Winter
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March 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Winter on Jan 13, 2009 0:46:33 GMT 1, There was an interesting article in the Times at the weekend about the fact that a recession trims down the art market and sorts out the quality from the rest (to put it politely).
There was an interesting article in the Times at the weekend about the fact that a recession trims down the art market and sorts out the quality from the rest (to put it politely).
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Deleted
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January 1970
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Deleted on Jan 13, 2009 0:47:36 GMT 1, I guess it could be worth alot more if say it's used to wrap a Banksy as a present for someone?
I guess it could be worth alot more if say it's used to wrap a Banksy as a present for someone?
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aladdinsane
New Member
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August 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by aladdinsane on Jan 13, 2009 1:01:22 GMT 1, Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450
HAHHAHAH Where did you buy your crystal ball to tell the art market future? Same place you bought your talent? s**t is worth shit now and shit in the future. I'd rather pay random strangers parking fines then put a penny toward anything you try to knock off.
Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450 HAHHAHAH Where did you buy your crystal ball to tell the art market future? Same place you bought your talent? s**t is worth shit now and shit in the future. I'd rather pay random strangers parking fines then put a penny toward anything you try to knock off.
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Deleted
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January 1970
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Deleted on Jan 13, 2009 1:23:31 GMT 1, Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450 HAHHAHAH Where did you buy your crystal ball to tell the art market future? Same place you bought your talent? s**t is worth s**t now and s**t in the future. I'd rather pay random strangers parking fines then put a penny toward anything you try to knock off.
Yes and whilst you hold your preconceived ideas about what art is and what art is not you'll always make the same naive uninformed chooses think small and stay safe i see i've become some kind of lightning rod for your anxieties,
Good luck with the parking tickets
Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450 HAHHAHAH Where did you buy your crystal ball to tell the art market future? Same place you bought your talent? s**t is worth s**t now and s**t in the future. I'd rather pay random strangers parking fines then put a penny toward anything you try to knock off. Yes and whilst you hold your preconceived ideas about what art is and what art is not you'll always make the same naive uninformed chooses think small and stay safe i see i've become some kind of lightning rod for your anxieties, Good luck with the parking tickets
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Heavyconsumer
Junior Member
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February 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Heavyconsumer on Jan 13, 2009 3:07:35 GMT 1, Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450
Very very silly post imo. There is a difference between being confident and being arrogant.
In your opinion (not that you're blowing your own trumpet of course)
That's just ridiculous. On what do you base this? Has any of your work ever risen in value to date? How many artists' rises to fame have you ever successfully predicted previously? You certainly have long way to go before making such foolhardy proclamations. I was amongst the first to congratulate you on your good press recently, but wow it seems you have really let it go to your head!
I don't think I've ever read ANY of the artists in this forum refer to their production costs quite so crudely and imho a great many of them are MUCH more talented than yourself and very few of them would ask Β£450 for something which demonstrates such an apparent lack of originality, conception, execution or effort on the artist's part (Those that would ask such a price are lightyears ahead of you in terms of their flair/technical ability/humility imho). Most of us prefer to like who we buy from in this world - you might wanna bare that in mind.
And it really shouldn't be your opinion that counts when it comes down to whether people in a public forum perceive your art to be good value for money or not, should it? In fact if there's one opinion on that subject in the world which is invalid, it's either yours or the gallery you sell through. Why on earth do you post your art in a public forum if you can't take someone suggesting it's overpriced. I'm guessing you'd struggle to find a great many members who don't think this is overpriced at Β£450. I bought an awesome original by Waleska Nomura for that, but for the same price members could get an original, well-executed piece of art by Neverwork, Rourke, Replete, DOC, Grafter, Jef Aerosol, Martin Whatson, etc etc... All of these guys are more friendly, approachable, humble and talented than you come across imho. Good luck with your art anyway.
Its not to expensive, most people pay more in yearly parking fines for which they get nothing. I'm offering Art that in years to come will be worth much more than the price i now ask... the time, effort and printing costs involved with this piece is well worth Β£450 Very very silly post imo. There is a difference between being confident and being arrogant. In your opinion (not that you're blowing your own trumpet of course)That's just ridiculous. On what do you base this? Has any of your work ever risen in value to date? How many artists' rises to fame have you ever successfully predicted previously? You certainly have long way to go before making such foolhardy proclamations. I was amongst the first to congratulate you on your good press recently, but wow it seems you have really let it go to your head!I don't think I've ever read ANY of the artists in this forum refer to their production costs quite so crudely and imho a great many of them are MUCH more talented than yourself and very few of them would ask Β£450 for something which demonstrates such an apparent lack of originality, conception, execution or effort on the artist's part (Those that would ask such a price are lightyears ahead of you in terms of their flair/technical ability/humility imho). Most of us prefer to like who we buy from in this world - you might wanna bare that in mind.And it really shouldn't be your opinion that counts when it comes down to whether people in a public forum perceive your art to be good value for money or not, should it? In fact if there's one opinion on that subject in the world which is invalid, it's either yours or the gallery you sell through. Why on earth do you post your art in a public forum if you can't take someone suggesting it's overpriced. I'm guessing you'd struggle to find a great many members who don't think this is overpriced at Β£450. I bought an awesome original by Waleska Nomura for that, but for the same price members could get an original, well-executed piece of art by Neverwork, Rourke, Replete, DOC, Grafter, Jef Aerosol, Martin Whatson, etc etc... All of these guys are more friendly, approachable, humble and talented than you come across imho. Good luck with your art anyway.
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aladdinsane
New Member
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August 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by aladdinsane on Jan 13, 2009 3:14:06 GMT 1, Yes and whilst you hold your preconceived ideas about what art is and what art is not you'll always make the same naive uninformed chooses think small and stay safe i see i've become some kind of lightning rod for your anxieties, Good luck with the parking tickets
Keep sending Silky the checks kid. I have a strong feeling my receipts for those parking tickets will be a better investment then the trash you try to pass off under the guise of art. Just because you can get a red star here does not mean you have the ability to create 'art' no matter how good or bad it is. They aren't laughing with you, they are laughing at you.
Yes and whilst you hold your preconceived ideas about what art is and what art is not you'll always make the same naive uninformed chooses think small and stay safe i see i've become some kind of lightning rod for your anxieties, Good luck with the parking tickets Keep sending Silky the checks kid. I have a strong feeling my receipts for those parking tickets will be a better investment then the trash you try to pass off under the guise of art. Just because you can get a red star here does not mean you have the ability to create 'art' no matter how good or bad it is. They aren't laughing with you, they are laughing at you.
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by cashman on Jan 13, 2009 3:17:27 GMT 1, I feel sorry for you Cartrain...what bullshit have 100artworks and silky been telling you ? There is a Herakut original on Urban Angel for Β£600, does your artwork seem good value now ?
I feel sorry for you Cartrain...what bullshit have 100artworks and silky been telling you ? There is a Herakut original on Urban Angel for Β£600, does your artwork seem good value now ?
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mace
Junior Member
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August 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by mace on Jan 13, 2009 9:57:23 GMT 1, crap... again...
crap... again...
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Deleted
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January 1970
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Deleted on Jan 13, 2009 12:34:20 GMT 1,
Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best
Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best
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Karl Read
Artist
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April 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Karl Read on Jan 13, 2009 12:38:07 GMT 1, Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best
Comon, dont hold back, tell us what you really think.
Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best Comon, dont hold back, tell us what you really think.
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darrenrapley
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June 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by darrenrapley on Jan 13, 2009 12:39:30 GMT 1, Obviously you are trying to keep this thread going with statements like that Cartrain.
Obviously you are trying to keep this thread going with statements like that Cartrain.
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gozgoz
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September 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by gozgoz on Jan 13, 2009 13:00:08 GMT 1, but i do agree with cartrain.
I dun see why people would pay 450 for grafters work either.
but i do agree with cartrain.
I dun see why people would pay 450 for grafters work either.
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elwheel
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September 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by elwheel on Jan 13, 2009 13:12:01 GMT 1, Hmmmm. This piece is not for me and without any explanation as to its meaning, or without putting it into any context, I can't see who would part with their hard-earned for what at the minute seems to be wrapping paper which would be extremely difficult to wrap with. A quick SOLD notice by the studio could save some face here. Now lets move on.
Hmmmm. This piece is not for me and without any explanation as to its meaning, or without putting it into any context, I can't see who would part with their hard-earned for what at the minute seems to be wrapping paper which would be extremely difficult to wrap with. A quick SOLD notice by the studio could save some face here. Now lets move on.
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f5ers
New Member
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October 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by f5ers on Jan 13, 2009 13:37:13 GMT 1, Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag.
Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag.
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gozgoz
Junior Member
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September 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by gozgoz on Jan 13, 2009 13:41:41 GMT 1, Hmmmm. This piece is not for me and without any explanation as to its meaning, or without putting it into any context, I can't see who would part with their hard-earned for what at the minute seems to be wrapping paper which would be extremely difficult to wrap with. A quick SOLD notice by the studio could save some face here. Now lets move on.
Did Hirst ever explain his spot paintings? If so, what was the explanation behind them?
This isnt a stab at you or anything. Im actually curious as to what the Hirst spot paintings mean.
Hmmmm. This piece is not for me and without any explanation as to its meaning, or without putting it into any context, I can't see who would part with their hard-earned for what at the minute seems to be wrapping paper which would be extremely difficult to wrap with. A quick SOLD notice by the studio could save some face here. Now lets move on. Did Hirst ever explain his spot paintings? If so, what was the explanation behind them? This isnt a stab at you or anything. Im actually curious as to what the Hirst spot paintings mean.
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f5ers
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October 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by f5ers on Jan 13, 2009 13:44:02 GMT 1, Each spot is a counter for Β£1 million ... all those dots mean its worth millions
Each spot is a counter for Β£1 million ... all those dots mean its worth millions
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by hippocroccopig on Jan 13, 2009 13:47:42 GMT 1, Did Hirst ever explain his spot paintings? If so, what was the explanation behind them? This isnt a stab at you or anything. Im actually curious as to what the Hirst spot paintings mean.
This post earlier had a good explanation in:
Thanks for the response Lou, much appreciated. I also like Hirst's work, but surely to god you're not comparing this to Valium or LSD, etc? There are key differences such as context and originality. Hirst said that his spot paintings are about interaction: while the colours are isolated from one another, they still manage to influence each other, interacting across the surrounding white space. Are we seriously to believe that cartrain had this in mind when he put this latest effort together. I am more inclined to believe another lazy and plagiarised attempt to make a few quid was the intention. Fair enough if your selling essays to students but c'mon shouldn't an artist be trying to do his own thing? Leaving his mark on the world and all that. If cartrain was an old git, then sure I could just about understand this, but if you're formative years are spent poncing off someone elses ideas without looking to stretch them, then that suggests a lack of talent and ambition. Regarding cartrain's latest work being tight in context, Im not altogether sure I know what you mean?
Did Hirst ever explain his spot paintings? If so, what was the explanation behind them? This isnt a stab at you or anything. Im actually curious as to what the Hirst spot paintings mean. This post earlier had a good explanation in: Thanks for the response Lou, much appreciated. I also like Hirst's work, but surely to god you're not comparing this to Valium or LSD, etc? There are key differences such as context and originality. Hirst said that his spot paintings are about interaction: while the colours are isolated from one another, they still manage to influence each other, interacting across the surrounding white space. Are we seriously to believe that cartrain had this in mind when he put this latest effort together. I am more inclined to believe another lazy and plagiarised attempt to make a few quid was the intention. Fair enough if your selling essays to students but c'mon shouldn't an artist be trying to do his own thing? Leaving his mark on the world and all that. If cartrain was an old git, then sure I could just about understand this, but if you're formative years are spent poncing off someone elses ideas without looking to stretch them, then that suggests a lack of talent and ambition. Regarding cartrain's latest work being tight in context, Im not altogether sure I know what you mean?
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elwheel
Junior Member
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September 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by elwheel on Jan 13, 2009 13:54:28 GMT 1, True or maybe an exercise in being removed from the process:
"The idea of the spot paintings were that theyβre an endless series, so the idea of painting spots for the rest of my life, after Iβd done five, was completely tedious. I could visualise the whole thing, so it then becomes a bind physically to get in there and paint it, when somebody else could do it just the same. I numbered all the colours and I numbered all the spaces and drew the spots out and said this is where they go. So I didnβt actually put the paint on the thing, which is what some people have a problem with. But then architects donβt build their own houses."
True or maybe an exercise in being removed from the process:
"The idea of the spot paintings were that theyβre an endless series, so the idea of painting spots for the rest of my life, after Iβd done five, was completely tedious. I could visualise the whole thing, so it then becomes a bind physically to get in there and paint it, when somebody else could do it just the same. I numbered all the colours and I numbered all the spaces and drew the spots out and said this is where they go. So I didnβt actually put the paint on the thing, which is what some people have a problem with. But then architects donβt build their own houses."
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gozgoz
Junior Member
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September 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by gozgoz on Jan 13, 2009 14:25:08 GMT 1, thanks guys!
thanks guys!
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Deleted
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January 1970
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Deleted on Jan 13, 2009 15:51:21 GMT 1, Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag.
Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D
Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag. Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D
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Karl Read
Artist
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April 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Karl Read on Jan 13, 2009 16:10:18 GMT 1, Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag. Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D
It's weird how your "articulate responses" didnt come across the same in that radio interview as they do on this forum.
Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag. Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D It's weird how your "articulate responses" didnt come across the same in that radio interview as they do on this forum.
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Heavyconsumer
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February 2008
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Heavyconsumer on Jan 13, 2009 16:14:45 GMT 1, Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best
I made some points regarding the way you have insulted your public earlier in the thread and your only response is to rock up and insult a fellow artist. Well I guess that just demonstrates your class (as in classiness, not council flat). At least you've made it clear what you're all about. Thanks.
As for Grafter, that's an interesting perspective you have CT. It's interesting because you've criticized someone for their preconceived notions about art and but a day later you've chosen to illustrate some of your own. We all have preconceptions of course. However it just so happens, I'd prefer to hang a "meaningless, substandard piece by an average sunday biscuit tin painter" on my wall over ANYTHING I've ever seen you offer up. And I hate to break it to you, but I'm pretty open-minded about what I consider to be art. Sadly a prerequisite in my actually buying it though, is that I have to think it's visually compelling or aesthetically pleasing in some way for me that's where most sunday biscuit tin painters have you beat hands down. (FYI, Grafter's art is cheaper than yours and better executed, as well as looking better. It's his humility and way in which he deals with people where you could learn a great deal from him. So maybe instead of trying to win arguments, you should listen to peoples' perspectives and give them some thought - unless, as I'm beginning to suspect, it's all just some big joke to you and you don't expect people to buy your art at all) And by the way, why do you assume his work is meaningless?
You're young and presumably doing something you love with your life and for that I admire you, but there'll be noone out there prepared to buy anything from you if you carry on with the crazy notion that your doing the world a favour by producing art, rather than the world doing you one by granting you the priviledge to make a living from it. I realise you may not care at this stage, but if you expect people to pay nigh on Β£500 for your art, you'll need to present yourself a little more respectfully, because the art really doesn't do the talking in your case imho - it just asks too many compromises from the audience, by which I mean, either it should look good, or the idea behind it should be interesting and clearly translated via the medium, however you normally fail on both counts imho. So as for "worth Β£450" in this case - you're having a laugh! Not only does the standard of your work, YET AGAIN, (IMO) take the mickey out of punters, but this time you're having a pop at them for speaking their minds too. How the f**k to you expect to make a living from your art carrying on like that? Get a grip!
Thats right and thats my price too. What is the problem whether i charge Β£450 or Β£450000, as for Grafter he's just your average sunday biscuit tin painter that thurns out your run of the mill duck on the wall or puddle splasher with no meaning, merit or talent the mans work is substandard at best I made some points regarding the way you have insulted your public earlier in the thread and your only response is to rock up and insult a fellow artist. Well I guess that just demonstrates your class (as in classiness, not council flat). At least you've made it clear what you're all about. Thanks. As for Grafter, that's an interesting perspective you have CT. It's interesting because you've criticized someone for their preconceived notions about art and but a day later you've chosen to illustrate some of your own. We all have preconceptions of course. However it just so happens, I'd prefer to hang a "meaningless, substandard piece by an average sunday biscuit tin painter" on my wall over ANYTHING I've ever seen you offer up. And I hate to break it to you, but I'm pretty open-minded about what I consider to be art. Sadly a prerequisite in my actually buying it though, is that I have to think it's visually compelling or aesthetically pleasing in some way for me that's where most sunday biscuit tin painters have you beat hands down. (FYI, Grafter's art is cheaper than yours and better executed, as well as looking better. It's his humility and way in which he deals with people where you could learn a great deal from him. So maybe instead of trying to win arguments, you should listen to peoples' perspectives and give them some thought - unless, as I'm beginning to suspect, it's all just some big joke to you and you don't expect people to buy your art at all) And by the way, why do you assume his work is meaningless? You're young and presumably doing something you love with your life and for that I admire you, but there'll be noone out there prepared to buy anything from you if you carry on with the crazy notion that your doing the world a favour by producing art, rather than the world doing you one by granting you the priviledge to make a living from it. I realise you may not care at this stage, but if you expect people to pay nigh on Β£500 for your art, you'll need to present yourself a little more respectfully, because the art really doesn't do the talking in your case imho - it just asks too many compromises from the audience, by which I mean, either it should look good, or the idea behind it should be interesting and clearly translated via the medium, however you normally fail on both counts imho. So as for "worth Β£450" in this case - you're having a laugh! Not only does the standard of your work, YET AGAIN, (IMO) take the mickey out of punters, but this time you're having a pop at them for speaking their minds too. How the f**k to you expect to make a living from your art carrying on like that? Get a grip!
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Va Va Voom
New Member
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October 2006
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Va Va Voom on Jan 13, 2009 16:27:16 GMT 1, Comic thread from a joke of an artist on what is fast becoming a ridiculous forum.
Comic thread from a joke of an artist on what is fast becoming a ridiculous forum.
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Daniel Silk on Jan 13, 2009 16:34:17 GMT 1, Comic thread from a joke of an artist on what is fast becoming a ridiculous forum.
Suits you down to the ground then ;D Sorry, I could not resist
Comic thread from a joke of an artist on what is fast becoming a ridiculous forum. Suits you down to the ground then ;D Sorry, I could not resist
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f5ers
New Member
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October 2007
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by f5ers on Jan 13, 2009 16:45:04 GMT 1, Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag. Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D
Douche has got six letters ... You were the one having a cheap pop at Grafter.....I would say most forum members are astounded at the price of the tripe you have knocked out... and your arrogant attitude
Its funny to watch a massively inflated ego try and bash another artist that is popular on this forum..... Cheap shot douche bag. Do try to articulate your responses and put some substance into them next time. Cheap vulgar four letter name calling :Pis considered the refuge of the incompetent Try not to crack me up next time you might find it works in your favor ;D Douche has got six letters ... You were the one having a cheap pop at Grafter.....I would say most forum members are astounded at the price of the tripe you have knocked out... and your arrogant attitude
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low3
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November 2010
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by low3 on Jan 13, 2009 17:00:54 GMT 1, Β£450?!s**t the bed! Is this another joke?
Have you seen what original artworks you can buy for that money from other artists?! Lots of good artists, with bagfuls of talent, who have been developing their style over the course of years.
Take a good long look around at some of the artists who contribute to this scene you so desperately want to be a part of. These are people who have actually developed their talent for years, slowly building a name for themselves by producing good art and some original thinking. Far better than riding on other people's coat tails to get noticed by media exposure rather than having any kind of talent as an artist. You did it with Banksy, and now you're doing it with Hirst. The joke is wearing thin.
Please, stop taking people for fools on this forum (and no, age isn't a valid excuse: if you're old enough to offer your stuff for sale, you should be a big enough man to take what people have to say), learn to take some criticism and get some humility.
PS did i articulate that response suitably enough?
Β£450?!s**t the bed! Is this another joke?
Have you seen what original artworks you can buy for that money from other artists?! Lots of good artists, with bagfuls of talent, who have been developing their style over the course of years.
Take a good long look around at some of the artists who contribute to this scene you so desperately want to be a part of. These are people who have actually developed their talent for years, slowly building a name for themselves by producing good art and some original thinking. Far better than riding on other people's coat tails to get noticed by media exposure rather than having any kind of talent as an artist. You did it with Banksy, and now you're doing it with Hirst. The joke is wearing thin.
Please, stop taking people for fools on this forum (and no, age isn't a valid excuse: if you're old enough to offer your stuff for sale, you should be a big enough man to take what people have to say), learn to take some criticism and get some humility.
PS did i articulate that response suitably enough?
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Deleted
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January 1970
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Deleted on Jan 13, 2009 17:04:21 GMT 1,
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Va Va Voom
New Member
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October 2006
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Va Va Voom on Jan 13, 2009 17:25:20 GMT 1, Comic thread from a joke of an artist on what is fast becoming a ridiculous forum. Suits you down to the ground then ;D Sorry, I could not resist
Silky from you I would not have expected any less........
Comic thread from a joke of an artist on what is fast becoming a ridiculous forum. Suits you down to the ground then ;D Sorry, I could not resist Silky from you I would not have expected any less........
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by Daniel Silk on Jan 13, 2009 17:27:05 GMT 1, Suits you down to the ground then ;D Sorry, I could not resist Silky from you I would not have expected any less........
Here to please ;D
Thank you ;D
Suits you down to the ground then ;D Sorry, I could not resist Silky from you I would not have expected any less........ Here to please ;D Thank you ;D
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Cartrain π¬π§ Tate Gallery β’ Damien Hirst β’ Gilbert & George, by dirtysanchez on Jan 13, 2009 18:00:47 GMT 1, Cartrain - for someone who only exists on this forum - you really do know how to interact and engage with your target audience and give them what they need
Some suggested reading
www.amazon.co.uk/How-Win-Friends-Influence-People/dp/0749307846
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