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Whats the favorite work of art you own?, by manty on Jan 16, 2011 18:04:25 GMT 1, Sod the Micallef, 2 a penny ;D
now that SPQR is pretty tasty not seen one of those, very very nice
Sod the Micallef, 2 a penny ;D
now that SPQR is pretty tasty not seen one of those, very very nice
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charlie
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Whats the favorite work of art you own?, by charlie on Jan 16, 2011 19:09:21 GMT 1, Charlie that Vedran has a really intense story behind it, of which I can't remember. Whats is it?.
This relates to the story of Vedran Smailovic, principal cellist of the Sarajevo Opera, and the picture which was the inspiration:
The year was 1992. The former Yugoslavia had erupted in ethnic strife and beautiful Sarajevo, with its rich theatre and art traditions, had transformed into Europe’s “capital of hell”.
At 4 pm on May 27, as a long queue waited patiently for bread in front of one of the last functional bakeries in the city, a mortar shell dropped in the middle of it, killing 22 people instantly. Smailovic looked out of his window to find flesh, blood, bone, and rubble splattered over the area. It was the moment he knew he had had enough.
Smailovic was 37 at the time, widely recognised as an exceptionally talented cello player. Till 1992, he had been occupied with his involvements in the Sarajevo Opera, the Sarajevo Philharmonic Orchestra, the Symphony Orchestra RTV Sarajevo, and the National Theatre of Sarajevo, as well as playing the festival circuit and working in recording studios.
Smailovic felt enraged by what was happening around him and powerless to do anything about it. He was neither a politician nor a soldier, just a musician. How could he do anything about the war? Did that mean he would just stand by and watch people die, fearing all the while for his own life? In the long, dark night that followed the bread-queue massacre, Smailovic thought long and deep. With the dawn of a new day, he had made up his mind that he would do something, and that something would be what he knew best—make music.
So every evening after that, at 4 pm, Smailovic would walk to the middle of the street, where the massacre had occurred. He would be dressed formally, as for a performance. There he would sit, on a battered camp stool placed in the crater made by the shell, his cello in his hand, playing music. All around him, mortar shells and bullets would fly. Yet he would play on regardless, perhaps substituting the war noise with applause in his mind.
For 22 days, one each for the people killed, Smailovic played in the same spot.
Charlie that Vedran has a really intense story behind it, of which I can't remember. Whats is it?. This relates to the story of Vedran Smailovic, principal cellist of the Sarajevo Opera, and the picture which was the inspiration: The year was 1992. The former Yugoslavia had erupted in ethnic strife and beautiful Sarajevo, with its rich theatre and art traditions, had transformed into Europe’s “capital of hell”. At 4 pm on May 27, as a long queue waited patiently for bread in front of one of the last functional bakeries in the city, a mortar shell dropped in the middle of it, killing 22 people instantly. Smailovic looked out of his window to find flesh, blood, bone, and rubble splattered over the area. It was the moment he knew he had had enough. Smailovic was 37 at the time, widely recognised as an exceptionally talented cello player. Till 1992, he had been occupied with his involvements in the Sarajevo Opera, the Sarajevo Philharmonic Orchestra, the Symphony Orchestra RTV Sarajevo, and the National Theatre of Sarajevo, as well as playing the festival circuit and working in recording studios. Smailovic felt enraged by what was happening around him and powerless to do anything about it. He was neither a politician nor a soldier, just a musician. How could he do anything about the war? Did that mean he would just stand by and watch people die, fearing all the while for his own life? In the long, dark night that followed the bread-queue massacre, Smailovic thought long and deep. With the dawn of a new day, he had made up his mind that he would do something, and that something would be what he knew best—make music. So every evening after that, at 4 pm, Smailovic would walk to the middle of the street, where the massacre had occurred. He would be dressed formally, as for a performance. There he would sit, on a battered camp stool placed in the crater made by the shell, his cello in his hand, playing music. All around him, mortar shells and bullets would fly. Yet he would play on regardless, perhaps substituting the war noise with applause in his mind. For 22 days, one each for the people killed, Smailovic played in the same spot.
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Warm Gun
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Whats the favorite work of art you own?, by Warm Gun on Jan 16, 2011 19:14:20 GMT 1, then what happened....you can't just end it there!
then what happened....you can't just end it there!
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Whats the favorite work of art you own?, by manty on Jan 16, 2011 19:16:20 GMT 1, then what happened....you can't just end it there!
Agreed
then what happened....you can't just end it there! Agreed
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charlie
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Whats the favorite work of art you own?, by charlie on Jan 16, 2011 19:21:33 GMT 1, then what happened....you can't just end it there! Agreed
ok
the rest of the story - at least according to Google
Smailovic continued to play his music of hope until December 1993, in graveyards and bombsites. He had decided to “daily offer a musical prayer for peace”, he said. As his story began to filter into the press, he became a symbol for peace in Bosnia. An English composer, David Wilde, was so moved by the story that he wrote a composition for unaccompanied cello, simply called ‘The Cellist of Sarajevo’, into which he poured his own feelings of outrage, love, and brotherhood with Vedran Smailovic.
Celebrated cellist Yo Yo Ma played this piece at the International Cello Festival in Manchester, England, in 1994. Pianist Paul Sullivan, who was present, describes it thus: “Quietly, almost imperceptibly, the music began, stealing out into the hushed hall and creating a shadowy, empty universe, ominous with the presence of death, haunting in its echoes. Slowly it built, growing relentlessly into an agonised, screaming, slashing furore, gripping us all, before subsiding at last into a hollow death rattle, and finally, back to the silence from which it had begun.
“When he had finished, Yo Yo Ma remained bent over his cello. His bow still rested on the strings. No one in the hall moved, not a sound was made for a long, long time. It was as though we had just witnessed that horrifying massacre ourselves. Finally still in silence, Yo Yo slowly straightened in his chair, looked out across the audience, and stretched out his hand toward us. All eyes followed as he beckoned someone to come to the stage, and an indescribable electric shock swept over us as we realised who it was: Vedran Smailovic—the cellist of Sarajevo himself! He rose from his seat and walked down the aisle as Yo Yo came off the stage and headed up the aisle to meet him. With arms flung wide, they met each other in a passionate embrace just inches from my seat.
“The drama was unbelievable, as everyone in the hall leaped to his or her feet in a chaotic emotional frenzy: clapping, weeping, shouting, embracing, and cheering. It was deafening, overwhelming, a tidal wave of emotion. And in the centre of it at stood these two men, still hugging, both crying freely. Yo Yo Ma, the suave, elegant prince of classical music worldwide, flawless in appearance and performance. And Vedran Smailovic, who had just escaped from Sarajevo, dressed in a stained and tattered leather motorcycle suit with fringe on the arms. His wild long hair and huge moustache framed a face that looked old beyond his years, creased with pain and soaked with so many tears.”
In the years since his heroic anti-war statement, Smailovic has relocated to Belfast, Ireland, where he performs, composes, conducts, and produces music locally and internationally. But the message of this story is greater than the man who made it. As American philosopher Robert Fulghum says in his book Maybe (Maybe Not): Second Thoughts From a Secret Life: “Listen. Never, ever, regret or apologise for believing that when one man or one woman decides to risk addressing the world with truth, the world may stop what it is doing and hear. There is too much evidence to the contrary. When we cease believing this, the music will surely stop. The myth of the impossible dream is more powerful than all the facts of history. In my imagination, I lay flowers at the statue memorialising Vedran Smailovic—a monument that has not yet been built, but may be.”
then what happened....you can't just end it there! Agreed ok the rest of the story - at least according to Google Smailovic continued to play his music of hope until December 1993, in graveyards and bombsites. He had decided to “daily offer a musical prayer for peace”, he said. As his story began to filter into the press, he became a symbol for peace in Bosnia. An English composer, David Wilde, was so moved by the story that he wrote a composition for unaccompanied cello, simply called ‘The Cellist of Sarajevo’, into which he poured his own feelings of outrage, love, and brotherhood with Vedran Smailovic. Celebrated cellist Yo Yo Ma played this piece at the International Cello Festival in Manchester, England, in 1994. Pianist Paul Sullivan, who was present, describes it thus: “Quietly, almost imperceptibly, the music began, stealing out into the hushed hall and creating a shadowy, empty universe, ominous with the presence of death, haunting in its echoes. Slowly it built, growing relentlessly into an agonised, screaming, slashing furore, gripping us all, before subsiding at last into a hollow death rattle, and finally, back to the silence from which it had begun. “When he had finished, Yo Yo Ma remained bent over his cello. His bow still rested on the strings. No one in the hall moved, not a sound was made for a long, long time. It was as though we had just witnessed that horrifying massacre ourselves. Finally still in silence, Yo Yo slowly straightened in his chair, looked out across the audience, and stretched out his hand toward us. All eyes followed as he beckoned someone to come to the stage, and an indescribable electric shock swept over us as we realised who it was: Vedran Smailovic—the cellist of Sarajevo himself! He rose from his seat and walked down the aisle as Yo Yo came off the stage and headed up the aisle to meet him. With arms flung wide, they met each other in a passionate embrace just inches from my seat. “The drama was unbelievable, as everyone in the hall leaped to his or her feet in a chaotic emotional frenzy: clapping, weeping, shouting, embracing, and cheering. It was deafening, overwhelming, a tidal wave of emotion. And in the centre of it at stood these two men, still hugging, both crying freely. Yo Yo Ma, the suave, elegant prince of classical music worldwide, flawless in appearance and performance. And Vedran Smailovic, who had just escaped from Sarajevo, dressed in a stained and tattered leather motorcycle suit with fringe on the arms. His wild long hair and huge moustache framed a face that looked old beyond his years, creased with pain and soaked with so many tears.” In the years since his heroic anti-war statement, Smailovic has relocated to Belfast, Ireland, where he performs, composes, conducts, and produces music locally and internationally. But the message of this story is greater than the man who made it. As American philosopher Robert Fulghum says in his book Maybe (Maybe Not): Second Thoughts From a Secret Life: “Listen. Never, ever, regret or apologise for believing that when one man or one woman decides to risk addressing the world with truth, the world may stop what it is doing and hear. There is too much evidence to the contrary. When we cease believing this, the music will surely stop. The myth of the impossible dream is more powerful than all the facts of history. In my imagination, I lay flowers at the statue memorialising Vedran Smailovic—a monument that has not yet been built, but may be.”
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Whats the favorite work of art you own?, by manty on Jan 16, 2011 19:26:09 GMT 1, Now thats ART
Now thats ART
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Warm Gun
Junior Member
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Whats the favorite work of art you own?, by Warm Gun on Jan 16, 2011 19:26:43 GMT 1, Brilliant, Thanks charlieandpip
What a wonderful story and a great canvas.
Brilliant, Thanks charlieandpip
What a wonderful story and a great canvas.
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Deleted
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January 1970
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Whats the favorite work of art you own?, by Deleted on Jan 16, 2011 19:43:23 GMT 1, thanks for this inspiring story chalieandpip! makes me think about life. great!
thanks for this inspiring story chalieandpip! makes me think about life. great!
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Deleted
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January 1970
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Whats the favorite work of art you own?, by Deleted on Jan 16, 2011 20:35:13 GMT 1, Charlie my good man, thanks for that. SPQR really nailed that one. Beats the Micallef imo.
Charlie my good man, thanks for that. SPQR really nailed that one. Beats the Micallef imo.
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basho
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Whats the favorite work of art you own?, by basho on Jan 16, 2011 20:46:48 GMT 1, Yeah, certainly is. One of Micallef's finest I think. Saw one of the M&S prints on here recently framed up all in white and floated which looked stunning too.
Yeah that was mine ;D Cheers
Yeah, certainly is. One of Micallef's finest I think. Saw one of the M&S prints on here recently framed up all in white and floated which looked stunning too. Yeah that was mine ;D Cheers
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Whats the favorite work of art you own?, by alivefromnewyork on Jan 16, 2011 20:54:41 GMT 1, Specter
Nice one, afr1ka! My Specter is also my favorite.
Specter Nice one, afr1ka! My Specter is also my favorite.
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pcant
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Whats the favorite work of art you own?, by pcant on Jan 16, 2011 21:04:47 GMT 1, AFNY: great piece, but I gotta ask: are the tinned goods real? If so, keep an eye on them, if one tin suffers a failure, it could leave a big mess (happened to me in my pantry once, not pretty). If they're reproductions, they're pretty damn good ones.
AFNY: great piece, but I gotta ask: are the tinned goods real? If so, keep an eye on them, if one tin suffers a failure, it could leave a big mess (happened to me in my pantry once, not pretty). If they're reproductions, they're pretty damn good ones.
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Whats the favorite work of art you own?, by alivefromnewyork on Jan 16, 2011 21:32:57 GMT 1, Thanks, pcant. Yeah, the tin goods are the real deal. Everything is real except for the Jello mix and Jiffy cake mix, which have been replaced with little rocks to weigh the boxes down. I'm definitely keeping a watchful eye on the piece (it'd be hard not to- it's on my mantel!).
Thanks, pcant. Yeah, the tin goods are the real deal. Everything is real except for the Jello mix and Jiffy cake mix, which have been replaced with little rocks to weigh the boxes down. I'm definitely keeping a watchful eye on the piece (it'd be hard not to- it's on my mantel!).
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pcant
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Whats the favorite work of art you own?, by pcant on Jan 16, 2011 21:56:11 GMT 1, Plus, if you have to replace a bad tin, then the piece evolves right in front of you. Very cool indeed.
Plus, if you have to replace a bad tin, then the piece evolves right in front of you. Very cool indeed.
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Whats the favorite work of art you own?, by St. Art Gallery on Jan 16, 2011 22:36:04 GMT 1, Two of my favourite pieces are In God We Trust by Beejoir (180 x 138 cm) and Banned Frank by T.
Two of my favourite pieces are In God We Trust by Beejoir (180 x 138 cm) and Banned Frank by T.
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sakyamuni
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Whats the favorite work of art you own?, by sakyamuni on Jan 16, 2011 22:40:07 GMT 1, Specter love that, brilliant
Specter love that, brilliant
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Whats the favorite work of art you own?, by speebe on Jan 16, 2011 22:51:38 GMT 1, I enjoy looking at this/these when I get home.
A handy drinks cupboard too.
Although a new EINE canvas due soon may make for some stiff competitionon.
I enjoy looking at this/these when I get home. A handy drinks cupboard too. Although a new EINE canvas due soon may make for some stiff competitionon.
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Riley
Artist
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Whats the favorite work of art you own?, by Riley on Jan 16, 2011 23:39:15 GMT 1, Guess mine would have to be this:
Guess mine would have to be this:
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Whats the favorite work of art you own?, by Guest on Jan 17, 2011 0:12:32 GMT 1, some really great art on this thread, nice to see for a change.
some really great art on this thread, nice to see for a change.
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darhart
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Whats the favorite work of art you own?, by darhart on Jan 17, 2011 9:48:51 GMT 1, I'm very jealous of the Bast's posted on the last couple of pages.
It hasn't arrived yet, but i have just bought what i think will be my favorite piece on saturday. (Not Bast )
I'm very jealous of the Bast's posted on the last couple of pages. It hasn't arrived yet, but i have just bought what i think will be my favorite piece on saturday. (Not Bast )
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timba82
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Whats the favorite work of art you own?, by timba82 on Jan 17, 2011 11:07:41 GMT 1, this one gives me by far and away the most joy out of anything i own.
this one gives me by far and away the most joy out of anything i own.
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saint
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Whats the favorite work of art you own?, by saint on Jan 17, 2011 11:21:45 GMT 1, Timba that phone looks like its from the 1970's! Nice Matt S tho, good stuff.
Timba that phone looks like its from the 1970's! Nice Matt S tho, good stuff.
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timba82
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Whats the favorite work of art you own?, by timba82 on Jan 17, 2011 12:56:33 GMT 1, mate those mobiles do as well!!
mate those mobiles do as well!!
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murdock
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Whats the favorite work of art you own?, by murdock on Jan 17, 2011 16:02:39 GMT 1, From SK's show in Germany...
Hey, Otto. I really would have thought, your favorite is sth different (from a certain couple that rhymes with This Lucks)...
But I love show prints, too ;D
From SK's show in Germany... Hey, Otto. I really would have thought, your favorite is sth different (from a certain couple that rhymes with This Lucks)... But I love show prints, too ;D
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jfury
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Whats the favorite work of art you own?, by jfury on Jan 17, 2011 17:58:07 GMT 1, probably this
probably this
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timba82
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Whats the favorite work of art you own?, by timba82 on Jan 17, 2011 18:28:27 GMT 1, very cool jfury
very cool jfury
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Whats the favorite work of art you own?, by James Smith 77 on Jan 17, 2011 18:28:58 GMT 1, My Ahmed Alsoudani
My Ahmed Alsoudani
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Harveyn
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Whats the favorite work of art you own?, by Harveyn on Jan 17, 2011 19:42:04 GMT 1, Lots of fabulous pieces on this thread. BK83 that is one of the best Harringtons I have seen.
jamesmith77 I am extremely envious of you piece by Alsoudani. Just fantastic.
My Ahmed Alsoudani
Lots of fabulous pieces on this thread. BK83 that is one of the best Harringtons I have seen. jamesmith77 I am extremely envious of you piece by Alsoudani. Just fantastic. My Ahmed Alsoudani
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maroom
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Whats the favorite work of art you own?, by maroom on Jan 17, 2011 20:25:24 GMT 1, Tough to pick one but I'm going for this Peter Blake with added birds from Matt Sewell:
Tough to pick one but I'm going for this Peter Blake with added birds from Matt Sewell:
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Whats the favorite work of art you own?, by Alan Craig on Jan 17, 2011 20:39:42 GMT 1, Those Matt Sewell birds are great
Those Matt Sewell birds are great
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