met
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Successful Cover Songs, by met on Nov 29, 2017 4:04:50 GMT 1, Bob Hund - Ett fall & en lösning (Pere Ubu cover, 1997)
Pere Ubu - Final Solution (1976)
Bob Hund - Ett fall & en lösning (Pere Ubu cover, 1997)
Pere Ubu - Final Solution (1976)
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viz
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Successful Cover Songs, by viz on Nov 29, 2017 9:51:17 GMT 1,
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mutatis
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Successful Cover Songs, by mutatis on Nov 29, 2017 13:36:16 GMT 1, Brilliant idea for a thread ... At the time this seemed an unlikely cover, given that a few years earlier there was widespread anitpathy to the "old guard" as exemplified in The Clash's 77' mantra of No Elvis, Beatles or the Rolling Stones. Fortunately the Banshees didn't subscribe to such ideology. Dear Prudence - Banshees [...] Great cover, clearly from one of the periods when Robert Smith had joined the band. Some of the video shots of Siouxsie are also amusing — bearing in mind this was 16 years before Julia Roberts made her famous gestural statement about female body hair at the London premiere of Notting Hill. I have a lot of time for the Banshees. In recent weeks, I've often listened to Kiss Them for Me, with Talvin Singh and its reference to Jayne Mansfield. And as a kid at alternative music clubs, I recall pretty vividly how effective the intro to Cities in Dust was for getting people onto the dance floor. [The same was true back then for the intros to Love Like Blood by Killing Joke and Lucretia My Reflection by The Sisters of Mercy.] _____________ If anyone needs a quick history lesson or brush-up, check out the photo and article below of the first Banshees line-up in 1976 at the 100 Club on Oxford Street, London. Marco Pirroni on guitar, Sid Vicious on drums: www.m-magazine.co.uk/features/siouxsie-and-the-banshees-first-gig/_____________ In 2009, the BBC produced a programme in two parts called Queens of British Pop. Superficial, and mass-market in tone, but the Siouxsie Sioux profile is still interesting. Talking heads include Viv Albertine and Marc Almond: _____________ On a separate note, in this age of paranoia, self-censorship and hypersensitivity bordering on hysteria, imagine what the social media response would be today to a young singer from Bromley taking on the name "Siouxsie Sioux". I should have said in reference to the cover - that such a faithful version was unexpected, given how the Banshees had mangled and left their mark on Helter Skelter, but I guess that was chosen for non-musical reasons. Are you suggesting that perhaps Robert Smith was responsible for the melodious nature of the cover?
As for the body hair issue, I'd not consciously noticed it in the video. I recall the first time seeing the Banshees, there was plenty of armpit hair on show, in an affirmative way, just as there was with the Raincoats and The Slits, so it was quite normal, even if I was too young to understand the sexual politics. Such gestures would never have hit the mainstream media though.
Those intros bring a smile to my face ... perhaps there's another thread. From personal experience to this day ... the intro that causes the biggest stampede to the dancefloor has to be This Charming Man.
Brilliant idea for a thread ... At the time this seemed an unlikely cover, given that a few years earlier there was widespread anitpathy to the "old guard" as exemplified in The Clash's 77' mantra of No Elvis, Beatles or the Rolling Stones. Fortunately the Banshees didn't subscribe to such ideology. Dear Prudence - Banshees [...] Great cover, clearly from one of the periods when Robert Smith had joined the band. Some of the video shots of Siouxsie are also amusing — bearing in mind this was 16 years before Julia Roberts made her famous gestural statement about female body hair at the London premiere of Notting Hill. I have a lot of time for the Banshees. In recent weeks, I've often listened to Kiss Them for Me, with Talvin Singh and its reference to Jayne Mansfield. And as a kid at alternative music clubs, I recall pretty vividly how effective the intro to Cities in Dust was for getting people onto the dance floor. [The same was true back then for the intros to Love Like Blood by Killing Joke and Lucretia My Reflection by The Sisters of Mercy.] _____________ If anyone needs a quick history lesson or brush-up, check out the photo and article below of the first Banshees line-up in 1976 at the 100 Club on Oxford Street, London. Marco Pirroni on guitar, Sid Vicious on drums: www.m-magazine.co.uk/features/siouxsie-and-the-banshees-first-gig/_____________ In 2009, the BBC produced a programme in two parts called Queens of British Pop. Superficial, and mass-market in tone, but the Siouxsie Sioux profile is still interesting. Talking heads include Viv Albertine and Marc Almond: _____________ On a separate note, in this age of paranoia, self-censorship and hypersensitivity bordering on hysteria, imagine what the social media response would be today to a young singer from Bromley taking on the name "Siouxsie Sioux". I should have said in reference to the cover - that such a faithful version was unexpected, given how the Banshees had mangled and left their mark on Helter Skelter, but I guess that was chosen for non-musical reasons. Are you suggesting that perhaps Robert Smith was responsible for the melodious nature of the cover? As for the body hair issue, I'd not consciously noticed it in the video. I recall the first time seeing the Banshees, there was plenty of armpit hair on show, in an affirmative way, just as there was with the Raincoats and The Slits, so it was quite normal, even if I was too young to understand the sexual politics. Such gestures would never have hit the mainstream media though. Those intros bring a smile to my face ... perhaps there's another thread. From personal experience to this day ... the intro that causes the biggest stampede to the dancefloor has to be This Charming Man.
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Successful Cover Songs, by Schrödinger's Chat on Nov 29, 2017 13:56:31 GMT 1, I've always liked Memory Bands cover version of Arthur Russell's This is how we walk on the moon, both lovely pieces of music in their own right.
I've always liked Memory Bands cover version of Arthur Russell's This is how we walk on the moon, both lovely pieces of music in their own right.
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Successful Cover Songs, by Deleted on Nov 29, 2017 14:03:54 GMT 1,
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Successful Cover Songs, by hippychick on Nov 29, 2017 14:06:45 GMT 1, Doh - just posted this in the old thread!
Covered by Japan in 1978
Doh - just posted this in the old thread!
Covered by Japan in 1978
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Successful Cover Songs, by Schrödinger's Chat on Nov 29, 2017 14:07:27 GMT 1, And also Memory Band reversioned the procession march from the Wicker Man soundtrack.
They renamed it Fanny Adams,as a funeral march/tribute for Fanny Adams. Fanny was a teenager who was brutally murdered in Hampshire in the 60's, but whose name has tragically been reduced in military terms to 'sweet fanny adams' or 'sweet f a' to mean sweet fuck all. They wanted to create a more fitting tribute
So much do I like this piece of music and the Wicker Man that i have always said to my partner that I would like it played at my funeral.
And also Memory Band reversioned the procession march from the Wicker Man soundtrack.
They renamed it Fanny Adams,as a funeral march/tribute for Fanny Adams. Fanny was a teenager who was brutally murdered in Hampshire in the 60's, but whose name has tragically been reduced in military terms to 'sweet fanny adams' or 'sweet f a' to mean sweet fuck all. They wanted to create a more fitting tribute
So much do I like this piece of music and the Wicker Man that i have always said to my partner that I would like it played at my funeral.
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Successful Cover Songs, by Deleted on Nov 29, 2017 14:09:04 GMT 1,
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Successful Cover Songs, by Sliding on the Walls on Nov 29, 2017 14:13:22 GMT 1, Easy star All Stars - Exit Music (For A Film) covering Radiohead
Easy star All Stars - Exit Music (For A Film) covering Radiohead
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Successful Cover Songs, by Deleted on Nov 29, 2017 14:18:51 GMT 1, Pixies covering the Yardbirds. Personally, I believe it sounds a lot better in Spanish
Pixies covering the Yardbirds. Personally, I believe it sounds a lot better in Spanish
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hibster
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Successful Cover Songs, by hibster on Nov 29, 2017 14:27:22 GMT 1,
lucky enough to see them twice. & then years later damon & Naomi and dean wareham as well
they did another great cover too, of a song which when originally released was arguably a cover version, written by joy division but performed by new order
You must be from Boston and yes I was aware of the Joy Division/New Order song - one of my favorite tunes and I almost posted it! Cheers na - Bristol! although I did see pixies at their second ever UK gig, supporting throwing muses in Birmingham burberies.
lucky enough to see them twice. & then years later damon & Naomi and dean wareham as well
they did another great cover too, of a song which when originally released was arguably a cover version, written by joy division but performed by new order
You must be from Boston and yes I was aware of the Joy Division/New Order song - one of my favorite tunes and I almost posted it! Cheers na - Bristol! although I did see pixies at their second ever UK gig, supporting throwing muses in Birmingham burberies.
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hibster
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Successful Cover Songs, by hibster on Nov 29, 2017 14:29:55 GMT 1, r.e.m. have done a number of great covers
this was one I didn't realise was one until years later
r.e.m. have done a number of great covers
this was one I didn't realise was one until years later
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Successful Cover Songs, by hippychick on Nov 29, 2017 14:35:55 GMT 1, Covered by Everlast in 2008
Covered by Everlast in 2008
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Successful Cover Songs, by Deleted on Nov 29, 2017 14:45:01 GMT 1, EDIT - sorry spotted this posted earlier - worth a repost though I think
EDIT - sorry spotted this posted earlier - worth a repost though I think
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hibster
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Successful Cover Songs, by hibster on Nov 29, 2017 15:01:43 GMT 1, love that neil young cover st etienne are on tour at the moment, seeing them next week you may not be aware but they have just re-released 2 of their fan club only cds on vinyl (& their xmas album is only £12 on their shop as well)
love that neil young cover st etienne are on tour at the moment, seeing them next week you may not be aware but they have just re-released 2 of their fan club only cds on vinyl (& their xmas album is only £12 on their shop as well)
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mojo
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Successful Cover Songs, by mojo on Nov 29, 2017 15:09:35 GMT 1,
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Deleted
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Successful Cover Songs, by Deleted on Nov 29, 2017 15:11:41 GMT 1,
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Successful Cover Songs, by Deleted on Nov 29, 2017 15:12:25 GMT 1, White stripes covering Dolly
White stripes covering Dolly
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Successful Cover Songs, by Happy Shopper on Nov 29, 2017 15:24:17 GMT 1, Obscure, but great:
and
Obscure, but great:
and
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Successful Cover Songs, by hippychick on Nov 29, 2017 15:24:43 GMT 1,
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mutatis
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Successful Cover Songs, by mutatis on Nov 29, 2017 16:24:36 GMT 1, Great post - I don't know the original but was going to post the Peggy Lee along with a reggae cover produced by Lee Perry
Great post - I don't know the original but was going to post the Peggy Lee along with a reggae cover produced by Lee Perry
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Successful Cover Songs, by hippychick on Nov 29, 2017 16:36:06 GMT 1, Great post - I don't know the original but was going to post the Peggy Lee along with a reggae cover produced by Lee Perry Thank you Like the reggae cover too.
Original was by Little Willie John in 1956
There was another cover by Anabella Lwin (from Bow Wow Wow) in 1986
Great post - I don't know the original but was going to post the Peggy Lee along with a reggae cover produced by Lee Perry Thank you Like the reggae cover too. Original was by Little Willie John in 1956 There was another cover by Anabella Lwin (from Bow Wow Wow) in 1986
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skAcid
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Successful Cover Songs, by skAcid on Nov 29, 2017 16:53:51 GMT 1,
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Successful Cover Songs, by hippychick on Nov 29, 2017 17:22:47 GMT 1, Lots of covers of this but I love the Erasure cover from the Red, Hot and Blue album (1990)
Lots of covers of this but I love the Erasure cover from the Red, Hot and Blue album (1990)
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Successful Cover Songs, by Con Art Studio on Nov 29, 2017 20:36:40 GMT 1, Hands down, one of the best cover songs ever recorded I was lucky enough to see Failure on the “Fantastic Planet” tour back in the late 90’s. At one of the shows, they played this cover live. So good! I was lucky enough to have seen them multiple times back in the 90s and at least 4 more times (twice on the reunion tour, once in support of their new album, and once for the fantastic planet 20th anniversary tour) since they reunited a few years ago. they are currently working on a new album which is coming out next year.
Hands down, one of the best cover songs ever recorded I was lucky enough to see Failure on the “Fantastic Planet” tour back in the late 90’s. At one of the shows, they played this cover live. So good! I was lucky enough to have seen them multiple times back in the 90s and at least 4 more times (twice on the reunion tour, once in support of their new album, and once for the fantastic planet 20th anniversary tour) since they reunited a few years ago. they are currently working on a new album which is coming out next year.
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Flashback
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Successful Cover Songs, by Flashback on Nov 29, 2017 20:41:20 GMT 1,
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met
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Successful Cover Songs, by met on Dec 1, 2017 1:27:10 GMT 1, Great cover, clearly from one of the periods when Robert Smith had joined the band. Some of the video shots of Siouxsie are also amusing — bearing in mind this was 16 years before Julia Roberts made her famous gestural statement about female body hair at the London premiere of Notting Hill. I have a lot of time for the Banshees. In recent weeks, I've often listened to Kiss Them for Me, with Talvin Singh and its reference to Jayne Mansfield. And as a kid at alternative music clubs, I recall pretty vividly how effective the intro to Cities in Dust was for getting people onto the dance floor. [The same was true back then for the intros to Love Like Blood by Killing Joke and Lucretia My Reflection by The Sisters of Mercy.] [...] On a separate note, in this age of paranoia, self-censorship and hypersensitivity bordering on hysteria, imagine what the social media response would be today to a young singer from Bromley taking on the name "Siouxsie Sioux". I should have said in reference to the cover - that such a faithful version was unexpected, given how the Banshees had mangled and left their mark on Helter Skelter, but I guess that was chosen for non-musical reasons. Are you suggesting that perhaps Robert Smith was responsible for the melodious nature of the cover?As for the body hair issue, I'd not consciously noticed it in the video. I recall the first time seeing the Banshees, there was plenty of armpit hair on show, in an affirmative way, just as there was with the Raincoats and The Slits, so it was quite normal, even if I was too young to understand the sexual politics. Such gestures would never have hit the mainstream media though. Those intros bring a smile to my face ... perhaps there's another thread. From personal experience to this day ... the intro that causes the biggest stampede to the dancefloor has to be This Charming Man.
No, sorry, I didn't mean to suggest that at all. On this occasion, my thoughts were more precise in my head than in writing.
When I used the word "clearly", I was referring to Robert Smith being obviously present in the video — which I don't remember having seen before. For me, Dear Prudence is a natural progression from the album A Kiss in the Dreamhouse with John McGeoch on guitar. See for example the song Melt!
_________
This Charming Man never had the same impact in Canada (where many of my formative years were spent) as in the UK. But How Soon Is Now? would always have a dance-floor stampede effect at the clubs I used to frequent.
Great cover, clearly from one of the periods when Robert Smith had joined the band. Some of the video shots of Siouxsie are also amusing — bearing in mind this was 16 years before Julia Roberts made her famous gestural statement about female body hair at the London premiere of Notting Hill. I have a lot of time for the Banshees. In recent weeks, I've often listened to Kiss Them for Me, with Talvin Singh and its reference to Jayne Mansfield. And as a kid at alternative music clubs, I recall pretty vividly how effective the intro to Cities in Dust was for getting people onto the dance floor. [The same was true back then for the intros to Love Like Blood by Killing Joke and Lucretia My Reflection by The Sisters of Mercy.] [...] On a separate note, in this age of paranoia, self-censorship and hypersensitivity bordering on hysteria, imagine what the social media response would be today to a young singer from Bromley taking on the name "Siouxsie Sioux". I should have said in reference to the cover - that such a faithful version was unexpected, given how the Banshees had mangled and left their mark on Helter Skelter, but I guess that was chosen for non-musical reasons. Are you suggesting that perhaps Robert Smith was responsible for the melodious nature of the cover?As for the body hair issue, I'd not consciously noticed it in the video. I recall the first time seeing the Banshees, there was plenty of armpit hair on show, in an affirmative way, just as there was with the Raincoats and The Slits, so it was quite normal, even if I was too young to understand the sexual politics. Such gestures would never have hit the mainstream media though. Those intros bring a smile to my face ... perhaps there's another thread. From personal experience to this day ... the intro that causes the biggest stampede to the dancefloor has to be This Charming Man. No, sorry, I didn't mean to suggest that at all. On this occasion, my thoughts were more precise in my head than in writing. When I used the word "clearly", I was referring to Robert Smith being obviously present in the video — which I don't remember having seen before. For me, Dear Prudence is a natural progression from the album A Kiss in the Dreamhouse with John McGeoch on guitar. See for example the song Melt!_________ This Charming Man never had the same impact in Canada (where many of my formative years were spent) as in the UK. But How Soon Is Now? would always have a dance-floor stampede effect at the clubs I used to frequent.
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met
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Successful Cover Songs, by met on Dec 1, 2017 2:20:02 GMT 1, Here's an indulgence on my part.
I wouldn't call this cover "successful", or in itself even interesting. At times, it sounds a bit like Alvin and the Chipmunks are singing.
But I was impressed by the courage it took to cover the song — at least until I learned about the background. Apparently, t.A.T.u. had never even heard of The Smiths before being presented with the lyrics. It was therefore a case of obliviousness rather than bravery and overcoming fear. Perhaps there's a lesson here for all of us. Somewhere.
t.A.T.u. - How Soon Is Now? (The Smiths cover, 2002)
The Smiths - How Soon Is Now? (1984)
My particular interest in the cover is Morrissey's reaction to it, when interviewed by Andrew Harrison from The Word magazine (June 2003 issue). Still makes me laugh today:
The Word: Did you hear t.A.T.u.'s version of "How Soon Is Now?"
Morrissey: Yes, it was magnificent. Absolutely. Again, I don't know much about them.
The Word: They're the teenage Russian lesbians.
Morrissey: Well, aren't we all?
Here's an indulgence on my part.
I wouldn't call this cover "successful", or in itself even interesting. At times, it sounds a bit like Alvin and the Chipmunks are singing.
But I was impressed by the courage it took to cover the song — at least until I learned about the background. Apparently, t.A.T.u. had never even heard of The Smiths before being presented with the lyrics. It was therefore a case of obliviousness rather than bravery and overcoming fear. Perhaps there's a lesson here for all of us. Somewhere.
t.A.T.u. - How Soon Is Now? (The Smiths cover, 2002)
The Smiths - How Soon Is Now? (1984)
My particular interest in the cover is Morrissey's reaction to it, when interviewed by Andrew Harrison from The Word magazine (June 2003 issue). Still makes me laugh today:
The Word: Did you hear t.A.T.u.'s version of "How Soon Is Now?"
Morrissey: Yes, it was magnificent. Absolutely. Again, I don't know much about them.
The Word: They're the teenage Russian lesbians.
Morrissey: Well, aren't we all?
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met
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Successful Cover Songs, by met on Dec 1, 2017 4:50:19 GMT 1,
The lounge version by Steve Lawrence and Eydie Gormé (from the Lounge-A-Palooza compilation album) merits a listen.
Steve and Eydie - Black Hole Sun (Soundgarden cover, 1997)
Soundgarden - Black Hole Sun (1994)
The lounge version by Steve Lawrence and Eydie Gormé (from the Lounge-A-Palooza compilation album) merits a listen. Steve and Eydie - Black Hole Sun (Soundgarden cover, 1997) Soundgarden - Black Hole Sun (1994)
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Successful Cover Songs, by Coach on Dec 1, 2017 11:48:51 GMT 1, Many thanks, and sorry for the oversight. On this occasion, it didn't even occur to me to check beforehand whether a similar thread already existed here.
That’s ok met. I share your interest in cover versions. You may remember this
urbanartassociation.com/thread/133824/another-te-giveaway?page=1
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