Ultravue 70. The best clarity (better than MG), 70% UV protection. 1/3 the cost of MG.

Def not, any framer would do it for probably like 50-100$ plus cost of the UV glazing you'd like.

Probably will also need an anti-static brush and if the spacers are glued in, removal and replacement? 

Is there an equivalent of the above site for UK punters? I'm looking at swapping out glass for UV acrylic on some pre ordered frames etc. I'm wondering if there is a go-to website in the UK for this?

For me, I choose museum glass for works that I would be devastated if they were to get UV damage regardless of their value. Now generally speaking if works are valued upwards of 1000USD I will pay for the museum glass every time. Piece of mind for my hanging works far surpasses the upfront expense. 

As an added note, you can always use that same piece of glass for any other works if you decide to sell the current. You never lose your value when buying this.

In my opinion, everything worth framing is worth framing with UV protective glass.

Museum glass is a bit of a different story, drawings and prints with more intricate details would benefit more greatly from it. I’d also be more inclined to pony up for it on more expensive prints, Banksy, Kaws etc. Would have a hard time justifying the cost difference between anti uv and museum glass for a $45 Obey print.

Black and white Lino
Would have got a couple but need to save some £££

I have costing

31x23cm:
£27.50 with normal glass
£47.50 with museum glass.

50x36cm:
£42.50 with normal glass
££82.50 with museum glass.

50x50cm:
£50 with normal glass.
£100 with museum glass.

These quotes are based on the starting price for each size and is based on
the picture being fitted straight into the frame edge.

Did see the ikea ribba 50x50

Might grab that for the zedsy A/P poison apple from the set of 3 I have

I'm with Dannubs Seamo, really does make the print stand out.

Appreciate the prices, to be honest, I haven't broken down the prices like this, when recently getting something framed, because I've been so happy with the results, always tended to specify this.

I would add, I'm not the wealthiest, and not framing signed Banksy's.

Not sure of your location, but can certainly recommend MFM in the UK, they are very open as to the costs, and might be worth getting some comparable's on the prices you have obtained? I am quite a distance from them, but the shipping never an issue.

All the best with getting those framed up, some nice prints right there.

The most important thing is not placing any valuable artwork in direct sunlight. No UV filter will stop fade-/yellowing, if the sun reaches the artwork everyday. I only have posters and less valuable art in such places.

For me it's very important, that the art stands out better and both the image and colours pop.

I don't use Museums glass, since the price is very high, but I'm a big fan of True Vue/Art glass. Antireflective is a must for me, you can see the art from almost every angel without any reflections. You get either UV70 or UV92 protection and thats fine with me.

derivitive, thanks for the link to my company www.framedestination.com

There are a couple of different things being discusses here. One is UV protection and the other reflection control.

Any glass or acrylic will provide around 50% UV protection and is much better than nothing. Museum glass, and most glass with just a UV filter provide 98-99%. Artglass can be purchased with 92% or 99%. However, even with 99% UV filter if you leave the print in direct sunlight it can be damaged in short amount of time. Just moving a picture frame to a different part of a room can reduce the light intensity by over 10X so placement is critical.

Non glare glass and acrylic use an etched surface to reduce reflections. The advantage is lower cost. The disadvantage is very slight loss of sharpness (assuming it is high quality) and it will not work with a shadow box.

Anti-reflective glass uses a coating similar to that used on your glasses. No loss of sharpness and much better reduction of glare. Artglass and Museum glass both use this technology. Artglass has advantage of excellent scratch resistance and reduced orange peal effect unlike Museum glass. Both Artglass and Museum glass are also water white meaning they do not have the green tint normal glass does. Artglass can be purchased without the 92% UV filter at much lower cost for those wanting the better visibility but not concerned about archivability.