Feral Things
Junior Member
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January 2012
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FS Dran 100 jours drawing , by Feral Things on Apr 22, 2014 19:46:01 GMT 1, buy with confidence folks. I couldn't agree more, Blakeies is a gentleman and a scholar. Good luck with the sale.
EDIT: I agree with Anbesivam1 too, he's just a faster typer than me
buy with confidence folks. I couldn't agree more, Blakeies is a gentleman and a scholar. Good luck with the sale. EDIT: I agree with Anbesivam1 too, he's just a faster typer than me
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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New Banksy?, by Feral Things on Apr 22, 2014 19:29:20 GMT 1, To quote Emiliano Zapata, 'I would rather die on my feet than live on my knees.'
To quote Emiliano Zapata, 'I would rather die on my feet than live on my knees.'
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Artists You Might Not Know, by Feral Things on Apr 22, 2014 19:21:52 GMT 1, Japanese calligrapher Jun Inoue
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Feral Things
Junior Member
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January 2012
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Spring Fling, by Feral Things on Apr 22, 2014 19:10:02 GMT 1, Will Barras' pieces in progress, via Spring Fling
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Feral Things
Junior Member
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January 2012
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Alëxone related news, by Feral Things on Apr 22, 2014 18:59:28 GMT 1, Alëxone has a show entitled 'Cornelius' Walk' at the Kolly Gallery in Zürich from 8 to 31 May 2014
"Paris, early 90′s, the streets of the capital are adorned with strange and special motifs: the Oediperies. Their author, the young Alëxone, spits color, writings and unique characters. Some say he’s a sprayer or a graffiti artist, according to the terminology. He has developed his personal technique on other supports than the usual urban places. Always willing to experiment more, he maintains the street spirit.
Alëxone has an instantly recognisable style. Relationships of colors, materials, words, atypical characters.. The young thirty year old artist oscillates between urban poetry and quiet majesty. His surrealist characters are portrayed in a crazy and colourful world where a sweet craziness exists.
Penguins with halos, flame-spitting horses or cross-eyed dogs create his absurd and chaotic animal world. These animals are real graphic elements which change form and meaning from one art work to another.
If we look at Alëxone’s talent under a microscope, we see in it the graffiti, pop culture, comic book, byzantine or illustration art, inspiring his artworks. Far from the rebel honour Alëxone convenes the big everyday icons as well as the great paintings, all with a touch of humour and irony which we find again in his work titles. His humour helps the public understand a piece of art work and it is a way for Alëxone to tease the viewer and thus create a closer relationship. The underlying meaning allows Alëxone to maintain a lightness yet with a serious intention.
Alëxone’s detailed universe needs to be closely observed and analysed. However, there isn’t one interpretation, as everything is possible. Alëxone does more than working with superposition, transparence and volumes; he plays with the different mediums. He creates equally well on high class textiles or on photos.
His mix of styles can be found in his very original art partnerships. They are an integral part of his artistic work. His work is where one wouldn’t expect it to be… Alëxone always surprises and innovates. One can find his work in the fashion world on printed t-shirts, kids’ slippers or improvising temporarily as a chocolate maker in a collaboration with Christophe Roussel. The same can be said of his collaboration with Yomek, which resulted in two bronze sculptures, Michto and Bruno.
Following Oxmo Puccino’s words, Alëxone is one of the big names of this world “a rare and precious personality." Let’s bet his crazy universe will ignite more than one private view…"
Alëxone has a show entitled ' Cornelius' Walk' at the Kolly Gallery in Zürich from 8 to 31 May 2014 "Paris, early 90′s, the streets of the capital are adorned with strange and special motifs: the Oediperies. Their author, the young Alëxone, spits color, writings and unique characters. Some say he’s a sprayer or a graffiti artist, according to the terminology. He has developed his personal technique on other supports than the usual urban places. Always willing to experiment more, he maintains the street spirit.
Alëxone has an instantly recognisable style. Relationships of colors, materials, words, atypical characters.. The young thirty year old artist oscillates between urban poetry and quiet majesty. His surrealist characters are portrayed in a crazy and colourful world where a sweet craziness exists.
Penguins with halos, flame-spitting horses or cross-eyed dogs create his absurd and chaotic animal world. These animals are real graphic elements which change form and meaning from one art work to another.
If we look at Alëxone’s talent under a microscope, we see in it the graffiti, pop culture, comic book, byzantine or illustration art, inspiring his artworks. Far from the rebel honour Alëxone convenes the big everyday icons as well as the great paintings, all with a touch of humour and irony which we find again in his work titles. His humour helps the public understand a piece of art work and it is a way for Alëxone to tease the viewer and thus create a closer relationship. The underlying meaning allows Alëxone to maintain a lightness yet with a serious intention.
Alëxone’s detailed universe needs to be closely observed and analysed. However, there isn’t one interpretation, as everything is possible. Alëxone does more than working with superposition, transparence and volumes; he plays with the different mediums. He creates equally well on high class textiles or on photos.
His mix of styles can be found in his very original art partnerships. They are an integral part of his artistic work. His work is where one wouldn’t expect it to be… Alëxone always surprises and innovates. One can find his work in the fashion world on printed t-shirts, kids’ slippers or improvising temporarily as a chocolate maker in a collaboration with Christophe Roussel. The same can be said of his collaboration with Yomek, which resulted in two bronze sculptures, Michto and Bruno.
Following Oxmo Puccino’s words, Alëxone is one of the big names of this world “a rare and precious personality." Let’s bet his crazy universe will ignite more than one private view…"
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Martha Cooper 🇺🇸 Subway Art Book • New York Graffiti , by Feral Things on Apr 22, 2014 7:50:22 GMT 1, Thanks for the PDF, AFR1KA. It's rare to see work that's both genuinely important art and a significant piece of social history. #2, #4 and #6 are my favourites but I love all the pieces. 'Legend' is a much overused term but it definitely applies to Martha. Great work.
Thanks for the PDF, AFR1KA. It's rare to see work that's both genuinely important art and a significant piece of social history. #2, #4 and #6 are my favourites but I love all the pieces. 'Legend' is a much overused term but it definitely applies to Martha. Great work.
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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In No Way Art Related..... But Yes!!!, by Feral Things on Apr 21, 2014 20:52:39 GMT 1, Congratulations, Graham H. What a cracking season - you're going to have a cracking time in the Premiership.
Congratulations, Graham H. What a cracking season - you're going to have a cracking time in the Premiership.
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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New Swoon print, by Feral Things on Apr 21, 2014 17:54:15 GMT 1, New Swoon release Limited edition of 65, 8 colour silk screen on hand made paper, $1,250. All funds will go to Swoon's fundraising for Braddock. Dropping tomorrow on swooninprint.com at noon EST.
New Swoon release Limited edition of 65, 8 colour silk screen on hand made paper, $1,250. All funds will go to Swoon's fundraising for Braddock. Dropping tomorrow on swooninprint.com at noon EST.
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Feral Things
Junior Member
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January 2012
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Visit BRISTOL 🇬🇧 Street Art, Galleries, Events, by Feral Things on Apr 21, 2014 17:48:06 GMT 1, Sony, Silent Hobo and Green
Dotcom, Inkie and ASK
45RPM and Richt
Vier, Kleiner Shames and Mers
Stenz
Sony, Silent Hobo and Green Dotcom, Inkie and ASK 45RPM and Richt Vier, Kleiner Shames and Mers Stenz
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Artists You Might Not Know, by Feral Things on Apr 21, 2014 17:11:55 GMT 1, Dutch photorealist painter Jan Esmann
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Feral Things
Junior Member
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January 2012
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Calligraphy Calligraffiti Art, by Feral Things on Apr 21, 2014 17:03:16 GMT 1, Two excellent books about Arabic graffiti, both of which have been mentioned previously on this thread, have recently been released. 'Lost Walls' documents eL Seed's road trip around Tunisia and it covers history, faith, culture and identity, as well as eL Seed's beautiful calligraffiti. 'Walls of Freedom' is by the same people who produced the Arabic Graffiti book and covers the first three years of the Egyptian revolution and the graffiti which accompanied and supported the revolution. You can read the first 20 or so pages of Lost Walls here and the first 40 pages of Walls of Freedom here.
Two excellent books about Arabic graffiti, both of which have been mentioned previously on this thread, have recently been released. ' Lost Walls' documents eL Seed's road trip around Tunisia and it covers history, faith, culture and identity, as well as eL Seed's beautiful calligraffiti. ' Walls of Freedom' is by the same people who produced the Arabic Graffiti book and covers the first three years of the Egyptian revolution and the graffiti which accompanied and supported the revolution. You can read the first 20 or so pages of Lost Walls here and the first 40 pages of Walls of Freedom here.
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Feral Things
Junior Member
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January 2012
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# WithSyria, by Feral Things on Apr 20, 2014 22:39:04 GMT 1, The appalling fate of Syrians is heart-breakingly illustrated by these before-and-after photographs which can be viewed here. It's an absolute tragedy what's happened to the people of such a beautiful country; lives lost, torn-apart and destroyed. So, so sad.
The appalling fate of Syrians is heart-breakingly illustrated by these before-and-after photographs which can be viewed here. It's an absolute tragedy what's happened to the people of such a beautiful country; lives lost, torn-apart and destroyed. So, so sad.
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Feral Things
Junior Member
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January 2012
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Da Mental Vaporz "The Wall" @ BC gallery, Berlin (26.04.), by Feral Things on Apr 20, 2014 22:30:05 GMT 1, Really looking forward to seeing what works come out of this show; Bom.K has been producing some great canvases lately, Gris1's work was the highlight of last year's fantastic 'Mr Freeze' group show and Sowat's 'W' on the flier for this show is just too good for words.
Really looking forward to seeing what works come out of this show; Bom.K has been producing some great canvases lately, Gris1's work was the highlight of last year's fantastic ' Mr Freeze' group show and Sowat's 'W' on the flier for this show is just too good for words.
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Feral Things
Junior Member
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January 2012
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Artists You Might Not Know, by Feral Things on Apr 20, 2014 11:05:04 GMT 1, Lebanese painter Charles Corm
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Feral Things
Junior Member
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January 2012
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FAVOURITE INSTAGRAM POSTS OF THE DAY, by Feral Things on Apr 20, 2014 11:01:30 GMT 1, Katrin Fridriks studio, via her Instagram:
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Feral Things
Junior Member
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January 2012
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Stohead, by Feral Things on Apr 18, 2014 7:59:30 GMT 1, New Stohead wall in Linz. Photo via Stohead's Facebook
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Feral Things
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January 2012
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Price check: Banksy- No Ball Games (green), by Feral Things on Apr 18, 2014 7:00:07 GMT 1, With all due respect, Coach and Wiz are the backbone of this forum and suggesting they go and start their own forum is a bit like suggesting that Chuck D and Flavor Flav should go and start their own hip hop group. I, for one, hope they don't start doing anything differently.
I'm guessing you've had plenty of interest, sincebyman. I'm next to useless with prices I'm afraid but the six-month Espresso Beans average on this prior to BOTI was $5.5k so I would assume it would be a fair bit higher than this now. Lovely print; best of luck.
With all due respect, Coach and Wiz are the backbone of this forum and suggesting they go and start their own forum is a bit like suggesting that Chuck D and Flavor Flav should go and start their own hip hop group. I, for one, hope they don't start doing anything differently. I'm guessing you've had plenty of interest, sincebyman. I'm next to useless with prices I'm afraid but the six-month Espresso Beans average on this prior to BOTI was $5.5k so I would assume it would be a fair bit higher than this now. Lovely print; best of luck.
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Feral Things
Junior Member
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January 2012
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Spring Fling, by Feral Things on Apr 17, 2014 21:57:27 GMT 1, FiST and Katharine Wheeler, via FiST's Instagram:
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Feral Things
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January 2012
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Modern Toss at The Herbert, by Feral Things on Apr 17, 2014 21:27:29 GMT 1, 'The Modern Toss Late Night Activity Centre' at the Hertbert Museum and Art Gallery in Coventry on Friday 16 May 2014
"For one night only…the ever inventive, mischievous cult cartoonists Modern Toss celebrate a decade of their ground breaking satirical artwork. With participatory delights such as live drawing event The F***YEUX 2 Tapestry, The Modern Toss Portrait Booth and The Periodic Table Of Swearing, the evening promises to be a unique, foul mouthed occasion you’ll never experience again! Also featuring Drink and Draw – Coventry’s favourite social event for anyone who loves to doodle! SUITABLE FOR 18+. Tickets are FREE, book yours now!" Tickets available here.
Conveniently, for anyone who hasn't seen Dale Marshall's show yet, the Modern Toss evening is two days before the Marshall show finishes.
'The Modern Toss Late Night Activity Centre' at the Hertbert Museum and Art Gallery in Coventry on Friday 16 May 2014 " For one night only…the ever inventive, mischievous cult cartoonists Modern Toss celebrate a decade of their ground breaking satirical artwork. With participatory delights such as live drawing event The F***YEUX 2 Tapestry, The Modern Toss Portrait Booth and The Periodic Table Of Swearing, the evening promises to be a unique, foul mouthed occasion you’ll never experience again! Also featuring Drink and Draw – Coventry’s favourite social event for anyone who loves to doodle! SUITABLE FOR 18+. Tickets are FREE, book yours now!" Tickets available here. Conveniently, for anyone who hasn't seen Dale Marshall's show yet, the Modern Toss evening is two days before the Marshall show finishes.
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Feral Things
Junior Member
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January 2012
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New Banksy?, by Feral Things on Apr 15, 2014 20:16:25 GMT 1, If this work of art helps hundreds of kids in a very deprived, drug riddled area, with loads of violent crime. I think you're a great forum member so I genuinely hope you don't think I'm just being argumentative by disagreeing with you twice in one day, but I take exception to this kind of stereotyping of the neighbourhood which I live in and love. It's not a description which either myself or my friends and neighbours recognise.
EDIT: By the way, I know that no one likes a pedant but this is in Easton rather than St Pauls.
If this work of art helps hundreds of kids in a very deprived, drug riddled area, with loads of violent crime. I think you're a great forum member so I genuinely hope you don't think I'm just being argumentative by disagreeing with you twice in one day, but I take exception to this kind of stereotyping of the neighbourhood which I live in and love. It's not a description which either myself or my friends and neighbours recognise. EDIT: By the way, I know that no one likes a pedant but this is in Easton rather than St Pauls.
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Feral Things
Junior Member
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January 2012
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New Banksy?, by Feral Things on Apr 15, 2014 17:24:09 GMT 1, If you have been to the site and seen the piece, you'll know if they don't someone will have it away and it'll be sold for personal gain. This is not good. we all want Banksy's street work to remain on the street. This is on wood, there were plenty of walls he could have painted on. I know the site well and saw it this afternoon; absolutely fantastic piece. The argument that 'if I don't steal it then someone else will' is a pretty redundent argument, both legally and ethically, as far as I'm concerned but each to their own.
If you have been to the site and seen the piece, you'll know if they don't someone will have it away and it'll be sold for personal gain. This is not good. we all want Banksy's street work to remain on the street. This is on wood, there were plenty of walls he could have painted on. I know the site well and saw it this afternoon; absolutely fantastic piece. The argument that ' if I don't steal it then someone else will' is a pretty redundent argument, both legally and ethically, as far as I'm concerned but each to their own.
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Feral Things
Junior Member
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January 2012
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New Banksy?, by Feral Things on Apr 15, 2014 17:11:14 GMT 1, I can tell you that the painting is being removed today, by a pro carpenter. It will then at some point be sold to help pay for the 120k the club needs to keep going. The piece doesn't belong to the boxing club, does it? It might be vaguely near the boxing club but it's on the rear of the Council depot. If they remove it or sell it then they're liable to be committing theft unless they're doing so with the owner's permission.
It'd be a pretty silly move to do so given they're reliant on Council funding to operate.
I can tell you that the painting is being removed today, by a pro carpenter. It will then at some point be sold to help pay for the 120k the club needs to keep going. The piece doesn't belong to the boxing club, does it? It might be vaguely near the boxing club but it's on the rear of the Council depot. If they remove it or sell it then they're liable to be committing theft unless they're doing so with the owner's permission. It'd be a pretty silly move to do so given they're reliant on Council funding to operate.
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Feral Things
Junior Member
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January 2012
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Mighty Mo Original Painting , by Feral Things on Apr 15, 2014 16:28:24 GMT 1, I think iamzero is referring to this thread which appears to be for a piece with an identical description but that thread also has an interesting comment from @mikeydread.
I think iamzero is referring to this thread which appears to be for a piece with an identical description but that thread also has an interesting comment from @mikeydread.
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Feral Things
Junior Member
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January 2012
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Your latest Art Purchase?, by Feral Things on Apr 15, 2014 16:25:22 GMT 1, Could someone please explain the process of posting a photo on here? I can't seem to figure it. Sorry if this is an often asked question. Alternatively, upload to Photobucket click on the link with a red box around it below and paste it into your post:
Could someone please explain the process of posting a photo on here? I can't seem to figure it. Sorry if this is an often asked question. Alternatively, upload to Photobucket click on the link with a red box around it below and paste it into your post:
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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New Banksy?, by Feral Things on Apr 14, 2014 18:45:21 GMT 1, Heard someone say the new piece is at Royal Arthur barracks in corsham over on fb. Dunno if that's true. If anyone's from corsham maybe they could shed some light. Definitely not HMS Royal Arthur, I'm afraid. Two fantastic pieces with something to say about politics and our personal lives. The composition and execution are fantastic.
Heard someone say the new piece is at Royal Arthur barracks in corsham over on fb. Dunno if that's true. If anyone's from corsham maybe they could shed some light. Definitely not HMS Royal Arthur, I'm afraid. Two fantastic pieces with something to say about politics and our personal lives. The composition and execution are fantastic.
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Getting a COA when living overseas, by Feral Things on Apr 14, 2014 9:26:48 GMT 1, If you drop it off in person you need to be conscious that they won't authenticate it there and then. You'll need to leave it with them which could be a problem if they haven't finished with it before you head back to Oz; I had a print which took 2 days to authenticate and another which took 9 months. Also, two trips up to the POW offices would take an unwanted chunk out of your trip. If you do decide to bring it across yourself then you'll need to check your travel insurance and baggage allowance to see if you're covered. I would suggest making sure the packing is pretty heavy duty.
If you do decide to post it then, assuming it's correctly marked, I wouldn't have thought there should be any duty because it's not being bought by someone in the UK. This is my assumption though and isn't based on any special knowledge or experience.
Whatever you decide, hope it does smoothly and you have a good trip to the UK.
If you drop it off in person you need to be conscious that they won't authenticate it there and then. You'll need to leave it with them which could be a problem if they haven't finished with it before you head back to Oz; I had a print which took 2 days to authenticate and another which took 9 months. Also, two trips up to the POW offices would take an unwanted chunk out of your trip. If you do decide to bring it across yourself then you'll need to check your travel insurance and baggage allowance to see if you're covered. I would suggest making sure the packing is pretty heavy duty.
If you do decide to post it then, assuming it's correctly marked, I wouldn't have thought there should be any duty because it's not being bought by someone in the UK. This is my assumption though and isn't based on any special knowledge or experience.
Whatever you decide, hope it does smoothly and you have a good trip to the UK.
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Stretching a canvas w/ artwork on it...advice needed, by Feral Things on Apr 11, 2014 17:41:57 GMT 1, Congratulations on the pick up; I bet the vintage canvas looks great. I knew C215 had mentioned painting on new canvas in an interview a few years back but have only just remembered who the interview was with. It was with Shooting Gallery and the whole interview is here but the relevant section was:
"Your stencils are never placed on a new canvas. In this show I see a lot of recycled materials, like cardboard and pieces of metal. Is this a way of bringing the aesthetic of the street into the gallery setting?
What is sure is that technically, spray paint (glycero) is not done to paint on canvasses. Canvasses are done for brushes, acrylic and oil painting. Spray paint is soon or later crackling on canvasses, because canvasses are constantly stretching while spray paint is not flexible. So I prefer to paint on hard surfaces. Anyway I don’t like canvasses. The white surface of a canvas is not neutral at all: it is somewhere written, invisible “here has to pop up Art.” There is no freedom nor artistic surprise at the end. I am not sure to be good at creating canvasses. My art is contextual. I like the streets because are they give me a context to interact with. I have the same feeling when painting on objects, at a smaller scale. When I find an object, like a luggage, a shoe shiner’s box, a cardboard piece or anything else, there are preexisting layers, colours and even function that I can interact with through my paintings to make sense. There is something more than the design I paint on. These objects are full of their own past, their own life, and they provide an imaginary field for emotions. That’s why these objects are sometimes compared to the streets, because they are, when mixed with a nice painting, adding something to it. Recycling is a big challenge in the period we live in. Unconsciously people know it. It is always moving to see an object with no interest nor value being turned into a piece of art. This is also the magic of Art: turning something without value into a little treasure."
Congratulations on the pick up; I bet the vintage canvas looks great. I knew C215 had mentioned painting on new canvas in an interview a few years back but have only just remembered who the interview was with. It was with Shooting Gallery and the whole interview is here but the relevant section was:
"Your stencils are never placed on a new canvas. In this show I see a lot of recycled materials, like cardboard and pieces of metal. Is this a way of bringing the aesthetic of the street into the gallery setting?
What is sure is that technically, spray paint (glycero) is not done to paint on canvasses. Canvasses are done for brushes, acrylic and oil painting. Spray paint is soon or later crackling on canvasses, because canvasses are constantly stretching while spray paint is not flexible. So I prefer to paint on hard surfaces. Anyway I don’t like canvasses. The white surface of a canvas is not neutral at all: it is somewhere written, invisible “here has to pop up Art.” There is no freedom nor artistic surprise at the end. I am not sure to be good at creating canvasses. My art is contextual. I like the streets because are they give me a context to interact with. I have the same feeling when painting on objects, at a smaller scale. When I find an object, like a luggage, a shoe shiner’s box, a cardboard piece or anything else, there are preexisting layers, colours and even function that I can interact with through my paintings to make sense. There is something more than the design I paint on. These objects are full of their own past, their own life, and they provide an imaginary field for emotions. That’s why these objects are sometimes compared to the streets, because they are, when mixed with a nice painting, adding something to it. Recycling is a big challenge in the period we live in. Unconsciously people know it. It is always moving to see an object with no interest nor value being turned into a piece of art. This is also the magic of Art: turning something without value into a little treasure."
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Cope2 🇺🇸 New York Graffiti • Fernando Carlo, by Feral Things on Apr 11, 2014 17:28:38 GMT 1, Hey guys just wanted to apologize for my questioning The way I'm reading your posts, it seems you were a little offended No, I wasn't offended at all. I took what you said as an honest question and was just trying to give an honest answer. Apologies if it came across differently.
Hey guys just wanted to apologize for my questioning The way I'm reading your posts, it seems you were a little offended No, I wasn't offended at all. I took what you said as an honest question and was just trying to give an honest answer. Apologies if it came across differently.
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Feral Things
Junior Member
Posts • 1,848
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January 2012
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Cope2 🇺🇸 New York Graffiti • Fernando Carlo, by Feral Things on Apr 11, 2014 13:27:51 GMT 1, Emile - I think you've answered your own question as to whether "...these comments [are] really the definition of homophobic?" in your following sentence when you say that "He's using the words "homo" and "faggot" as interchangable with "a**hole"."
Emile - I think you've answered your own question as to whether "...these comments [are] really the definition of homophobic?" in your following sentence when you say that "He's using the words "homo" and "faggot" as interchangable with "a**hole"."
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