the biggest space you can look out over that has an edge โฆ' He took a series of photographs which, with their multiple vanishing points, he placed together in a collage. Grand Canyon with ledge, Arizona, 1982, one of several such collages, was a crucial step in the making of A Bigger Grand Canyon. In 1986 the artist revisited his preferred collaged view of the Grand Canyon to produce a large scale photo-collage of sixty photographs, reprinting them using the full negatives, then abutting them to produce Grand Canyon with ledge, Arizona. 1982, collage # 2, made May 1986. In June and July 1997 Hockney made two long car trips from Los Angeles to Santa Fe and back: 'I'd been contemplating some sort of big landscape of the West โฆ I was experiencing a growing claustrophobia โฆ [and] stronger, the longing for big spaces.' He painted two studies, one of nine canvases, the other of fifteen, and cleared his studio of everything else, except two related photo-collages. These formed the basis for A composition for A Bigger Grand Canyon. The painting is a culminating statement about the depiction of space and the experience of being within a space, or travelling through a space, over time. Hockney refers to the lessons of Cubism where a subject is depicted with multiple viewpoints, to Chinese scroll painting, where different time sequences and different elements of a landscape coalesce to form an apparent whole, and his own set designs for opera. Hockney created his sixty-canvas work with as many viewpoints and points in time. The painting suggests what it is like to be in a landscape, to travel around it, to view tiny details as well as dramatic vistas, to see changing light, to trample the earth underfoot, and to feel the sun beating down. The viewer is able to round jagged outcrops, descend rocky steps, look down over dry river beds and view distant escarpments, while confronting at close hand strange sculptural forms. Marco Livingstone commented that 'A Bigger Grand Canyon places the viewer so convincingly at the canyon's south rim at Powell Point, one of the most spectacular vantage points, as to induce in some the vertiginous thrill of standing on the edge of a precipice so deep and extensive that it almost defies the imagination.' The element of the Sublime has been noted by Paul Melia: 'The genre of landscape has been important to Hockney since the beginning of his professional career. Until relatively recently, however, he was unable to draw upon the Romantic or neo-Romantic tradition of landscape art: personal experience, empathy, quasi-magical feelings aroused by a place or location, spontaneity - all triggers of artistic production for older generations of [British] artists.' A Bigger Grand Canyon has links to the rich and awe-inspiring English Romantic tradition, but also to the Symbolist landscapes of Paul Gauguin and the Pont Aven artists. In their works the universal, the symbolic, are tapped while the pedestrian or the man-made is excluded. Hockney presents the Grand Canyon without evidence of human intrusion. Brilliance of colour and vastness of space characterised the world of dreams when Hockney was growing up in the then heavily industrialised North of England. His Grand Canyon painting, according to Livingstone, recalls 'the magnificent spectacle of the Hollywood cinema which had helped draw him [Hockney] to the American West while he was a young boy day dreaming in Bradford'. A Bigger Grand Canyon is rich in golds, crimsons, scarlets, oranges, ochres and browns, and contrasts of brilliant blues and greens. The visual impact, on even the most jaded twenty-first century eye, is as powerful and confronting as a Fauve palette would have been in the restrained world at the beginning of the last century. (credit: National Gallery of Australia)
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Shoot Again
Junior Member
Posts โข 5,561
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April 2011
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Shoot Again on Aug 17, 2016 11:19:46 GMT 1, A man can dream ;-)
A man can dream ;-)
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Shoot Again
Junior Member
Posts โข 5,561
Likes โข 2,765
April 2011
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Shoot Again on Aug 17, 2016 11:20:18 GMT 1, I was often hopeful of getting a Banksy canvas one day. In particular I wanted a Lenin. It most defiantly won't happen now. But it's still my Grail. That's interesting as you may remember back in 06/07 there was a discussion about a Lenin canvas for sale on eBay. I was bidding on it but it got to 5k and I bottled out...Lots said it was fake (as usual) but is was legit for sure. Same with the rose/trap banksy canvas that came up, same thing... You've got a PM ... ;-)
I was often hopeful of getting a Banksy canvas one day. In particular I wanted a Lenin. It most defiantly won't happen now. But it's still my Grail. That's interesting as you may remember back in 06/07 there was a discussion about a Lenin canvas for sale on eBay. I was bidding on it but it got to 5k and I bottled out...Lots said it was fake (as usual) but is was legit for sure. Same with the rose/trap banksy canvas that came up, same thing... You've got a PM ... ;-)
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Shoot Again
Junior Member
Posts โข 5,561
Likes โข 2,765
April 2011
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Shoot Again on Aug 17, 2016 11:25:52 GMT 1, I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow! That one would do the "job" ;-)
I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow! That one would do the "job" ;-)
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Deleted
Posts โข 0
Likes โข
January 1970
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Stanley Donwood ๐ฌ๐ง Dan Rickwood โข Radiohead โข Thom Yorke , by Deleted on Aug 17, 2016 11:30:05 GMT 1, I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow! That one would do the "job" ;-) YES!!!
I flippin' love Adrian Ghenie's work. There's so much paint, texture, movement and detail. Just wow! That one would do the "job" ;-) YES!!!
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