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Artists You Might Not Know, by ldnyinzer on Mar 5, 2016 16:33:08 GMT 1, Here are some of my favourite Akse P19 pieces. I think he is fairly well known but I haven't come across any posts about him on here so thought I'd shine a little light on his great work!
He is known for his tv/film/celeb pieces (take a look at the psychopaths project) but I am a huge fan of his incredible realistic portraits that don't seem to get as much press.
He recently released a print, I think it was his first that I'm not crazy about but what he can do with a spray can blows me away! - Enjoy!
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Deleted
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Artists You Might Not Know, by Deleted on Mar 6, 2016 7:50:15 GMT 1, great technical ability with zero narrative.
great technical ability with zero narrative.
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dreadnatty
Junior Member
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Artists You Might Not Know, by dreadnatty on Mar 12, 2016 4:28:33 GMT 1, hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/
Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.”
In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens.
Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages.
While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.”
screen shot on windows
hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” screen shot on windows
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ceri1
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Artists You Might Not Know, by ceri1 on Mar 12, 2016 12:54:24 GMT 1, Very interesting work from Silviu and Irina Szekley. Reminiscent of older artists such as Jiri Kolar and Pol Bury who also used cut up methods as well as kaleidoscopic techniques
Very interesting work from Silviu and Irina Szekley. Reminiscent of older artists such as Jiri Kolar and Pol Bury who also used cut up methods as well as kaleidoscopic techniques
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treweman
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Artists You Might Not Know, by treweman on Mar 12, 2016 13:20:09 GMT 1, Very interesting work from Silviu and Irina Szekley. Reminiscent of older artists such as Jiri Kolar and Pol Bury who also used cut up methods as well as kaleidoscopic techniques
Very interesting work from Silviu and Irina Szekley. Reminiscent of older artists such as Jiri Kolar and Pol Bury who also used cut up methods as well as kaleidoscopic techniques I immediately thought of Lola Dupre (http://www.loladupre.com/). A piece in my collection by Lola ... |
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met
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Artists You Might Not Know, by met on Mar 12, 2016 17:56:31 GMT 1, hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows
In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists.
As with treweman, I immediately thought of Lola Dupré. Some other examples:
What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied).
Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me.
It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm:
 
hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists. As with treweman, I immediately thought of Lola Dupré. Some other examples: What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied). Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me. It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm: |
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treweman
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Artists You Might Not Know, by treweman on Mar 12, 2016 18:11:32 GMT 1, Another in my collection by Lola Dupre ...
Another in my collection by Lola Dupre ... |
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Artists You Might Not Know, by Coach on Mar 12, 2016 18:41:48 GMT 1, Another in my collection by Lola Dupre ...
Love this.
Another in my collection by Lola Dupre ... Love this. |
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ceri1
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April 2014
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Artists You Might Not Know, by ceri1 on Mar 12, 2016 19:01:12 GMT 1, hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists. As with treweman , I immediately thought of Lola Dupré. Some other examples: What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied). Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me. It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm:
hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists. As with treweman , I immediately thought of Lola Dupré. Some other examples: What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied). Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me. It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm: My pleasure Met! There is nothing like discovering new artists. I think I discover some new every day and wonder how I didn't know about them! That's the beauty of art. |
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Artists You Might Not Know, by Feral Things on Mar 15, 2016 23:39:24 GMT 1, Parisian painter Lou Ros
Sardinian multidisciplinary artist Roberto Ciredz
Fine-art undergraduate and all-city bomber Daniel Tyndale
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jcookgurl
New Member
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January 2016
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Artists You Might Not Know, by jcookgurl on Mar 16, 2016 1:15:18 GMT 1, One NYC artist I love is named Adam Dare...he's known for his bunny...anyway, he is making a series of mini canvases right now that are only $50 plus shipping...check it out! I got one for my mini collection...you can reach him at info@adamdare.com. he's a good fellow.
 Adam dare mini canvas by jamie lauren, on Flickr
One NYC artist I love is named Adam Dare...he's known for his bunny...anyway, he is making a series of mini canvases right now that are only $50 plus shipping...check it out! I got one for my mini collection...you can reach him at info@adamdare.com. he's a good fellow. Adam dare mini canvas by jamie lauren, on Flickr |
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Artists You Might Not Know, by Coach on Mar 17, 2016 23:19:35 GMT 1, I think this is wonderful.
Walking Cube from 1024 Architecture.
I think this is wonderful.
Walking Cube from 1024 Architecture.
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rufas
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December 2015
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Artists You Might Not Know, by rufas on Mar 18, 2016 16:47:38 GMT 1, I've just discovered Japanese photographer Daisuke Yokota's work. Would love to get my hands on a photobook or a print someday. If anyone could point me in the direction of an affordable print let me know please! Some of the work in his 'Colour Photographs' book reminded me of the Richter's facsimile prints.
via the Guardian: "Daisuke Yokota is one of the most talked-about young Japanese photographers. He’s just won the inaugural John Kobal residency award for an emerging artist at Photo London, where he was praised for 'his meticulous approach to photographic experimentation, combined at times with visceral performances' and his willingness 'to continuously test the limits of photography'.
"His process is meticulous to the point of obsessive. He shoots on a compact digital camera, prints and rephotographs the results on medium-format film, then prints them again several times using heat and light to mark or distort the images."
www.theguardian.com/artanddesign/2015/may/22/daisuke-yokota-acid-loving-japanese-photographer
I've just discovered Japanese photographer Daisuke Yokota's work. Would love to get my hands on a photobook or a print someday. If anyone could point me in the direction of an affordable print let me know please! Some of the work in his 'Colour Photographs' book reminded me of the Richter's facsimile prints. via the Guardian: "Daisuke Yokota is one of the most talked-about young Japanese photographers. He’s just won the inaugural John Kobal residency award for an emerging artist at Photo London, where he was praised for 'his meticulous approach to photographic experimentation, combined at times with visceral performances' and his willingness 'to continuously test the limits of photography'. "His process is meticulous to the point of obsessive. He shoots on a compact digital camera, prints and rephotographs the results on medium-format film, then prints them again several times using heat and light to mark or distort the images." www.theguardian.com/artanddesign/2015/may/22/daisuke-yokota-acid-loving-japanese-photographer |
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Artists You Might Not Know, by fishandchips on Mar 22, 2016 11:59:53 GMT 1, He's best known for his Floral Skulls but I like the new stuff Jacky Tsai is producing at the moment
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Artists You Might Not Know, by fishandchips on Mar 22, 2016 16:52:56 GMT 1, Sally Fuerst's oil paintings are utterly brilliant as well...
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Artists You Might Not Know, by fishandchips on Mar 23, 2016 16:13:45 GMT 1, Literally 'urban art' by Laura Jordan...
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belsan
New Member
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March 2016
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Artists You Might Not Know, by belsan on Mar 30, 2016 18:28:27 GMT 1, More Jacky Tsai... Which do you prefer, silver or gold?  
More Jacky Tsai... Which do you prefer, silver or gold? Gold one looks lit |
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Standard
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Artists You Might Not Know, by Standard on Apr 3, 2016 11:09:43 GMT 1,
We have her pooch looking over the little one's room......
hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists. As with treweman , I immediately thought of Lola Dupré. Some other examples: What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied). Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me. It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm:
We have her pooch looking over the little one's room...... hifructose.com/2016/03/11/silviu-and-irina-szekleys-kalaidescopic-collages/Self-taught Romanian collage artists Silviu and Irina Székley consider their works to be “conceptual spontaneities” that distort familiar images into new, transfigured realities. The duo takes traditional images, especially 19th century masterpieces and shatters our expectations through unorthodox manipulation. As the artists say themselves, “Our approach to art is very naïve, ludic and hazardous.” In their related series “Manipulations” and “Circollage,” classical images are cut up and re-assembled- whether systemically, as in “Circollage” or through blasted reiteration, as in “Manipulations,” the pair communicates an eccentric mood. “What inspires us is the movement of unknown images, which blur the objects we think we know.” Along this vein, their works often appear eerie and unnatural- recognizable figures are de-familiarized through their often abrasive neo-Dadaist lens. Deeply affected by their strong backgrounds in critical theory and philosophy, the Székleys say, “Each individual existence is a distortion in itself, an alteration of the original shape of the building blocks of life. From this point of view, we are fundamentally behaving like a moving image… ultimately we are a mere optical illusion experienced by another moving image.” In other words, they are simply deconstructing our already distorted reality in their complex collages. While one might be tempted to apply a meaning or an ideology to their collages because of this, the artists resist the notion of art as predetermined: “We do not attach any predetermined aims or meanings to our works. The work happens to emerge and develop into its own existence… We believe that art is not art if it doesn’t generate certain forms of misrepresentation, confusion, anger or sarcasm.” [...] [...] screen shot on windows In isolation, I like some of this. However, the portraiture pieces especially seem too close for comfort to other artists. As with treweman , I immediately thought of Lola Dupré. Some other examples: What I don't know is whether the similarities are coincidental or if biting occurred. Either way, the chronology and artistic timelines work against Silviu and Irina Székely (though I'm conscious their body of work is also stylistically varied). Cheers to ceri1 for the Jiří Kolář reference. I was previously unfamiliar with this writer / artist and had to look him up. Interesting discovery for me. It's worth giving a nod as well to one of my favourite creatives, Jean-Paul Goude. Specifically, for the album covers he did in the 1980s for Cristina's Sleep It Off and Grace Jones's Slave to the Rhythm: |
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Wearology
Junior Member
Staff at FatFreeArt
🗨️ 3,596
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April 2008
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Artists You Might Not Know, by Wearology on Apr 9, 2016 22:00:06 GMT 1, Does anyone know the name of this artist ?
Does anyone know the name of this artist ? |
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Deleted
🗨️ 0
👍🏻
January 1970
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Artists You Might Not Know, by Deleted on Apr 9, 2016 22:23:54 GMT 1, Here you go Wearology > Julia Sandberg Hansson and Nic Sadler, SH/Sadler..
>http://www.shsadler.com/new-index
Here you go Wearology > Julia Sandberg Hansson and Nic Sadler, SH/Sadler..
>http://www.shsadler.com/new-index
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darkcity
New Member
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February 2016
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Artists You Might Not Know, by darkcity on Apr 10, 2016 0:38:53 GMT 1, Does anyone know the name of this artist ?
Its an art collaborative team i believe a man and a woman, these prints were once for sale on touchofmodern.com for around $800 for the two pieces..
Does anyone know the name of this artist ? Its an art collaborative team i believe a man and a woman, these prints were once for sale on touchofmodern.com for around $800 for the two pieces.. |
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dismacap
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September 2015
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Artists You Might Not Know, by Goooogle Male on Apr 21, 2016 13:13:08 GMT 1, ATT - MODS / DANIEL SILK!!
Please please please please please can the erroneous apostrophe in the thread title be removed? It is Artists not Artist's ...
I know to most people this request is just unnecessary grammatical pedantry, but it really does sends me completely nuts every time I see the thread!!!
ATT - MODS / DANIEL SILK!! Please please please please please can the erroneous apostrophe in the thread title be removed? It is Artists not Artist's ... I know to most people this request is just unnecessary grammatical pedantry, but it really does sends me completely nuts every time I see the thread!!! |
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Deleted
🗨️ 0
👍🏻
January 1970
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Artists You Might Not Know, by Deleted on Apr 21, 2016 13:22:34 GMT 1, ATT - MODS / DANIEL SILK!! Please please please please please can the erroneous apostrophe in the thread title be removed? It is Artists not Artist's ... I know to most people this request is just unnecessary grammatical pedantry, but it really does sends me completely nuts every time I see the thread!!!
Wow, never noticed that. Thank's for pointing it out.
ATT - MODS / DANIEL SILK!! Please please please please please can the erroneous apostrophe in the thread title be removed? It is Artists not Artist's ... I know to most people this request is just unnecessary grammatical pedantry, but it really does sends me completely nuts every time I see the thread!!! Wow, never noticed that. Thank's for pointing it out. |
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