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All HYPE or REAL talent?, by Feral Things on Nov 12, 2014 17:18:36 GMT 1, you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. While I agree with the vast majority of what you've said on this thread I think it's only fair to point out that I don't think this generalisation applies to a lot of forum members, certainly not the forum members that I know anyway.
you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. While I agree with the vast majority of what you've said on this thread I think it's only fair to point out that I don't think this generalisation applies to a lot of forum members, certainly not the forum members that I know anyway.
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pollz66
New Member
🗨️ 321
👍🏻 199
May 2008
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All HYPE or REAL talent?, by pollz66 on Nov 12, 2014 17:19:59 GMT 1, real/good artists dont need hype
It's not about creating hype, it's about controlling it.
Real/good artists think they don't need hype. Or they don't understand its value.
There's a world of failed geniuses out there that no-one's heard of.
real/good artists dont need hype It's not about creating hype, it's about controlling it. Real/good artists think they don't need hype. Or they don't understand its value. There's a world of failed geniuses out there that no-one's heard of.
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otomi
Junior Member
🗨️ 1,805
👍🏻 169
July 2007
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All HYPE or REAL talent?, by otomi on Nov 12, 2014 17:22:42 GMT 1, Rothko was promoted by the CIA and millions of dollars and now we have put people in prison for writing on a Rothko. ### OK? Wei wei is promoted as a political tool by the west as well. ###I feel "the west" does everything it can to not call out China on what it is. I find Wei Wei's shows great in every aspect. Great art with a great meaning. The pieces about the earthquake are terrific. Picasso copied every artist under the sun in his early career and plenty of other artists of that erar made similar looking primitive art but Picasso had the name, it was saleable. van Gogh wa signored by all the galleries and dealers and only after he died that his paintings became valuable. ### If it is salable people like it and most artists are happy about it. The art market comes after that. Millions of people go to see his work and no one forces them and they are not dumb sheep. Watch Picaso paint he is a master. (there is a movie forgot the name) He can create a whole world with a few strokes. Same happens today with dealers buying up all the art and paintings made by recently dead artists and manipulating the market to push prices up and therefore turning their name into someone who is important in the realm of art and art history. ###That might happen but if you only buy what you like it's not your problem. Tate modern has a lot of Junk and it's in tate modern only because it is or has been sold at auction for very high prices. ###It's a business and it probably works for them as they can sell those things later for more money, because once it's in the Tate it's worth even more.In a fictional parallel universe, Lets say Banksy made stencils on walls in the style of Blek and no one bought it and Banksy never met Hirst. ###His life until 2004. People still liked it and picked him over others. No one had to buy a bar code print but people did, without anyone telling them it's a great investmentLets say that Banksy continued making stencils on walls now and then and he wa signored by the media etc and twenty years later he still sells his canvased down the pub for fifty quid or décorâtes a cafe wall wit a canvas stencil and has got no farther than that. ###He probably would have stopped and got some other job. I'm glad he didn't. Now even though he still makes the art on walls but no one is interested. Does it mean he has the same effect and place in art history in a parallel universe? Or does a place in art history depend on how many people buy into your particular brand of art and promotion? ###What point are you making here? If Banksy would be an unknown artist no one would know him? There are thousand of unknown artists maybe for a reason maybe not. In may neighborhood there are many street artist that do their thing for many years now but they are not as prolific, good or interested in becoming known. Of course it depends on how many people buy into your brand of art - literally and figuratively. I do think first comes interest by people and then comes the art market.
Rothko was promoted by the CIA and millions of dollars and now we have put people in prison for writing on a Rothko. ### OK? Wei wei is promoted as a political tool by the west as well. ###I feel "the west" does everything it can to not call out China on what it is. I find Wei Wei's shows great in every aspect. Great art with a great meaning. The pieces about the earthquake are terrific. Picasso copied every artist under the sun in his early career and plenty of other artists of that erar made similar looking primitive art but Picasso had the name, it was saleable. van Gogh wa signored by all the galleries and dealers and only after he died that his paintings became valuable. ### If it is salable people like it and most artists are happy about it. The art market comes after that. Millions of people go to see his work and no one forces them and they are not dumb sheep. Watch Picaso paint he is a master. (there is a movie forgot the name) He can create a whole world with a few strokes. Same happens today with dealers buying up all the art and paintings made by recently dead artists and manipulating the market to push prices up and therefore turning their name into someone who is important in the realm of art and art history. ###That might happen but if you only buy what you like it's not your problem. Tate modern has a lot of Junk and it's in tate modern only because it is or has been sold at auction for very high prices. ###It's a business and it probably works for them as they can sell those things later for more money, because once it's in the Tate it's worth even more.In a fictional parallel universe, Lets say Banksy made stencils on walls in the style of Blek and no one bought it and Banksy never met Hirst. ###His life until 2004. People still liked it and picked him over others. No one had to buy a bar code print but people did, without anyone telling them it's a great investmentLets say that Banksy continued making stencils on walls now and then and he wa signored by the media etc and twenty years later he still sells his canvased down the pub for fifty quid or décorâtes a cafe wall wit a canvas stencil and has got no farther than that. ###He probably would have stopped and got some other job. I'm glad he didn't. Now even though he still makes the art on walls but no one is interested. Does it mean he has the same effect and place in art history in a parallel universe? Or does a place in art history depend on how many people buy into your particular brand of art and promotion? ###What point are you making here? If Banksy would be an unknown artist no one would know him? There are thousand of unknown artists maybe for a reason maybe not. In may neighborhood there are many street artist that do their thing for many years now but they are not as prolific, good or interested in becoming known. Of course it depends on how many people buy into your brand of art - literally and figuratively. I do think first comes interest by people and then comes the art market.
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natstan
Junior Member
🗨️ 1,807
👍🏻 1,128
March 2013
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All HYPE or REAL talent?, by natstan on Nov 12, 2014 17:35:44 GMT 1, Yes, well noted. But that's precisely the point of my post. i wish to learn and find out what is the draw to his works (and some of those masters mentioned). If I listen to those points and agree from the bottom of my heart, no doubt I will begin to look at what he do with an open mind from now on. If it doesn't convince me, at least I know what is happening in other fans' minds and walk away quietly. Maybe you can first start to share what you think of his works, even though you might not be that big on street art in general? Best advice I can give is to read as many essays or articles about his work you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. This forum is great for what it is and for market speculation, learning about collecting and how to buy these prints there is no better place to get up to speed on the buying and value aspect of street art but you need to do outside research to really learn about the artform without a bias from people who own or are trying to flip the work. I will say invader's power lays in the act of painting in the street, consistently representing the act and repition of illegally placing these pieces in public. Aesthetically and conceptually you can read different perspectives, but I appreciate his ability to use the street and the act of illegally placing his work consistently even he doesn't have to. There are far better and brighter artists but there is the rare original and real authentic thing, Invader is that. Yet that doesn't mean he is what you like, thats the beauty of today there are plenty of others who are also genuine and represent something important that you might like.
I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough.
With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself.
I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily.
But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days
An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too.
So far, only banksy and kaws (in street or urban art) has all three.
Yes, well noted. But that's precisely the point of my post. i wish to learn and find out what is the draw to his works (and some of those masters mentioned). If I listen to those points and agree from the bottom of my heart, no doubt I will begin to look at what he do with an open mind from now on. If it doesn't convince me, at least I know what is happening in other fans' minds and walk away quietly. Maybe you can first start to share what you think of his works, even though you might not be that big on street art in general? Best advice I can give is to read as many essays or articles about his work you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. This forum is great for what it is and for market speculation, learning about collecting and how to buy these prints there is no better place to get up to speed on the buying and value aspect of street art but you need to do outside research to really learn about the artform without a bias from people who own or are trying to flip the work. I will say invader's power lays in the act of painting in the street, consistently representing the act and repition of illegally placing these pieces in public. Aesthetically and conceptually you can read different perspectives, but I appreciate his ability to use the street and the act of illegally placing his work consistently even he doesn't have to. There are far better and brighter artists but there is the rare original and real authentic thing, Invader is that. Yet that doesn't mean he is what you like, thats the beauty of today there are plenty of others who are also genuine and represent something important that you might like. I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough. With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself. I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily. But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too. So far, only banksy and kaws (in street or urban art) has all three.
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All HYPE or REAL talent?, by graffuturism on Nov 12, 2014 17:42:10 GMT 1, you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. While I agree with the vast majority of what you've said on this thread I think it's only fair to point out that I don't think this generalisation applies to a lot of forum members, certainly not the forum members that I know anyway. Of course, I know there are some very knowledgeable members here but most of the real content is erased so fast at times by the more common threads. I have learned plenty in here I just think with the current format and traffic of sale and print release threads, its tough to get a good grasp for people looking for the real info sometimes.
you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. While I agree with the vast majority of what you've said on this thread I think it's only fair to point out that I don't think this generalisation applies to a lot of forum members, certainly not the forum members that I know anyway. Of course, I know there are some very knowledgeable members here but most of the real content is erased so fast at times by the more common threads. I have learned plenty in here I just think with the current format and traffic of sale and print release threads, its tough to get a good grasp for people looking for the real info sometimes.
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Sweetcorn
New Member
🗨️ 984
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January 2013
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All HYPE or REAL talent?, by Sweetcorn on Nov 12, 2014 19:16:46 GMT 1, I have to disagree with most of what you said but Ill stick to the Space invader and Banksy comments, I am not a fan of Street art and prefer many artists to Banksy or Invader. That being said if you are honest with yourself and understand the genre's history you have to give both these artists their due regardless if you like or appreciate their work. As with many of artists and movement there have always been artists who define the genre for a reason. The reason you are missing this point is that both artists are actively engaged in the real power of street art and that is in the street. Whatever issue you have with the message, the aesthetics, or the concept, you have to always take into account the amount of work both have done on the streets in order for their work to be considered authentic in my opinion. I am not saying Blek isn't important, but I am saying Banksy is more important due to the amount of work ane influence he has done in the street and studio. He outworked most artists and was a huge influence on many. Its not always about who came first, its usually about who mattered most and why. Why both Invader and Banksy matter is because they are well rounded working equally in the street and studio. The power of the act should not be overlooked, anyone can make an invader and he sells kits so you can DIY. But can you make the same amount of impact in the street as he did? Invader is everywhere you go when you visit France and he also has done a decent amount of work around the world, this is the power of invader not his aesthetic or conceptual mastery of art. This is the power really of the best street artists in my opinion. I'm no rocket scientist but think Banksy is 75%hype and 25% talent and his sayings about rats and how they live etc is very very similar to what Blek said about rats and other similarities between Bank$y and Blek too.
So no I doub't Banksy is that great an influence on graffiti and street art.
Banksy's schoolboy humour appeals to many who find it witty and read into it meanings which are convenient for them.
Invader just ripped off space invaders and stuck em on walls using square tiles as it was easier than painting them anyway.
It was ok and fun and quirky but how long can you keep doing the same thing for and making unimaginative tile shaped prints based on Bowie and other icons?
It's a gimmick and nothing more.
You might not be a rocket scientist but you are a moron.
I have to disagree with most of what you said but Ill stick to the Space invader and Banksy comments, I am not a fan of Street art and prefer many artists to Banksy or Invader. That being said if you are honest with yourself and understand the genre's history you have to give both these artists their due regardless if you like or appreciate their work. As with many of artists and movement there have always been artists who define the genre for a reason. The reason you are missing this point is that both artists are actively engaged in the real power of street art and that is in the street. Whatever issue you have with the message, the aesthetics, or the concept, you have to always take into account the amount of work both have done on the streets in order for their work to be considered authentic in my opinion. I am not saying Blek isn't important, but I am saying Banksy is more important due to the amount of work ane influence he has done in the street and studio. He outworked most artists and was a huge influence on many. Its not always about who came first, its usually about who mattered most and why. Why both Invader and Banksy matter is because they are well rounded working equally in the street and studio. The power of the act should not be overlooked, anyone can make an invader and he sells kits so you can DIY. But can you make the same amount of impact in the street as he did? Invader is everywhere you go when you visit France and he also has done a decent amount of work around the world, this is the power of invader not his aesthetic or conceptual mastery of art. This is the power really of the best street artists in my opinion. I'm no rocket scientist but think Banksy is 75%hype and 25% talent and his sayings about rats and how they live etc is very very similar to what Blek said about rats and other similarities between Bank$y and Blek too.
So no I doub't Banksy is that great an influence on graffiti and street art.
Banksy's schoolboy humour appeals to many who find it witty and read into it meanings which are convenient for them.
Invader just ripped off space invaders and stuck em on walls using square tiles as it was easier than painting them anyway.
It was ok and fun and quirky but how long can you keep doing the same thing for and making unimaginative tile shaped prints based on Bowie and other icons?
It's a gimmick and nothing more.
You might not be a rocket scientist but you are a moron.
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johnnyh
Junior Member
🗨️ 4,492
👍🏻 2,102
March 2011
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All HYPE or REAL talent?, by johnnyh on Nov 12, 2014 20:02:09 GMT 1, Best advice I can give is to read as many essays or articles about his work you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. This forum is great for what it is and for market speculation, learning about collecting and how to buy these prints there is no better place to get up to speed on the buying and value aspect of street art but you need to do outside research to really learn about the artform without a bias from people who own or are trying to flip the work. I will say invader's power lays in the act of painting in the street, consistently representing the act and repition of illegally placing these pieces in public. Aesthetically and conceptually you can read different perspectives, but I appreciate his ability to use the street and the act of illegally placing his work consistently even he doesn't have to. There are far better and brighter artists but there is the rare original and real authentic thing, Invader is that. Yet that doesn't mean he is what you like, thats the beauty of today there are plenty of others who are also genuine and represent something important that you might like. I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough. With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself. I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily. But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too. So far, only banksy and kaws (in street or urban art) has all three. Think your just highlighting your lack of knowledge here. Have a look at OS Gemeos for example. Not really a street artist but did do some street work Adam Neate or Connor Harrington to name a couple who will be around for a long while there are plenty.
i would actually say Banksy made it with very little help or hype. The hype as you and ploppi like to call it to a certain extent happened after he had made it. Where is all the hype I actually see very little hype for Banksy, Invader, OS Gemeos, Connor Harrington etc the odd bit of promotion when doing a show etc but no great hype as it were. Banksy could be getting hype daily but he doesn't enter into it.
I love the fact that you say its luck, hype knowing someone ......have you ever considered the better you are the luckier you get!!!
Best advice I can give is to read as many essays or articles about his work you will be suprised how much you can learn outside of a Forum where everyone is more concerned with obtaining the print than understanding it. This forum is great for what it is and for market speculation, learning about collecting and how to buy these prints there is no better place to get up to speed on the buying and value aspect of street art but you need to do outside research to really learn about the artform without a bias from people who own or are trying to flip the work. I will say invader's power lays in the act of painting in the street, consistently representing the act and repition of illegally placing these pieces in public. Aesthetically and conceptually you can read different perspectives, but I appreciate his ability to use the street and the act of illegally placing his work consistently even he doesn't have to. There are far better and brighter artists but there is the rare original and real authentic thing, Invader is that. Yet that doesn't mean he is what you like, thats the beauty of today there are plenty of others who are also genuine and represent something important that you might like. I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough. With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself. I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily. But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too. So far, only banksy and kaws (in street or urban art) has all three. Think your just highlighting your lack of knowledge here. Have a look at OS Gemeos for example. Not really a street artist but did do some street work Adam Neate or Connor Harrington to name a couple who will be around for a long while there are plenty. i would actually say Banksy made it with very little help or hype. The hype as you and ploppi like to call it to a certain extent happened after he had made it. Where is all the hype I actually see very little hype for Banksy, Invader, OS Gemeos, Connor Harrington etc the odd bit of promotion when doing a show etc but no great hype as it were. Banksy could be getting hype daily but he doesn't enter into it. I love the fact that you say its luck, hype knowing someone ......have you ever considered the better you are the luckier you get!!!
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Deleted
🗨️ 0
👍🏻
January 1970
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All HYPE or REAL talent?, by Deleted on Nov 12, 2014 20:19:26 GMT 1, "lady luck happens to follow those that work the hardest"
"lady luck happens to follow those that work the hardest"
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natstan
Junior Member
🗨️ 1,807
👍🏻 1,128
March 2013
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 1:05:25 GMT 1, I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough. With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself. I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily. But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too. So far, only banksy and kaws (in street or urban art) has all three. Think your just highlighting your lack of knowledge here. Have a look at OS Gemeos for example. Not really a street artist but did do some street work Adam Neate or Connor Harrington to name a couple who will be around for a long while there are plenty. i would actually say Banksy made it with very little help or hype. The hype as you and ploppi like to call it to a certain extent happened after he had made it. Where is all the hype I actually see very little hype for Banksy, Invader, OS Gemeos, Connor Harrington etc the odd bit of promotion when doing a show etc but no great hype as it were. Banksy could be getting hype daily but he doesn't enter into it. I love the fact that you say its luck, hype knowing someone ......have you ever considered the better you are the luckier you get!!!
Johnny boy, read again what I wrote, 'have you considered the better you are the luckier you get'' is exactly what i infer - luck and talent also go hand in hand. Don't let your weak comprehension confuse yourself.
Are you a publicist yourself, just like the way you imagine youself as a lawyer on copyright issues on the other thread? You talk like you are. Branding, marketing and hyping happens for almost every product, services and even people out there - it is a fact. It is essential an artist knows how to push his name out as well as being good at what he does these days. And just like I said, all three factors (talent, hype and a little bit of luck) then work in conjunction to propel the name into the mass consumers' minds and define HUGE global success, not the kind of little victories you are thinking of.
The fact you know of those artists in your own little virtual world you mentioned doesn't mean they will go down important in art history. I might be wrong but time will tell.
I might be relatively new here, but I (and I'm sure many other members here) am constantly learning and I am always receptive to constructive feedback as I already mentioned earlier. I make comments based on the best of my own knowledge on the subject and never once did I say I am always right (I make sure I indicate everything I said is my own personal view almost everytime). As I have stressed time and again, you like to believe only what you chose to believe and enjoys lowering my opinions while elevating your own. You may be a 5 star member here, but your disregard or simply lack of respect for input from members with lesser stars really leaves a bad taste in the mouth. You are worth less than a star in my books, and it's people like you who drives new members away. Take a lesson from members like Graffuturism and otomi - people who really answered my question.
And you know why I added 'boy' to your name? Cause only my nephew, who is all of 7 years old, will shout 'you are an idiot' complete with exclamations when he is angry.
I don't look into street art (or urban art) as anything more complex than it is. The below is my own opinion and probably many people will hate me for saying this but the fact is graffitti began as an illegal activity in the first place. There are just too many out there who are just riding the waves and making money by doing what is 'easy' and lucrative. Big money it isn't though but good enough. With the exception of Banksy, I doubt many urban artists, even Invader, will be remembered long after we are gone. And one of the most compelling reasons he does it better than most is his ability to hype his own existence, be controversial and, while doing that, create a celebrity status for himself. I'm not saying he is not talented - his unique talent lies in creative thinking imo - imagining and putting down images which people wouldn't normally think of. The images are usually simpleand very grassroots, but tha's probably why it brings about a deep emotion inside of the everyday man, making one go 'I didn't know a message can be expressed by using imagery like this!' I am not able to see that in Invader that easily. But would pure talent survive without hype? And without one of the most important element - luck? No. In fact, I think this thread should be renamed ''Hype? Real talent? Luck?' One cannot do without the other two these days An artist can have talent. But we have also seen so many technically proficient artists never getting the recognition they deserve. Hype (or marketing and branding as we shall call it in business terms) is then extremely important for throwing the name out under the radar at least. And whether one succeeds in a highly competitive and informative global environment these days is totally left to pure luck. Knowing or winning the support of the right people helps tremendously too. So far, only banksy and kaws (in street or urban art) has all three. Think your just highlighting your lack of knowledge here. Have a look at OS Gemeos for example. Not really a street artist but did do some street work Adam Neate or Connor Harrington to name a couple who will be around for a long while there are plenty. i would actually say Banksy made it with very little help or hype. The hype as you and ploppi like to call it to a certain extent happened after he had made it. Where is all the hype I actually see very little hype for Banksy, Invader, OS Gemeos, Connor Harrington etc the odd bit of promotion when doing a show etc but no great hype as it were. Banksy could be getting hype daily but he doesn't enter into it. I love the fact that you say its luck, hype knowing someone ......have you ever considered the better you are the luckier you get!!! Johnny boy, read again what I wrote, 'have you considered the better you are the luckier you get'' is exactly what i infer - luck and talent also go hand in hand. Don't let your weak comprehension confuse yourself. Are you a publicist yourself, just like the way you imagine youself as a lawyer on copyright issues on the other thread? You talk like you are. Branding, marketing and hyping happens for almost every product, services and even people out there - it is a fact. It is essential an artist knows how to push his name out as well as being good at what he does these days. And just like I said, all three factors (talent, hype and a little bit of luck) then work in conjunction to propel the name into the mass consumers' minds and define HUGE global success, not the kind of little victories you are thinking of. The fact you know of those artists in your own little virtual world you mentioned doesn't mean they will go down important in art history. I might be wrong but time will tell. I might be relatively new here, but I (and I'm sure many other members here) am constantly learning and I am always receptive to constructive feedback as I already mentioned earlier. I make comments based on the best of my own knowledge on the subject and never once did I say I am always right (I make sure I indicate everything I said is my own personal view almost everytime). As I have stressed time and again, you like to believe only what you chose to believe and enjoys lowering my opinions while elevating your own. You may be a 5 star member here, but your disregard or simply lack of respect for input from members with lesser stars really leaves a bad taste in the mouth. You are worth less than a star in my books, and it's people like you who drives new members away. Take a lesson from members like Graffuturism and otomi - people who really answered my question. And you know why I added 'boy' to your name? Cause only my nephew, who is all of 7 years old, will shout 'you are an idiot' complete with exclamations when he is angry.
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All HYPE or REAL talent?, by Lunch Special on Nov 13, 2014 4:24:47 GMT 1, The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth.
Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists.
Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art.
Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy.
I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts?
The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth.
Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists.
Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art.
Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy.
I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts?
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johnnyh
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All HYPE or REAL talent?, by johnnyh on Nov 13, 2014 4:40:38 GMT 1, I would suggest you spend a bit less time writing crap and a bit more time looking at the artists mentioned and you might realise what good street artists are!!
you might want to stop trying to be clever!!!
eg Banksy successful by hyping his own existence...how exactly ..support the claim ?
Take a look at the artists mentioned think you will then realise that they have already been around for a long while and will continue to be around for a long while based on their work not hype.
Graff highlighted the status of Invader and his importance in and to Street art. You might want to take a look and take a look at him and other artists in a bit more depth to understand and see why people think this
not everything is a 10 second sound bite. Bit less of the insults might also help
Little bit of of matururity goes a long way
I would suggest you spend a bit less time writing crap and a bit more time looking at the artists mentioned and you might realise what good street artists are!! you might want to stop trying to be clever!!! eg Banksy successful by hyping his own existence...how exactly ..support the claim ? Take a look at the artists mentioned think you will then realise that they have already been around for a long while and will continue to be around for a long while based on their work not hype. Graff highlighted the status of Invader and his importance in and to Street art. You might want to take a look and take a look at him and other artists in a bit more depth to understand and see why people think this not everything is a 10 second sound bite. Bit less of the insults might also help Little bit of of matururity goes a long way
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natstan
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 4:46:24 GMT 1, The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts?
Fact is, none of us ever know whether the artist is creating any publicity or hype for himself other than himself. Making a documentary (and getting it submitted for Oscars), getting into NY and creating interest before BOTI on his website (knowing the number of people who visits it) feeds into the publicity engine for banksy in my opinion. If not, why does he have to do it? It is to drum up and increase one's exposure. But that's only if you possess talent and creates good works in the place. Even the best talent needs to brand himself to get his name known to a wider audience.
Object if you disagree.
The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Fact is, none of us ever know whether the artist is creating any publicity or hype for himself other than himself. Making a documentary (and getting it submitted for Oscars), getting into NY and creating interest before BOTI on his website (knowing the number of people who visits it) feeds into the publicity engine for banksy in my opinion. If not, why does he have to do it? It is to drum up and increase one's exposure. But that's only if you possess talent and creates good works in the place. Even the best talent needs to brand himself to get his name known to a wider audience. Object if you disagree.
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natstan
Junior Member
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 4:47:47 GMT 1, I would suggest you spend a bit less time writing crap and a bit more time looking at the artists mentioned and you might realise what good street artists are!! think you will then realise that they have already been around for a long while and will continue to be around for a long while based on their work not hype. Graff highlighted the status of Invader and hids importance in and to Street art. You might want to take a look and take a look at him and other artists in a bit more depth. not everything is a 10 second sound bite. Little bit of of matururity goes a long way
Go sleep, boy.
I would suggest you spend a bit less time writing crap and a bit more time looking at the artists mentioned and you might realise what good street artists are!! think you will then realise that they have already been around for a long while and will continue to be around for a long while based on their work not hype. Graff highlighted the status of Invader and hids importance in and to Street art. You might want to take a look and take a look at him and other artists in a bit more depth. not everything is a 10 second sound bite. Little bit of of matururity goes a long way Go sleep, boy.
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johnnyh
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All HYPE or REAL talent?, by johnnyh on Nov 13, 2014 4:52:05 GMT 1,
the term "boy" also has connotations as a racist slur. So happy for you to call daft names if that's your things but please choose your insults better and use those that don't have racist over tones
the term "boy" also has connotations as a racist slur. So happy for you to call daft names if that's your things but please choose your insults better and use those that don't have racist over tones
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natstan
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 4:57:45 GMT 1, the term "boy" also has connotations as a racist slur. So happy for you to call daft names if that's your things but please choose your insults better and use those that don't have racist over tones
That's probably what you only know what to say in your posts. All imaginative and no real substance
the term "boy" also has connotations as a racist slur. So happy for you to call daft names if that's your things but please choose your insults better and use those that don't have racist over tones That's probably what you only know what to say in your posts. All imaginative and no real substance
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johnnyh
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All HYPE or REAL talent?, by johnnyh on Nov 13, 2014 5:04:02 GMT 1, Duhh...... "I did, I did...I called him boy and said go to sleep boy....he he aren't I clever!!"
Duhh...... "I did, I did...I called him boy and said go to sleep boy....he he aren't I clever!!"
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natstan
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 5:09:49 GMT 1, Duhh...... "I did, I did...I called him boy and said go to sleep boy....he he aren't I clever!!"
Don't be so childish, which you had brilliantly displayed here. We all know that. Let's get back on topic.
Duhh...... "I did, I did...I called him boy and said go to sleep boy....he he aren't I clever!!" Don't be so childish, which you had brilliantly displayed here. We all know that. Let's get back on topic.
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Deleted
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January 1970
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All HYPE or REAL talent?, by Deleted on Nov 13, 2014 7:50:57 GMT 1, God, boys will be boys !!!!!!!!!! (note the use of 10 exclamation marks to show support to nephews being called idiots, never let down family)
Back on topic, whatever people said, at the end, it's all about artist being promoted and thus hyped by an inner circle of people in art business. And don't forget also that art is one the most unregulated business after trading and thus full of shady practices and shady sales organised by pseudo-philanthropist entrepreneurs who are mostly working in trading and banks (and we are going back full circle).
But then as someone says before, there are plenty of unknown artist selling in auctions at crazy prices that we never heard of... and you wonder if there is really an interest for the work or if it is just arranged to maintain steady prices.
God, boys will be boys !!!!!!!!!! (note the use of 10 exclamation marks to show support to nephews being called idiots, never let down family)
Back on topic, whatever people said, at the end, it's all about artist being promoted and thus hyped by an inner circle of people in art business. And don't forget also that art is one the most unregulated business after trading and thus full of shady practices and shady sales organised by pseudo-philanthropist entrepreneurs who are mostly working in trading and banks (and we are going back full circle).
But then as someone says before, there are plenty of unknown artist selling in auctions at crazy prices that we never heard of... and you wonder if there is really an interest for the work or if it is just arranged to maintain steady prices.
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natstan
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 8:21:06 GMT 1, The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts?
Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks?
That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really?
The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really?
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johnnyh
Junior Member
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All HYPE or REAL talent?, by johnnyh on Nov 13, 2014 9:09:44 GMT 1, Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype.
Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear.
Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype.
Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear.
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natstan
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 9:12:20 GMT 1, Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype. Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear.
As I say, your measure of what is really great success is really...er... low. I hope you are not a businessman also... Your so-called arguements are getting lamer by the day.
Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype. Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear. As I say, your measure of what is really great success is really...er... low. I hope you are not a businessman also... Your so-called arguements are getting lamer by the day.
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Deleted
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January 1970
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All HYPE or REAL talent?, by Deleted on Nov 13, 2014 9:18:27 GMT 1, The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? Id guess 99% of artists would jump at the chance to be supported, exhibited and marketed by galleries, its easy for people to bitch and moan about galleries being greedy etc etc but most artists want their work to be seen by as many people as possible, galleries help make that happen, i get approached by a lot of artists every week, theres millions of artists and only a small fraction are showing in galleries, the hardest thing for an artist is getting into galleries, competition for wall space is tough, once an artist is exhibiting in 1 gallery their chances of exhibiting in others greatly increases. In general the 2 work hand in hand, galleries wouldnt exist without artists and many artists wouldnt be able to make a living doing what they love without galleries, there are of course a few exceptions, most collectors look at galleries to see what work they are showing, running a gallery isnt as easy as many think, sit back and scavenge off the talented artists, 60% of galleries have closed in ireland in the last 5 years. The 2 go hand in hand generally.
The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? Id guess 99% of artists would jump at the chance to be supported, exhibited and marketed by galleries, its easy for people to bitch and moan about galleries being greedy etc etc but most artists want their work to be seen by as many people as possible, galleries help make that happen, i get approached by a lot of artists every week, theres millions of artists and only a small fraction are showing in galleries, the hardest thing for an artist is getting into galleries, competition for wall space is tough, once an artist is exhibiting in 1 gallery their chances of exhibiting in others greatly increases. In general the 2 work hand in hand, galleries wouldnt exist without artists and many artists wouldnt be able to make a living doing what they love without galleries, there are of course a few exceptions, most collectors look at galleries to see what work they are showing, running a gallery isnt as easy as many think, sit back and scavenge off the talented artists, 60% of galleries have closed in ireland in the last 5 years. The 2 go hand in hand generally.
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natstan
Junior Member
🗨️ 1,807
👍🏻 1,128
March 2013
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 10:12:22 GMT 1, Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype. Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear.
'There is a difference between promotion and hype' - dictionary.reference.com/browse/hype
www.macmillandictionary.com/dictionary/british/hype_4
Nope, there is basically none. Nobody promotes without flowery language either. Time to go back to business school.
Errrm so what do you expect Connor Harrington to do stay at home and do a show in his living room, use a smaller gallery etc etc. there is a difference between promotion and Hype. Connor Harrington has worked his arse off for years and built his rep up long before his last show etc. Connor Harrington does not need Lazarides to move him up the ranks he is moving up the ranks quite well on his own. One could suggest they need him more for their profile these days more than he needs them So sorry you really are just talking out of your rear. 'There is a difference between promotion and hype' - dictionary.reference.com/browse/hypewww.macmillandictionary.com/dictionary/british/hype_4Nope, there is basically none. Nobody promotes without flowery language either. Time to go back to business school.
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Dr Plip
Junior Member
🗨️ 7,043
👍🏻 8,981
August 2011
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All HYPE or REAL talent?, by Dr Plip on Nov 13, 2014 10:22:08 GMT 1, So are Baked Beans hyped or advertised?
So are Baked Beans hyped or advertised?
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natstan
Junior Member
🗨️ 1,807
👍🏻 1,128
March 2013
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 10:33:11 GMT 1, So are Baked Beans hyped or advertised?
Good that you mentioned. Baked beans are commodities with little differentiation factors. What makes you choose brand X versus Y? They could essentially be the same, or their difference are too subtle to be noticed by consumers. Different brands then got to hype up their own products in their advertisements so that people take notice and choose their brand. You see that all the time on TV, as with millions of other products.
Is that product good? Maybe. Or yes it is. But out of so many choices around us, which one gets our attention? The ones that drums up its product's features the most.
Does that sound logical? Ha...
So are Baked Beans hyped or advertised? Good that you mentioned. Baked beans are commodities with little differentiation factors. What makes you choose brand X versus Y? They could essentially be the same, or their difference are too subtle to be noticed by consumers. Different brands then got to hype up their own products in their advertisements so that people take notice and choose their brand. You see that all the time on TV, as with millions of other products. Is that product good? Maybe. Or yes it is. But out of so many choices around us, which one gets our attention? The ones that drums up its product's features the most. Does that sound logical? Ha...
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Poesia
New Member
🗨️ 114
👍🏻 163
July 2013
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All HYPE or REAL talent?, by Poesia on Nov 13, 2014 10:33:51 GMT 1, The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really? I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early.
I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art.
I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history.
The fact that you entertain the thought of artists not being around after you or anyone else is gone is so far from the truth. Banksy did not and does nto create hype. He generates momentum towards his works. What you say comes form people like ... who call it hype and feed into the greed that fuels the hype is so far fetched when you start calling out artists. Truth is, I truly believe most of the artists mentioned and those not, truly do it for the love of what they do. Invader has been arrested multiple times but continues to invade the streets and put up mosaics. What hype does he create there when he is putting up free art for the public? The guy who takes it is creating the hype, cause now the street piece became a rare and desirable piece of art. Banksy puts up a piece in response to a current event, a cause close to his same ideology, a statement about something he either agrees or disagrees with or just wants to take a piss on something. Where in as Connor Harrington and others mentioned are not street artists or graffiti writers out to provoke thought, they are artists who saw an opportunity and seized it by using legal walls to recreate images from canvases to walls for others to enjoy. I totally disagree with the statements made about Martin Whatson by neatemichael. I have been a buyer and supporter of Martin's work since the first ever print release with edgeart titled: " All White " I then began to sees his work on the ctrl84 site and I ended up buying protest, ticket, photographer(x2) , eternal reflection and a few others. ( Cost from source i might add )I feel like Martin progressed from just doing the stencil thing to adding the oversprays and embellishments. Question: Are you a fan of Dolk and not Martin Whatson? Is it because the value of Martin's work isnt commanding the same as Dolk? TBH, Dolk is just as talented as any other stencil artist using images found on the net and recreating them to his unique style. Is this what you would call derivative or is it sort of like what MBW does but only not him doing it? Thoughts? Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really? I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early. I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art. I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history.
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natstan
Junior Member
🗨️ 1,807
👍🏻 1,128
March 2013
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All HYPE or REAL talent?, by natstan on Nov 13, 2014 10:37:50 GMT 1, Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really? I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early. I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art. I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history.
I have no problems with talented artists getting hyped either, if I made my point clear.
Do you not think even the talented conor harrington relishes the fact that he has the support and marketing power of lazarides to move him up the ranks? That's what I'm driving at. You need to be talented at what you do, but without a support network, there is a limit to your success (of course success is how you define it). Hyping, marketing or whatever you call it, is part of that support network more often than not. Does steve jobs not used to hype or boast of his latest products, even when it is already universally loved? And how does a touch of good luck comes into play? By meeting the right people, being at the right place at the right time or chancing upon a style (or maybe even that style already comes naturally) which can be universally understood and accepted by most etc. What I'm saying is I can see only banksy and kaws having greater chances of being remembered by most as they fulfilled those requirements. There will be others to rise from the ranks, but what do we know, really? I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early. I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art. I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history. I have no problems with talented artists getting hyped either, if I made my point clear.
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Poesia
New Member
🗨️ 114
👍🏻 163
July 2013
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All HYPE or REAL talent?, by Poesia on Nov 13, 2014 10:41:33 GMT 1, I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early. I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art. I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history. I have no problems with artists getting hyped either, if I made my point clear. I didnt read all the points of view but I was more addressing the general tone of many responses not just yours, I quoted you mainly for your last statement about Kaws and banksy being remembered only.
I dont get why people are so concerned with an artist Hyping, marketing, working, sharing, and exhibiting their work or saying that Hype builds art. Artists paint and in todays society artists do all of the things above as well as you have stated. This is something normal, the issue maybe is when something catches on it seems as overhyped but that is a product of success. Would you rather buy an artists work who produced great work and kept it all to himself and his collectors, arent the collected and patrons who initially buy into an artist also benefited when an artists name grows. So as this board is full of collectors isnt that a good thing for you and the artist? Or is this a chance to bash an artist and normal marketing practices because you might have came late to the party. Nothing comes easy and Luck has alot to do with things as a collector and artist, saying artists are all Hype is hating in my opinion if there is a general consensus the artwork is good. Meaning if Banksy's work is considered good by street art standards say compared to MBW whos work many have said is not good by street art standards, what does the marketing have to do with the whole picture. Both equally Hype and market their work one is bad and one is good, the hype equally effects them yet in one case people are duped into buying bad art and the other people happy they collected Banksy early. I dont see anything wrong with artists hyping or getting hyped because the artwork created is not effected and the artwork will always be bad or good. Yes an artist can be seen as successful but time will not be as kind to the untalented versus the real talent. Show me a case in the last 50 years where a bad artist has gained recognition strictly due to hype, I cant name one yet I can name many who in there days were considered successful yet fell off the face of the earth. The real issue is people look and buy into the Hype instead of looking and buying into the Art. I have to disagree also that only Kaws and Banksy will be remembered because they have certain qualities. There are 3 major ways to be remembered in todays age, maybe more but Ill focus on 3 Canonization by the academic and inclusion in the institutional Musuems, the Market, and the emerging Social/Media/Public acceptance much like a celebrity. For myself being remembered will depend on varying success in all 3 of these areas but the Market alone can create stars the same way academics and the Media can. For me there will be many more than 2 artists who will be remembered in history, yet you have to be specific about who's history. I have no problems with artists getting hyped either, if I made my point clear. I didnt read all the points of view but I was more addressing the general tone of many responses not just yours, I quoted you mainly for your last statement about Kaws and banksy being remembered only.
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Deleted
🗨️ 0
👍🏻
January 1970
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All HYPE or REAL talent?, by Deleted on Nov 13, 2014 10:48:02 GMT 1, So are Baked Beans hyped or advertised? I see you've trademarked Dr.Plip so i took the liberty of buying the domain names, www.Dr.Plip.com & www.Dr.Plip.co.uk, if you are unfortunate enough to be hyped and advertised give me a shout and we can work on a few products....Dr.Plip baked beans has a ring to it.... Edit just bought www.Dr.Plipbakedbeans.com and .co.uk
So are Baked Beans hyped or advertised? I see you've trademarked Dr.Plip so i took the liberty of buying the domain names, www.Dr.Plip.com & www.Dr.Plip.co.uk, if you are unfortunate enough to be hyped and advertised give me a shout and we can work on a few products....Dr.Plip baked beans has a ring to it.... Edit just bought www.Dr.Plipbakedbeans.com and .co.uk
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